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Riassunto: Staging Words, Performing Worlds presents new perspectives on Argentina, Cuba, Mexico, and Venezuela and their theater by theorizing how, through performance, nation can be "re-imagined" and reconstructed. Each chapter frames the sociopolitical and theatrical national context and presents a theoretical analysis of the dramatic and ideological functions of intertexts in plays by Victor Hugo, Rascón Banda, Maruxa Vilalta, César Rengifo, Néstor Caballero, Eduardo Pavlovsky, and Rafael Spregelburd, among others. Bulman demonstrates how past artistic texts - other plays, stories, newspaper articles, songs, or paintings - can be reworked and "translated" to create a new theatrical spirit. The multiple levels of translation - intertext to text, text to script, script to performance - have implications for the ways texts are interpreted and for how they in turn "perform" their nation.
Well researched, theoretically sophisticated, and highly readable, Staging Words, Performing Worlds explores the problematic notion of nation today. It will be of interest to scholars, dramatists, playwrights, critics of Latin American theater, and to those working in world-theater and cultural studies.
Sinossi: "Staging Words" presents new perspectives on Argentina, Cuba, Mexico, and Venezuela and their theater, by postulating that nation can be "imagined" and reconstructed through the deliberate performance of intertexts. The book shows how past artistic texts - other plays, stories, newspaper articles, songs, or paintings - can be manipulated and "translated" to create a new theatrical script, and that this new script can expose an innovative space for interpreting the nation. The introduction reviews theories of intertextuality, nation, and nationalism and applies them to Latin America. Each chapter studies two to three plays and shows how the intertexts open up hidden connections and border spaces within texts and between texts that the "new" writer and reader fill with significance, replacing the meaning of the pretext with their own. This new textual voice permits texts to be restaged, reconfigured, and imagined in a way that is purely Latin American.
Condizione libro: Used
Descrizione libro Condizione libro: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: second ] Publisher: Bucknell Univ Pr Pub Date: 2/28/2007 Binding: Hardcover Pages: 276 second edition. Codice libro della libreria 4673378
Descrizione libro Bucknell University Press, Lewisburg, PA, 2007. Hard Cover. Condizione libro: NF. Condizione sovraccoperta: Fine. Textured black paper over boards with gilt titles to spine, in violet, purple and orange jacket with b/w photo of Havana to front, 8vo. 149pp. Index, bibliography, endnotes. Near Fine/Fine. Creases and folds to upper corners pp.79-88, small nick along upper edge pp.77-78 all well away from text (apparent manufacturing defect). Book and jacket are otherwise as new: bright, tight, sharp and unmarked. Jacket in Brodart. Neither ex-lib. nor remainder. Multiple copies available, please inquire. Codice libro della libreria 009708
Descrizione libro Bucknell Univ Pr, 2007. Condizione libro: very good. Gently used. Expect delivery in 20 days. Codice libro della libreria 9780838756768-3
Descrizione libro Bucknell Univ Pr, 2007. Hardcover. Condizione libro: New. book. Codice libro della libreria 083875676X
Descrizione libro Condizione libro: Very Good. Book Condition: Very Good. Codice libro della libreria 97808387567683.0
Descrizione libro Bucknell Univ Pr, 2007. Hardcover. Condizione libro: Used: Very Good. Codice libro della libreria SONG083875676X