Da
Mullen Books, ABAA, Marietta, PA, U.S.A.
Valutazione del venditore 4 su 5 stelle
Heritage Bookseller
Membro AbeBooks dal 1996
Quarto. Hardcover. Black cloth binding in pictorial jacket. xii, 188 pages : illustrations (some color) ; 30 cm. VG. Light wear on the bottom edge of the jacket and a little bumping at the head of the spine. Codice articolo 205303
This book chronicles the invention of an art - and equally, the art of invention. Two men who had long been friends and scientific colleagues became close collaborators on the public announcement of the discovery of photography in 1839. At the beginning of that year, William Henry Fox Talbot had been surprised by the announcement in Paris that Louis Daguerre had invented a photographic process. His subsequent actions, and those of his rival, mirrored the competitive economic race, and the differences in support of science and art, between France and Britain. There was no technical breakthrough to account for the explosive growth of interest and activity. Both the camera and the necessary chemistry had co-existed for some time and this book addresses the question of why rather than how photography was finally invented. Why did Talbot wait so long to reveal a process that he had mastered years earlier? Why did Sir John Herschel, the pre-eminent Victorian scientist, and an accomplished artist, make such fundamental contributions to the process and yet take so few photographs himself? Who or what provided the visual training that allowed Talbot to become the first photographic artist? Larry Schaaf employs hundreds of little-studied letters, notebooks and diaries to illuminate the intellectual and artistic development and relationship of these two men. Much of the story lies in very human concerns; the weather, politics, family pressures and ill health had as much to do with developments as any scientific or artistic concerns. Both men were humanists of diverse interests, both were fellows of the Royal Society, both had strong female role models, and for both science and art were inextricably linked. The remarkable story of this invention is illustrated by more than 100 near-facsimile reproductions in colour and multi-coloured duotones of some of the earliest photographs ever made.
Product Description: Book by Schaaf Mr Larry J
Titolo: Out of the Shadows : Herschel, Talbot, and ...
Casa editrice: Yale University Press, New Haven, CT
Data di pubblicazione: 1992
Legatura: Hardcover
Da: Antiquariat Bookfarm, Löbnitz, Germania
4°, HC. 188 S. HC. Bei dem Buch handelt es sich um ein ehemaliges Bibliotheksexemplar mit Signatur und Stempel. 0300057059 Sprache: Englisch Gewicht in Gramm: 1089. Codice articolo 4185548
Quantità: 1 disponibili
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. Codice articolo M0300057059Z4
Quantità: 6 disponibili
Da: Sheapast Art and Books, Sherman Oaks, CA, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Out of the Shadows: Herschel, Talbot, and the Invention of Photography by Larry J.Schaaf ; hardcover in dustjacket. 1st edition. Yale University Press, 1992. This book chronicles the invention of an art - and equally, the art of invention. Two men who had long been friends and scientific colleagues became close collaborators on the public announcement of the discovery of photography in 1839. At the beginning of that year, William Henry Fox Talbot had been surprised by the announcement in Paris that Louis Daguerre had invented a photographic process. His subsequent actions, and those of his rival, mirrored the competitive economic race, and the differences in support of science and art, between France and Britain. "some jacket edge wear, small tears, previous owners blindstamp inside otherwise clean and tight". Codice articolo BX84-2
Quantità: 1 disponibili
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Codice articolo M0300057059Z3
Quantità: 19 disponibili
Da: BMV Bloor, Toronto, ON, Canada
Condizione: Very Good. Hardcover with dust-jacket. No notes or highlights. Some light scuffing to covers of dj. Used - Very Good. Codice articolo 34-a - 00043
Quantità: 1 disponibili
Da: Rexon Limited LLC, Henderson, NV, U.S.A.
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Condition: as new. Dust jacket: as new. Mylar protective cover. Slip case. Printed in Italy by Stamperia Valdonega SRL. Codice articolo 47
Quantità: 1 disponibili
Da: Avol's Books LLC, Madison, WI, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Faint dust spotting to top edge, small sticker pull in top right corner of front flyleaf. Otherwise Fine in dust jacket. Codice articolo 227358
Quantità: 1 disponibili
Da: Stephen Bulger Gallery, Toronto, ON, Canada
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Codice articolo DH0165
Quantità: 1 disponibili
Da: Rare Book Cellar, Pomona, NY, U.S.A.
Hardcover. First Edition; First Printing. Very Good+ in a Very Good+ slipcase. Light foxing on both pastedowns. Both slipcase panels lightly toned. ; 8.75 X 1.25 X 11.5 inches; 200 pages. Codice articolo 174072
Quantità: 1 disponibili