Releasing the Image: From Literature to New Media

Editore: Stanford University Press, 2011
ISBN 10: 080476137X / ISBN 13: 9780804761376
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Riassunto: It has become a commonplace that "images" were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology―the work of Husserl, Heidegger, and Merleau-Ponty―and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.

About the Author: Jacques Khalip is Associate Professor of English and Modern Culture and Media at Brown University. He is the author of Anonymous Life: Romanticism and Dispossession (2009). Robert Mitchell is Associate Professor of English at Duke University and author of Bioart and the Vitality of Media (2010).

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Titolo: Releasing the Image: From Literature to New ...
Casa editrice: Stanford University Press
Data di pubblicazione: 2011
Condizione libro: very good

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Editore: Stanford University Press (2011)
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Descrizione libro Stanford University Press, 2011. HRD. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IP-9780804761376

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Descrizione libro Stanford University Press. Hardcover. Condizione libro: New. Hardcover. 304 pages. Dimensions: 9.3in. x 6.1in. x 0.9in.It has become a commonplace that images were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenologythe work of Husserl, Heidegger, and Merleau-Pontyand to Gilles Deleuzes post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Czannes painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Codice libro della libreria 9780804761376

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Descrizione libro Stanford University Press, United States, 2011. Hardback. Condizione libro: New. Language: English . Brand New Book ***** Print on Demand *****. It has become a commonplace that images were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology-the work of Husserl, Heidegger, and Merleau-Ponty-and to Gilles Deleuze s post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cezanne s painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology. Codice libro della libreria APC9780804761376

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Descrizione libro Stanford University Press, United States, 2011. Hardback. Condizione libro: New. Language: English . Brand New Book ***** Print on Demand *****.It has become a commonplace that images were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology-the work of Husserl, Heidegger, and Merleau-Ponty-and to Gilles Deleuze s post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cezanne s painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology. Codice libro della libreria APC9780804761376

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Descrizione libro Stanford University Press, 2011. Hardcover. Condizione libro: New. book. Codice libro della libreria 080476137X

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Descrizione libro Stanford University Press. Hardcover. Condizione libro: Good. 080476137X Crisp, clean, unread book with some shelfwear, a missing dust jacket, and a remainder mark to one edge - still NICE. Codice libro della libreria Z080476137XZ3

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Jacques Khalip, Robert Mitchell, Giorgio Agamben
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Descrizione libro Stanford University Press. Hardback. Condizione libro: new. BRAND NEW, Releasing the Image: From Literature to New Media, Jacques Khalip, Robert Mitchell, Giorgio Agamben, It has become a commonplace that "images" were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology - the work of Husserl, Heidegger, and Merleau-Ponty - and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cezanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology. Codice libro della libreria B9780804761376

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Jacques Khalip (Editor), Robert Mitchell (Editor), Giorgio Agamben (Editor), Cesare Casarino (Editor), Peter Geimer (Editor), Mark Hansen (Editor)
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Descrizione libro Stanford University Press, 2011. Hardcover. Condizione libro: New. Codice libro della libreria DADAX080476137X

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