Renaissance Manuscripts

Orth, Myra D.

Editore: Isd, 2016
ISBN 10: 1872501303 / ISBN 13: 9781872501307
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Titolo: Renaissance Manuscripts
Casa editrice: Isd
Data di pubblicazione: 2016
Legatura: Hardcover
Condizione libro: New

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M. Orth
Editore: Brepols Publishers 0, Versand an Institutionen auch gegen Rechnung
ISBN 10: 1872501303 ISBN 13: 9781872501307
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Descrizione libro Brepols Publishers 0, Versand an Institutionen auch gegen Rechnung. Hardcover. Condizione: Verlagsfrisch New copy. Versand an Institutionen auch gegen Rechnung (illustratore). Verlagsfrisch New copy Harvey Miller A Survey of Manuscripts Illuminated in France (HMMSF 4) Renaissance Manuscripts: The Sixteenth Century 2 vol. M. Orth 2 vol., 721 p., 321 b/w ill. + 55 colour ill., 230 x 330 mm, 2015 ISBN: 978-1-872501-30-7 Languages: English Hardback The publication is available. Retail price: EUR 250,00 This publication is the first comprehensive survey to establish the importance of Renaissance manuscript illumination in the history of sixteenth-century French art. Although illustrated printed books were circulating freely by the beginning of the sixteenth century, patronage of manuscripts became all the more special to the ruling elite, and commissions from the court, aristocratic circles and the higher clergy resulted in a surge of artistic creativity that produced a wide range of outstanding illustrated works from devotional books to translations of classical and humanistic texts. While continuing the tradition of French figurative art, ornamentation became a major element in the style of the period, with frames and borders becoming a significant feature of the aesthetic impact of the illuminated page. One hundred manuscripts have been chosen for this survey to represent the artistic excellence of French book production of the period, as well as to demonstrate the stylistic relationships between artists and between books that may be seen to form distinct groups. Many years of research enabled the author to identify the hands of individual illuminators, both named and anonymous, and to connect these to a particular artistic milieu or regional group. Moreover, not only are the stylistic aspects of the manuscripts analysed, but entirely new information regarding authorship, patronage and historical context are revealed here of hitherto unstudied material. The author, Myra Orth, completed her catalogue and introductory texts shortly before her sad death some years ago. Since that time, a number of scholars - specialists in French manuscripts studies of the period - have helped to update the literature that has more recently appeared relating to the manuscripts catalogued and to the individual artists and workshops discussed. Present locations of manuscripts that may have changed ownership since Dr Orth's submission of her work have also been noted. To accompany the detailed catalogue, the publication includes a corpus of 360 illustrations that offers a significant visual conspectus of manuscript illumination of the period. In addition to the introductory text, the author also provides brief biographies of Artists and Scribes, Authors and Translators, and Patrons and Dedicatees. Buch. Codice articolo 11947

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Orth Myra
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Descrizione libro Taylor & Francis Group. Condizione: New. pp. 480 Illus. Codice articolo 6550093

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Orth, Myra
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Descrizione libro Brepols Publishers, 2016. Hardcover. Condizione: New. 1872501303. Codice articolo 9668H

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M Orth
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Descrizione libro Brepols N.V., Belgium, 2016. Hardback. Condizione: New. Language: English . Brand New Book. This publication is the first comprehensive survey to establish the importance of Renaissance manuscript illumination in the history of sixteenth-century French art. Although illustrated printed books were circulating freely by the beginning of the sixteenth century, patronage of manuscripts became all the more special to the ruling elite, and commissions from the court, aristocratic circles and the higher clergy resulted in a surge of artistic creativity that produced a wide range of outstanding illustrated works from devotional books to translations of classical and humanistic texts. While continuing the tradition of French figurative art, ornamentation became a major element in the style of the period, with frames and borders becoming a significant feature of the aesthetic impact of the illuminated page. One hundred manuscripts have been chosen for this survey to represent the artistic excellence of French book production of the period, as well as to demonstrate the stylistic relationships between artists and between books that may be seen to form distinct groups. Many years of research enabled the author to identify the hands of individual illuminators, both named and anonymous, and to connect these to a particular artistic milieu or regional group. Moreover, not only are the stylistic aspects of the manuscripts analysed, but entirely new information regarding authorship, patronage and historical context are revealed here of hitherto unstudied material. The author, Myra Orth, completed her catalogue and introductory texts shortly before her sad death some years ago. Since that time, a number of scholars - specialists in French manuscripts studies of the period - have helped to update the literature that has more recently appeared relating to the manuscripts catalogued and to the individual artists and workshops discussed. Present locations of manuscripts that may have changed ownership since Dr Orth s submission of her work have also been noted. To accompany the detailed catalogue, the publication includes a corpus of 360 illustrations that offers a significant visual conspectus of manuscript illumination of the period. In addition to the introductory text, the author also provides brief biographies of Artists and Scribes, Authors and Translators, and Patrons and Dedicatees. Codice articolo AAJ9781872501307

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M Orth
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ISBN 10: 1872501303 ISBN 13: 9781872501307
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Descrizione libro Brepols N.V., Belgium, 2016. Hardback. Condizione: New. Language: English . Brand New Book. This publication is the first comprehensive survey to establish the importance of Renaissance manuscript illumination in the history of sixteenth-century French art. Although illustrated printed books were circulating freely by the beginning of the sixteenth century, patronage of manuscripts became all the more special to the ruling elite, and commissions from the court, aristocratic circles and the higher clergy resulted in a surge of artistic creativity that produced a wide range of outstanding illustrated works from devotional books to translations of classical and humanistic texts. While continuing the tradition of French figurative art, ornamentation became a major element in the style of the period, with frames and borders becoming a significant feature of the aesthetic impact of the illuminated page. One hundred manuscripts have been chosen for this survey to represent the artistic excellence of French book production of the period, as well as to demonstrate the stylistic relationships between artists and between books that may be seen to form distinct groups. Many years of research enabled the author to identify the hands of individual illuminators, both named and anonymous, and to connect these to a particular artistic milieu or regional group. Moreover, not only are the stylistic aspects of the manuscripts analysed, but entirely new information regarding authorship, patronage and historical context are revealed here of hitherto unstudied material. The author, Myra Orth, completed her catalogue and introductory texts shortly before her sad death some years ago. Since that time, a number of scholars - specialists in French manuscripts studies of the period - have helped to update the literature that has more recently appeared relating to the manuscripts catalogued and to the individual artists and workshops discussed. Present locations of manuscripts that may have changed ownership since Dr Orth s submission of her work have also been noted. To accompany the detailed catalogue, the publication includes a corpus of 360 illustrations that offers a significant visual conspectus of manuscript illumination of the period. In addition to the introductory text, the author also provides brief biographies of Artists and Scribes, Authors and Translators, and Patrons and Dedicatees. Codice articolo AAJ9781872501307

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Orth, M
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Descrizione libro Brepols N.V., 2007. UNK. Condizione: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice articolo CA-9781872501307

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Orth, M.
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Descrizione libro Harvey Miller Pub, 2016. Hardcover. Condizione: Brand New. 721 pages. 13.50x9.50x2.50 inches. In Stock. Codice articolo __1872501303

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Orth Myra
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Descrizione libro Harvey Miller Publishers, London, 2016. Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Title: French Renaissance Manuscripts: The Sixteenth Century Author: Orth, Myra Price: $325.00 = EUR 302,00.- ISBN: 9781872501307 Description: Turnhout: Harvey Miller, 2016. 2 vols. 33cm., hardcover, 721pp., 321 b&w illus., 55 color plates. Summary: This publication is the first comprehensive survey to establish the importance of Renaissance manuscript illumination in the history of sixteenth-century French art. Although illustrated printed books were circulating freely by the beginning of the sixteenth century, patronage of manuscripts became all the more special to the ruling elite, and commissions from the court, aristocratic circles and the higher clergy resulted in a surge of artistic creativity that produced a wide range of outstanding illustrated works from devotional books to translations of classical and humanistic texts. While continuing the tradition of French figurative art, ornamentation became a major element in the style of the period, with frames and borders becoming a significant feature of the aesthetic impact of the illuminated page. One hundred manuscripts have been chosen for this survey to represent the artistic excellence of French book production of the period, as well as to demonstrate the stylistic relationships between artists and between books that may be seen to form distinct groups. Many years of research enabled the author to identify the hands of individual illuminators, both named and anonymous, and to connect these to a particular artistic milieu or regional group. Moreover, not only are the stylistic aspects of the manuscripts analysed, but entirely new information regarding authorship, patronage and historical context are revealed here of hitherto unstudied material. The author, Myra Orth, completed her catalogue and introductory texts shortly before her sad death some years ago. Since that time, a number of scholars - specialists in French manuscripts studies of the period - have helped to update the literature that has more recently appeared relating to the manuscripts c-. Language : English text Size: 330 X240 mm. Livre. Codice articolo 009582

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Myra Orth
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Descrizione libro Brepols Publishers, 2013. Hardcover. Condizione: Used: Good. Codice articolo SONG1872501303

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M Orth
Editore: Brepols N.V., Belgium (2016)
ISBN 10: 1872501303 ISBN 13: 9781872501307
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Descrizione libro Brepols N.V., Belgium, 2016. Hardback. Condizione: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This publication is the first comprehensive survey to establish the importance of Renaissance manuscript illumination in the history of sixteenth-century French art. Although illustrated printed books were circulating freely by the beginning of the sixteenth century, patronage of manuscripts became all the more special to the ruling elite, and commissions from the court, aristocratic circles and the higher clergy resulted in a surge of artistic creativity that produced a wide range of outstanding illustrated works from devotional books to translations of classical and humanistic texts. While continuing the tradition of French figurative art, ornamentation became a major element in the style of the period, with frames and borders becoming a significant feature of the aesthetic impact of the illuminated page. One hundred manuscripts have been chosen for this survey to represent the artistic excellence of French book production of the period, as well as to demonstrate the stylistic relationships between artists and between books that may be seen to form distinct groups. Many years of research enabled the author to identify the hands of individual illuminators, both named and anonymous, and to connect these to a particular artistic milieu or regional group. Moreover, not only are the stylistic aspects of the manuscripts analysed, but entirely new information regarding authorship, patronage and historical context are revealed here of hitherto unstudied material. The author, Myra Orth, completed her catalogue and introductory texts shortly before her sad death some years ago. Since that time, a number of scholars - specialists in French manuscripts studies of the period - have helped to update the literature that has more recently appeared relating to the manuscripts catalogued and to the individual artists and workshops discussed. Present locations of manuscripts that may have changed ownership since Dr Orth s submission of her work have also been noted. To accompany the detailed catalogue, the publication includes a corpus of 360 illustrations that offers a significant visual conspectus of manuscript illumination of the period. In addition to the introductory text, the author also provides brief biographies of Artists and Scribes, Authors and Translators, and Patrons and Dedicatees. Codice articolo BTE9781872501307

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