ISBN 10: 0295976489 / ISBN 13: 9780295976488
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Riassunto: This book examines a range of art forms produced by Indians in northeastern North America for sale to travelers and tourists during the eighteenth and nineteenth centuries. The Aboriginal peoples of the Woodlands were the first in North America to experience economic and social marginalization and, in consequence, the first to rely on the production of commodities for the tourist trade. These hybrid art forms combine indigenous materials and techniques such as quillwork, moosehair embroidery, birchbark, and basketry with Euro-American genres and styles. Tourist art of the period is generally of high quality and great aesthetic interest. Yet scholars have largely ignored these objects because of their incorporation of Euro-North American influences.

Throughout the eighteenth and nineteenth centuries the production, sale, and consumption of tourist art constituted a system for the circulation of objects within which images of Indianness were negotiated. To produce marketable commodities, Aboriginal people constructed images of themselves that mediated European notions of the savage, the natural, and the primitive. By accepting this imagery, colonizers and settlers naturalized their own identities as the rightful successors to the “Indians.” While stereotypes of Indianness were being transported into parlors and bedchambers, the objects made for sale were also influencing things Aboriginal people made for their own use. The beaded purses, pincushions, and shopping baskets carried Euro-American styles and concepts into aboriginal communities, together with associated ideas of gender roles and domestic organization.

An innovative combination of fieldwork, art historical analysis, and historical contextualization, this study for the first time rigorously compares a Native souvenir production to a wide range of Euro-American decorative arts and home crafts. It identifies the sources of object types and styles and reveals the innovative differences displayed by Aboriginal trade wares. Images newly uncovered in archives and travel literature―including depictions of Native vendors and makers―illustrate the book, along with never before displayed or published objects from museum collections in Europe and North America.

About the Author: Ruth B. Phillips is Director of the Museum of Anthropology and Professor of Art History and Anthropology at the University of British Columbia. She is the author of "Representing Women: Sande Masquerade of the Mende of Sierra Leone" (1990) and "Trading Identities: Native Art and the Souvenir in Northeastern North America, 1700-1900" (1998). Christopher B. Steiner is Lucy C. McDannel '22 Associate Professor of Art History and Director of Museum Studies at Connecticut College. He is the author of "African Art in Transit" (1994) and coeditor of "Perspectives on Africa: A Reader in Culture, History, and Representation" (1997).

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1.

Ruth B. Phillips
Editore: University of Washington Press February 1999 (1999)
ISBN 10: 0295976489 ISBN 13: 9780295976488
Usato Trade Paperback Quantità: 1
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Magus Books Seattle
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Descrizione libro University of Washington Press February 1999, 1999. Trade Paperback. Condizione libro: Very Good. THIS ITEM IS LARGE/HEAVY AND MAY REQUIRE EXTRA SHIPPING FOR INTERNATIONAL OR EXPEDITED DELIVERY lightly used paperback, with moderate shelfwear; binding remains solid, with no marks to text. Codice libro della libreria 1041513

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Ruth B. Phillips
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ISBN 10: 0295976489 ISBN 13: 9780295976488
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Descrizione libro University of Washington Press. Paperback. Condizione libro: Good. Ex-Library Book - will contain Library Markings. Book shows minor use. Cover and Binding have minimal wear, and the pages have only minimal creases. Codice libro della libreria G0295976489I3N10

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PHILLIPS (Ruth)
Editore: U of Washington, Seattle (1998)
ISBN 10: 0295976489 ISBN 13: 9780295976488
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Descrizione libro U of Washington, Seattle, 1998. PAPERBACK. paper edition. 334pp, color, b/w illustrations. quarto paper slight cover wear otherwise very good. Codice libro della libreria 18996

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Phillips, Ruth
Editore: University of Washington Press, U.S.A. (1999)
ISBN 10: 0295976489 ISBN 13: 9780295976488
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Descrizione libro University of Washington Press, U.S.A., 1999. Soft cover. Condizione libro: Good. With light pencil markings on about 3 dozen pages in the front. llustrated throughout. Bright crisp covers. Top corner with little roll, & spine is sunned. Benefits the Friends of the Albany, Ca library. Codice libro della libreria 031462

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Ruth B. Phillips
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Descrizione libro University of Washington Press, 1998. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CA-9780295976488

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Phillips R
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ISBN 10: 0295976489 ISBN 13: 9780295976488
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Descrizione libro University of Washington Press, 1999. Soft cover. Condizione libro: Near Fine. 1st Edition. A beautiful copy. Hard to find a sign of previous use anywhere. Size: 4to - over 9¾ - 12" tall. Book. Codice libro della libreria 028014

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Descrizione libro John Hopkins University Press. Condizione libro: New. Brand New. Codice libro della libreria 0295976489

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Descrizione libro 1999. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria TU-9780295976488

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Ruth B. Phillips
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ISBN 10: 0295976489 ISBN 13: 9780295976488
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Descrizione libro Univ of Washington Pr, 1999. Paperback. Condizione libro: Used: Very Good. Codice libro della libreria SONG0295976489

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Descrizione libro University of Washington Press, United States, 1999. Paperback. Condizione libro: New. New.. Language: English . Brand New Book. This book examines a range of art forms produced by Indians in northeastern North America for sale to travelers and tourists during the eighteenth and nineteenth centuries. The Aboriginal peoples of the Woodlands were the first in North America to experience economic and social marginalization and, in consequence, the first to rely on the production of commodities for the tourist trade. These hybrid art forms combine indigenous materials and techniques such as quillwork, moosehair embroidery, birchbark, and basketry with Euro-American genres and styles. Tourist art of the period is generally of high quality and great aesthetic interest. Yet scholars have largely ignored these objects because of their incorporation of Euro-North American influences. Throughout the eighteenth and nineteenth centuries the production, sale, and consumption of tourist art constituted a system for the circulation of objects within which images of Indianness were negotiated. To produce marketable commodities, Aboriginal people constructed images of themselves that mediated European notions of the savage, the natural, and the primitive.By accepting this imagery, colonizers and settlers naturalized their own identities as the rightful successors to the Indians. While stereotypes of Indianness were being transported into parlors and bedchambers, the objects made for sale were also influencing things Aboriginal people made for their own use. The beaded purses, pincushions, and shopping baskets carried Euro-American styles and concepts into aboriginal communities, together with associated ideas of gender roles and domestic organization. An innovative combination of fieldwork, art historical analysis, and historical contextualization, this study for the first time rigorously compares a Native souvenir production to a wide range of Euro-American decorative arts and home crafts. It identifies the sources of object types and styles and reveals the innovative differences displayed by Aboriginal trade wares. Images newly uncovered in archives and travel literature-including depictions of Native vendors and makers-illustrate the book, along with never before displayed or published objects from museum collections in Europe and North America. Codice libro della libreria AAJ9780295976488

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