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Riassunto: As Uniform Justice opens, Venetian detective Commissario Guido Brunetti is called to investigate a parent's worst nightmare. A young cadet has been found hanged, a presumed suicide, in Venice's elite military academy. Brunetti's sorrow for the boy, so close in age to his own son, is rivaled only by his contempt for a community that is more concerned with protecting the reputation of the school and its privileged students than understanding this tragedy. The young man is the son of a doctor and former politician, a man of an impeccable integrity all too rare in Italian politics. Dr. Moro is clearly and understandably devastated by his son's death; but while both he and his apparently estranged wife seem convinced that the boy's death could not have been suicide, neither appears eager to talk to the police or involve Brunetti in any investigation of the circumstances in which he died. As Brunetti pursues his inquiry, he is faced with a wall of silence. Is the military protecting its own? And what of the other witnesses? Is this the natural reluctance of Italians to involve themselves with the authorities, or is Brunetti facing a conspiracy far greater than this one death?
A New Yorker of Irish/Spanish descent, Donna Leon first went to Italy in 1965, returning regularly over the next decade or so while pursuing a career as an academic in the States and then later in Iran, China and finally Saudi Arabia. It was after a period in Saudi Arabia, which she found ?damaging physically and spiritually? that Donna decided to move to Venice, where she has now lived for over twenty years.
Her debut as a crime fiction writer began as a joke: talking in a dressing room in Venice?s opera-house La Fenice after a performance, Donna and a singer friend were vilifying a particular German conductor. From the thought ?why don?t we kill him?? and discussion of when, where and how, the idea for Death at La Fenice took shape, and was completed over the next four months.
Donna Leon is the crime reviewer for the London Sunday Times and is an opera expert. She has written the libretto for a comic opera, entitled Dona Gallina. Set in a chicken coop, and making use of existing baroque music, Donna Gallina was premiered in Innsbruck. Brigitte Fassbaender, one of the great mezzo-sopranos of our time, and now head of the Landestheater in Innsbruck, agreed to come out of retirement both to direct the opera and to play the part of the witch Azuneris (whose name combines the names of the two great Verdi villainesses Azucena and Amneris).
Condizione libro: Used
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