This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Codice inventario libreria
From Library Journal:
Although this book will not make instant conservators of lay readers, it does highlight the difficulties involved in trying to restore works of art, summarizing current knowledge in the field of painting conservation. Its primary audience, though, is made up of artists, conservators, museum professionals, and art dealers. The book is divided into sections that deal separately with the main elements of a painting: wooden supports, ground layer, paint layer, and varnish. Materials are discussed, as are the causes of damage and the subsequent restoration techniques employed. A final chapter deals with the importance of documentation in conservation work, offering tips on written, graphic, videotaped, and photographic record-keeping with guidelines on how to photograph the art throughout the restoration process. The book is very technical and is geared to readers with some knowledge of the subject; not all of the esoteric terms are included in the glossary. Nonetheless, this is still a very useful study for major art collections.AMargarete Gross, Chicago P.L.
Copyright 1999 Reed Business Information, Inc.
Condizione libro: Used
Descrizione libro Paperback. Condizione libro: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice libro della libreria GOR001501978
Descrizione libro Paperback. Condizione libro: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Codice libro della libreria GOR001663562