ISBN 10: 0252038258 / ISBN 13: 9780252038259
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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots"--. Codice inventario libreria

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Riassunto:

In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved.

As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion.

Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots.

Book Description:

A stage-level view of black musical performance and early American conceptualizations of race


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Thompson, Katrina Dyonne
Editore: U.S.A.: University of Illinois Press (2014)
ISBN 10: 0252038258 ISBN 13: 9780252038259
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Descrizione libro U.S.A.: University of Illinois Press, 2014. Hardcover. Condizione libro: Very Good. No Jacket. 1st Edition. "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots." (Publisher). Codice libro della libreria HB3672Q

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Thompson, Katrina Dyonne
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Descrizione libro University of Illinois Press. Condizione libro: Good. Codice libro della libreria 42773587

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Katrina Dyonne Thompson
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Descrizione libro University of Illinois Press, 2014. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CA-9780252038259

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Thompson, Katrina Dyonne
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ISBN 10: 0252038258 ISBN 13: 9780252038259
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Descrizione libro University of Illinois Press. Hardcover. Condizione libro: Very Good. 0252038258 Crisp, clean, unread hardcover with light shelfwear, missing dust jacket and a publisher's mark to one edge - Nice!. Codice libro della libreria Z0252038258Z2

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Thompson, Katrina Dyonne
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Descrizione libro Univ Illinois Press. Condizione libro: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 1243231

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Katrina Dyonne Thompson
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ISBN 10: 0252038258 ISBN 13: 9780252038259
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Descrizione libro University of Illinois Press, United States, 2014. Hardback. Condizione libro: New. Language: English . Brand New Book. In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks backstage use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today s mass media performances and depictions of African Americans are so very far removed from their troublesome roots. Codice libro della libreria AAJ9780252038259

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Katrina Dyonne Thompson
Editore: University of Illinois Press, United States (2014)
ISBN 10: 0252038258 ISBN 13: 9780252038259
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Descrizione libro University of Illinois Press, United States, 2014. Hardback. Condizione libro: New. Language: English . Brand New Book. In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks backstage use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today s mass media performances and depictions of African Americans are so very far removed from their troublesome roots. Codice libro della libreria AAJ9780252038259

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Katrina Dyonne Thompson
Editore: University of Illinois Press 15/01/2014 (2014)
ISBN 10: 0252038258 ISBN 13: 9780252038259
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Descrizione libro University of Illinois Press 15/01/2014, 2014. Condizione libro: NEW. - Brand new item sourced directly from publisher. Packed securely in tight packaging to ensure no damage. Shipped from warehouse on same/next day basis. Codice libro della libreria 1111-9780252038259

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Katrina Dyonne Thompson
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Descrizione libro University of Illinois Press. Hardback. Condizione libro: new. BRAND NEW, Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery, Katrina Dyonne Thompson, In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots. Codice libro della libreria B9780252038259

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97802520382590000000

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