How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State

Coffey, Mary K.

Editore: Duke University Press Books, 2012
ISBN 10: 0822350203 / ISBN 13: 9780822350200
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Riassunto: A public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises traditional accounts of Mexican muralism by describing how a radical art movement was transformed into official culture, ultimately becoming a tool of state propaganda. Analyzing the incorporation of mural art into Mexico's most important public museums?the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum?Coffey illuminates the institutionalization of muralism and the political and aesthetic issues it raised. She focuses on the period between 1934, when José Clemente Orozco and Diego Rivera were commissioned to create murals in the Palace of Fine Arts, through the crisis of state authority in the 1960s. Coffey highlights a reciprocal relationship between Mexico's mural art and its museums. Muralism shaped exhibition practices, which affected the politics, aesthetics, and reception of mural art. Interpreting the iconography of Mexico's murals, she focuses on representations of mestizo identity, the preeminent symbol of postrevolutionary Mexico. Coffey argues that those gendered representations reveal a national culture project more invested in race and gender inequality than in race and class equality.

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Mary K. Coffey is Associate Professor of Art History at Dartmouth College.

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Titolo: How a Revolutionary Art Became Official ...
Casa editrice: Duke University Press Books
Data di pubblicazione: 2012

Condizione libro: very good

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Descrizione libro Duke University Press. Condizione libro: New. Brand New. Codice libro della libreria 0822350203

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Descrizione libro Duke University Press, 2012. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CA-9780822350200

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Descrizione libro Duke University Press. Hardback. Condizione libro: new. BRAND NEW, How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State, Mary K. Coffey, A public art movement initiated by the post-revolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises traditional accounts of Mexican muralism by describing how a radical art movement was transformed into official culture, ultimately becoming a tool of state propaganda. Analyzing the incorporation of mural art into Mexico's most important public museums - the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum - Coffey illuminates the institutionalization of muralism and the political and aesthetic issues it raised. She focuses on the period between 1934, when Jose Clemente Orozco and Diego Rivera were commissioned to create murals in the Palace of Fine Arts, through the crisis of state authority in the 1960s. Coffey illuminates a reciprocal relationship between Mexico's mural art and its museums. Muralism shaped exhibition practices, which affected the politics, aesthetics, and reception of mural art. Interpreting the iconography of Mexico's murals, she focuses on representations of mestizo identity, the pre-eminent symbol of post-revolutionary Mexico. Coffey argues that those gendered representations reveal a national culture project more invested in race and gender inequality than in race and class equality. Codice libro della libreria B9780822350200

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Descrizione libro Duke University Press, United States, 2012. Hardback. Condizione libro: New. New.. 262 x 208 mm. Language: English . Brand New Book. A public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises traditional accounts of Mexican muralism by describing how a radical art movement was transformed into official culture, ultimately becoming a tool of state propaganda. Analyzing the incorporation of mural art into Mexico s most important public museums-the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum-Coffey illuminates the institutionalization of muralism and the political and aesthetic issues it raised. She focuses on the period between 1934, when Jose Clemente Orozco and Diego Rivera were commissioned to create murals in the Palace of Fine Arts, through the crisis of state authority in the 1960s. Coffey highlights a reciprocal relationship between Mexico s mural art and its museums. Muralism shaped exhibition practices, which affected the politics, aesthetics, and reception of mural art. Interpreting the iconography of Mexico s murals, she focuses on representations of mestizo identity, the preeminent symbol of postrevolutionary Mexico. Coffey argues that those gendered representations reveal a national culture project more invested in race and gender inequality than in race and class equality. Codice libro della libreria AAJ9780822350200

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Mary K. Coffey
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ISBN 10: 0822350203 ISBN 13: 9780822350200
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Descrizione libro Duke University Press, United States, 2012. Hardback. Condizione libro: New. New.. 262 x 208 mm. Language: English . Brand New Book. A public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises traditional accounts of Mexican muralism by describing how a radical art movement was transformed into official culture, ultimately becoming a tool of state propaganda. Analyzing the incorporation of mural art into Mexico s most important public museums-the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum-Coffey illuminates the institutionalization of muralism and the political and aesthetic issues it raised. She focuses on the period between 1934, when Jose Clemente Orozco and Diego Rivera were commissioned to create murals in the Palace of Fine Arts, through the crisis of state authority in the 1960s. Coffey highlights a reciprocal relationship between Mexico s mural art and its museums. Muralism shaped exhibition practices, which affected the politics, aesthetics, and reception of mural art. Interpreting the iconography of Mexico s murals, she focuses on representations of mestizo identity, the preeminent symbol of postrevolutionary Mexico. Coffey argues that those gendered representations reveal a national culture project more invested in race and gender inequality than in race and class equality. Codice libro della libreria AAJ9780822350200

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Descrizione libro Duke Univ. Condizione libro: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2333062

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Descrizione libro Duke University Press Books. Hardcover. Condizione libro: Very Good. 0822350203 Crisp, clean, unread hardcover with light shelfwear, missing dust jacket and a publisher's mark to one edge - Nice!. Codice libro della libreria Z0822350203Z2

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Descrizione libro 2012. Hardcover. Condizione libro: New. Hardcover. A public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises tra.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 248 pages. Codice libro della libreria 9780822350200

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Descrizione libro 2012. Hardcover. Condizione libro: New. Hardcover. A public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffe.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 248 pages. Codice libro della libreria 9780822350200

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