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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: This book examines the social and cultural conditions that governed performance art in the German Middle Ages from 1170 to 1400. Poet-performers are central to understanding both literature and performance art because these entertainers, more than any other group, influenced the creation, dissemination, and interpretation of the medieval poetic oeuvre. Performance theory is used as a framework throughout. Since no social history of poet-performers exists in English, part I presents a social history that re-examines what is known about social status, cultural image and employment. Part II investigates the affective nature of performance and focuses on poet-composer-performers. This study argues that the techniques and principles of performance (body movement, gesture, voice modulation, instrumentation) and the goals of creating a memorable, even electrifying experience for audiences determine the performer's lifestyle and also the thematic and rhetorical strategies of their compositions. The itinerant poet-performer presented himself as a moral judge and critic of epoch-making political events. His performances transform time, place and people and thus become a socializing process that can change people's attitudes. Poet-minstrels were capable of re-membering the listeners' memories of the past during the intense present of the performance. Readings of several texts are offered, including romances, the political songs of well-known poet-performers (i.e. Walther von der Vogelweide) and the gnomic poets (Spruchdichter) whose songs have been neglected until now. The songs are quite intricate and multivalent as they masterfully display an aesthetic totally integrated with their performative context. Codice inventario libreria

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Riassunto: This book examines the social and cultural conditions that governed performance art in the German Middle Ages from 1170 to 1400. Poet-performers are central to understanding both literature and performance art because these entertainers, more than any other group, created, disseminated, and interpreted the medieval poetic oeuvre. Performance theory is used as a framework throughout. This study argues that performance techniques (gesture, voice, instrumentation) that create an electrifying experience for audiences determine the performer's lifestyle and also the thematic and rhetorical strategies of their compositions. The itinerant poet-performer presented himself as a moral judge and critic of epoch-making political events. His performances transform time, place and people and thus become a socializing process that can change people's attitudes. Poet-minstrels were capable of re-membering the listeners' memories of the past during the intense present of the performance.

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Dobozy, Maria
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Descrizione libro Brepols Publishers. Hardcover. Condizione libro: Used: Like New. Looks almost new, tight and solid. Very clean with no markings or writing. 100% Money Back Guarantee on all Items. We ship DAILY with free delivery confirmation. Choose expedited for FAST delivery. We believe in providing accurate grading on used books and excellent customer service. Thousands of satisfied customers. buy with confidence. 100% Money Back Guarantee on all Items. We believe in providing accurate grading on used books and excellent customer service. Buy with confidence!. Codice libro della libreria TX-150119018

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Dobozy, Maria
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Descrizione libro Brepols Publishers, 2005. Condizione libro: Good. N/A. Ships from Reno, NV. Shows some signs of wear, and may have some markings on the inside. Codice libro della libreria GRP92268914

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Descrizione libro Brepols, Turnhout, 2005. ill. Hardcover. Condizione libro: Excellent. 353 p, bibliography. Coll. "Disputatio. Volume 6". Weight : 835 gr. Catalogue 26776 M. Size: 8°. Codice libro della libreria 006324

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Descrizione libro Brepols N.V. 2005-06-20, 2005. Hardcover. Condizione libro: New. Codice libro della libreria NU-MAR-00042939

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Descrizione libro Brepols N.V. 2005-06-20, Turnhout, 2005. hardback. Condizione libro: New. Codice libro della libreria 9782503515168

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Descrizione libro Brepols N.V. Hardback. Condizione libro: new. BRAND NEW, Re-Membering the Present: The Medieval German Poet-Minstrel in Cultural Context, Maria Dobozy, This book examines the social and cultural conditions that governed performance art in the German Middle Ages from 1170 to 1400. Poet-performers are central to understanding both literature and performance art because these entertainers, more than any other group, created, disseminated, and interpreted the medieval poetic oeuvre. Performance theory is used as a framework throughout. This study argues that performance techniques (gesture, voice, instrumentation) that create an electrifying experience for audiences determine the performer's lifestyle and also the thematic and rhetorical strategies of their compositions. The itinerant poet-performer presented himself as a moral judge and critic of epoch-making political events. His performances transform time, place and people and thus become a socializing process that can change people's attitudes. Poet-minstrels were capable of re-membering the listeners' memories of the past during the intense present of the performance. Codice libro della libreria B9782503515168

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Descrizione libro Brepols N.V., 2005. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CA-9782503515168

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Descrizione libro Brepols Publishers, 2005. Hardcover. Condizione libro: New. 2503515169. Codice libro della libreria 8715H

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Descrizione libro Brepols Publishers 0. Hardcover. Condizione libro: Verlagsfrisch New copy. Verlagsfrisch New copy Disputatio DISPUT 6 Re-Membering the Present The Medieval German Poet-Minstrel in Cultural Context M. Dobozy XIV+354 p., 4 b/w ill., 160 x 240 mm, 2005 ISBN: 978-2-503-51516-8 Languages: English Hardback The publication is available. Retail price: EUR 60,00 How to order? This book examines the social and cultural conditions that governed performance art in the German Middle Ages from 1170 to 1400. Poet-performers are central to understanding both literature and performance art because these entertainers, more than any other group, influenced the creation, dissemination, and interpretation of the medieval poetic oeuvre. Performance theory is used as a framework throughout. Since no social history of poet-performers exists in English, part I presents a social history that re-examines what is known about social status, cultural image and employment. Part II investigates the affective nature of performance and focuses on poet-composer-performers. This study argues that the techniques and principles of performance (body movement, gesture, voice modulation, instrumentation) and the goals of creating a memorable, even electrifying experience for audiences determine the performer's lifestyle and also the thematic and rhetorical strategies of their compositions. The itinerant poet-performer presented himself as a moral judge and critic of epoch-making political events. His performances transform time, place and people and thus become a socializing process that can change people's attitudes. Poet-minstrels were capable of re-membering the listeners' memories of the past during the intense present of the performance. Readings of several texts are offered, including romances, the political songs of well-known poet-performers (i.e. Walther von der Vogelweide) and the gnomic poets (Spruchdichter) whose songs have been neglected until now. The songs are quite intricate and multivalent as they masterfully display an aesthetic totally integrated with their performative context. "This is a thoughtful and thought-provoking study that breathes fresh life into the fashionable, yet often quite sclerotic, notion of "performance" as a major mode of medieval literary production and reception." ( M. Curschmann in Speculum, October 2006, p. 1181-1183). Buch. Codice libro della libreria 1236

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Descrizione libro Brepols Pub, 2005. Hardcover. Condizione libro: Brand New. 353 pages. 9.50x6.75x1.00 inches. In Stock. Codice libro della libreria __2503515169

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