Paul Robeson and the Cold War Performance Complex

Tony Perucci

Editore: The University of Michigan Press, 2012
ISBN 10: 0472051687 / ISBN 13: 9780472051687
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Riassunto: Two key performances by Paul Robeson shed light on the Cold War era

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Titolo: Paul Robeson and the Cold War Performance ...
Casa editrice: The University of Michigan Press
Data di pubblicazione: 2012
Legatura: Paperback
Condizione libro: New

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Perucci, Tony
Editore: University of Michigan Press (2012)
ISBN 10: 0472051687 ISBN 13: 9780472051687
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Descrizione libro University of Michigan Press, 2012. Paperback. Condizione: Very Good. Text clean and solid; Theater: Theory/Text/Performance; 8.90 X 5.90 X 0.70 inches; 232 pages. Codice articolo 187533

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Descrizione libro Univ Michigan Press. Condizione: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice articolo 2266627

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Editore: The University of Michigan Press (2012)
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Descrizione libro The University of Michigan Press, 2012. PAP. Condizione: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice articolo CE-9780472051687

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Descrizione libro The University of Michigan Press, United States, 2012. Paperback. Condizione: New. Language: English . Brand New Book. Actor and singer Paul Robeson s performances in Othello, Show Boat, and The Emperor Jones made him famous, but his midcentury appearances in support of causes ranging from labor and civil rights to anti-lynching and American warmongering made him notorious. When Robeson announced at the 1949 Paris Peace Conference that it was unthinkable for blacks to go to war against the Soviet Union, the mainstream American press declared him insane.Notions of Communism, blackness, and insanity were interchangeably deployed during the Cold War to discount activism such as Robeson s, just a part of an array of social and cultural practices that author Tony Perucci calls the Cold War performance complex. Focusing on two key Robeson performances-the concerts in Peekskill, New York, in 1949 and his appearance before the House Committee on Un-American Activities in 1956-Perucci demonstrates how these performances and the government s response to them are central to understanding the history of Cold War culture in the United States. His book provides a transformative new perspective on how the struggle over the politics of performance in the 1950s was also a domestic struggle over freedom and equality. The book closely examines both of these performance events as well as artifacts from Cold War culture-including congressional documents, FBI files, foreign policy papers, the popular literature on mental illness, and government propaganda films-to study the operation of power and activism in American Cold War culture. Codice articolo AAN9780472051687

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Descrizione libro The University of Michigan Press, United States, 2012. Paperback. Condizione: New. Language: English . Brand New Book. Actor and singer Paul Robeson s performances in Othello, Show Boat, and The Emperor Jones made him famous, but his midcentury appearances in support of causes ranging from labor and civil rights to anti-lynching and American warmongering made him notorious. When Robeson announced at the 1949 Paris Peace Conference that it was unthinkable for blacks to go to war against the Soviet Union, the mainstream American press declared him insane.Notions of Communism, blackness, and insanity were interchangeably deployed during the Cold War to discount activism such as Robeson s, just a part of an array of social and cultural practices that author Tony Perucci calls the Cold War performance complex. Focusing on two key Robeson performances-the concerts in Peekskill, New York, in 1949 and his appearance before the House Committee on Un-American Activities in 1956-Perucci demonstrates how these performances and the government s response to them are central to understanding the history of Cold War culture in the United States. His book provides a transformative new perspective on how the struggle over the politics of performance in the 1950s was also a domestic struggle over freedom and equality. The book closely examines both of these performance events as well as artifacts from Cold War culture-including congressional documents, FBI files, foreign policy papers, the popular literature on mental illness, and government propaganda films-to study the operation of power and activism in American Cold War culture. Codice articolo AAN9780472051687

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Descrizione libro University of Michigan Press. Paperback. Condizione: New. New copy - Usually dispatched within 2 working days. Codice articolo B9780472051687

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Tony Perucci
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Descrizione libro The University of Michigan Press, United States, 2012. Paperback. Condizione: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Actor and singer Paul Robeson s performances in Othello, Show Boat, and The Emperor Jones made him famous, but his midcentury appearances in support of causes ranging from labor and civil rights to anti-lynching and American warmongering made him notorious. When Robeson announced at the 1949 Paris Peace Conference that it was unthinkable for blacks to go to war against the Soviet Union, the mainstream American press declared him insane.Notions of Communism, blackness, and insanity were interchangeably deployed during the Cold War to discount activism such as Robeson s, just a part of an array of social and cultural practices that author Tony Perucci calls the Cold War performance complex. Focusing on two key Robeson performances-the concerts in Peekskill, New York, in 1949 and his appearance before the House Committee on Un-American Activities in 1956-Perucci demonstrates how these performances and the government s response to them are central to understanding the history of Cold War culture in the United States. His book provides a transformative new perspective on how the struggle over the politics of performance in the 1950s was also a domestic struggle over freedom and equality. The book closely examines both of these performance events as well as artifacts from Cold War culture-including congressional documents, FBI files, foreign policy papers, the popular literature on mental illness, and government propaganda films-to study the operation of power and activism in American Cold War culture. Codice articolo BTE9780472051687

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Descrizione libro University of Michigan Press. Condizione: New. Paperback. Worldwide shipping. FREE fast shipping inside USA (express 2-3 day delivery also available). Tracking service included. Ships from United States of America. Codice articolo 0472051687

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Descrizione libro University of Michigan Press, US, 2012. Paperback. Condizione: New. 0472051687 New paperback. INTERNATIONAL ORDERS SENT BY AIRMAIL. POSTED WITHIN ONE WORKING DAY. Codice articolo 11968

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Descrizione libro Univ of Michigan Pr, 2012. Paperback. Condizione: Brand New. 217 pages. 9.00x6.25x0.75 inches. In Stock. Codice articolo __0472051687

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