Titolo: The Philosophy of War Films (The Philosophy ...
Casa editrice: University Press of Kentucky
Data di pubblicazione: 2014
Condizione libro: New
Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "LaRocca offers a synoptic anthology of essays that brings to our attention how war films can provoke contemplation and meditation because of the ways that such films inevitably focus on the mortality and vulnerability of human beings. The essays, written by an outstanding array of international scholars, work out various ways in which the genre can compel our thinking to become philosophical. This collection of essays constitute a significant contribution to not only the philosophy of the war film, but also to philosophy of film itself." -- Daniel Flory, Montana State University. Codice inventario libreria ABE_book_new_0813141680
Riassunto: Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen.
In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war.
Drawing upon analyses of iconic and critically acclaimed war films such as Saving Private Ryan (1998), The Thin Red Line (1998), Rescue Dawn (2006), Restrepo (2010), and Zero Dark Thirty (2012), this volume's examination of the genre creates new ways of thinking about the philosophy of war. A fascinating look at the manner in which combat and its aftermath are depicted cinematically, The Philosophy of War Films is a timely and engaging read for any philosopher, filmmaker, reader, or viewer who desires a deeper understanding of war and its representation in popular culture.
David LaRocca is visiting scholar in the Department of English at Cornell University and lecturer in value theory and film in the Department of Philosophy at the State University of New York College at Cortland. He is the author of Emerson's English Traits and the Natural History of Metaphor and editor of The Philosophy of Charlie Kaufman and Stanley Cavell's Emerson's Transcendental Etudes.
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Libreria AbeBooks dal: 7 maggio 2014
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