The Vienna School Reader - Politics & Art Historical Method in the 1930s

Christopher S Wood

Editore: MIT Press, 2000
ISBN 10: 1890951145 / ISBN 13: 9781890951146
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pächt began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pächt's project immediately caught the attention of thinkers like Walter Benjamin who were similarly impatient with traditional empiricist scholarship. But the new project had its dark side. Sedlmayr used art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic, even while Pächt, a Jew, was forced into exile. Sedlmayr and the whole scholarly project of Strukturanalyse were sharply repudiated by Meyer Schapiro and later Ernst Gombrich.

After an introductory essay, the book opens with two selections from Riegl. Following this are essays by Sedlmayr, Pächt, Guido Kaschnitz-Weinberg, and Fritz Novotny, all dating from the 1930s. The book closes with the divergent responses of Benjamin (1933) and Schapiro (1936). The difference of opinion between these two key voices raises again the question of the legitimacy and effectiveness of the method, and reveals the analogies between the New Vienna School project and the antiempiricist cultural histories of our own time. The book also contains an extensive bibliography.

About the Author: Christopher S. Wood is Professor in the Department of History of Art, Yale University. He is the author of Albrecht Altdorfer and the Origins of Landscape, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s (Zone Books, 2000).

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Dati bibliografici

Titolo: The Vienna School Reader - Politics & Art ...
Casa editrice: MIT Press
Data di pubblicazione: 2000
Legatura: Hardcover
Condizione libro: New

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Editore: Zone Books
ISBN 10: 1890951145 ISBN 13: 9781890951146
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Descrizione libro Zone Books. Condizione libro: Like New. 9780262029018. Codice libro della libreria BOS-E-06g-00046

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Christopher S Wood
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Descrizione libro Hardcover. Condizione libro: Like New. Very light use, FINE or better, very minor shelf wear. For non-UK markets items of 1.5 kg or more may require an additional shipping charge. Codice libro della libreria HBS-00243397-B

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Wood Christopher S.
Editore: Zone Books. 2000. 1890951145 (2000)
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Descrizione libro Zone Books. 2000. 1890951145, 2000. HB. DW. VG. Codice libro della libreria 19607

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WOOD, Christopher S. (editor) Alois Riegl, Hans Sedlmayr, Otto Pacht, Guido Kaschnitz von Weinberg, Fritz Novotny, Walter Benjamin, and Meyer Schapiro
Editore: Zone Books, New York (2000)
ISBN 10: 1890951145 ISBN 13: 9781890951146
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Descrizione libro Zone Books, New York, 2000. First edition. Hardcover. 485 pages. Includes texts by Alois Riegl, Hans Sedlmayr, Otto Pacht, Guido Kaschnitz von Weinberg, Fritz Novotny, Walter Benjamin, and Meyer Schapiro. A tight near fine copy in a near fine dust jacket. Codice libro della libreria 151724

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Descrizione libro Condizione libro: Like New. Book Condition: Like New. Codice libro della libreria 97818909511462.0

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Descrizione libro Zone Books, 2000. Hardcover. Condizione libro: New. book. Codice libro della libreria M1890951145

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WOOD, Christopher S. Editor
Editore: Zone Books, NY (2000)
ISBN 10: 1890951145 ISBN 13: 9781890951146
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J. W. Mah
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Descrizione libro Zone Books, NY, 2000. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Near Fine. 1st. (USA) First American Edition No markings, tiny bump to top edge of front cover, VG in NFine Dj. Black cloth, 485pp. B&W photos. This volume introduces to and English-language audience the writings of the "new Vienna School" of art history. In the 1930s, Hans Sedimeyer and Otto Pacht undertook an extension of the art history project initiated by Alois Riegl (1858-1905). (2.5 FO 59/5 Size: 8vo - over 7¾" - 9¾". Codice libro della libreria 36834

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Wood, Christopher S. (Edited by)
Editore: Zone Books, New York (2000)
ISBN 10: 1890951145 ISBN 13: 9781890951146
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LEFT COAST BOOKS
(Goleta, CA, U.S.A.)
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Descrizione libro Zone Books, New York, 2000. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Fine. 485 pp., illus., bib. notes; 24 cm. Firm binding, clean inside copy. Spine slightly rolled at crown. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. "This volume introduces to an English-language audience the writings of the so-called new Vienna School of art history. In the 1930s, Hans Sedlmayr and Otto Pächt undertook an ambitious extension of the art historical project of Aloïs Riegl (1858-1905). Sedlmayr and Pächt began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time, they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of 'structure,' a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pächt's project immediately caught the attention of thinkers like Walter Benjamin who were similarly impatient with traditional, cautious empiricist scholarship. But the creativity of the new art history had its dark side. Sedlmayr used his art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic. Sedlmayr, and by extension the whole scholarly project of Strukturanalyse, were sharply repudiated by Meyer Schapiro and later Ernst Gombrich. The idea of this volume is to bring the drama of this methodological and political encounter to the attention of English-speaking art historians and reveal the analogies between the Vienna School project and the anti-empiricist cultural histories of our own time." - Publisher. Contents: "The Main Characteristics of the Late Roman Kunstwollen" (1901) by Alois Riegl; "The Place of the Vapheio Cups in the History of Art" (1900) by Alois Riegl; "Toward a Rigorous Study of Art" (1931) by Hans Sedlmayr; "The End of the Image Theory (1930-1931) by Otto Pächt; "Remarks on the Structure of Egyptian Sculpture" (1933) by Guido Kaschnitz von Weinberg; "Design Principles of Fifteenth-century Northern Painting" (1933) by Otto Pächt; "Bruegel's Macchia" (1934) by Hans Sedlmayr; "Passages from Cézanne and the End of Scientific.Perspective" (1938) by Fritz Novotny; "Rigorous Study of Art: On the First Volume of Kunstwissenschaftliche Forschungen" (1931-1933) by Walter Benjamin; "The New Viennese School" (1936) by Meyer Schapiro. Size: 8vo - over 7¾" - 9¾" tall. Codice libro della libreria 038868

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Wood, Christopher S.
Editore: New York : Cambridge, Mass. : Zone Books ; Distributed by the MIT Press (2000)
ISBN 10: 1890951145 ISBN 13: 9781890951146
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MW Books Ltd
(New York, NY, U.S.A.)
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Descrizione libro New York : Cambridge, Mass. : Zone Books ; Distributed by the MIT Press, 2000. First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 485 pages; Physical description. : 485 p. : ill. ; 24 cm. Subject: Pacht, Otto, 1902- - Criticism and interpretation Sedlmayr, Hans, 1896- - Criticism and interpretation Riegl, Alois, 1858-1905 - Influence. Art - Research - Austria - Vienna - History - 20th century. Art criticism - Austria - Vienna - History - 20th century. Art historians - Austria - Vienna - History - 20th century. Art - Methodology - History - 20th century. Art - Historiography. Art history - Historiography - Austria - 1900-1949. Art theory - Austria - 1900-1949. Summary: This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pacht (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pacht began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pacht's project immediately caught the attention of thinkers like Walter Benjamin who were similarly impatient with traditional empiricist scholarship. But the new project had its dark side. Sedlmayr used art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic, even while Pacht, a Jew, was forced into exile. Sedlmayr and the whole scholarly project of Strukturanalyse were sharply repudiated by Meyer Schapiro and later Ernst Gombrich. After an introductory essay, the book opens with two selections from Riegl. The next section includes two essays by Sedlmayr, two by Pacht, and one each by Guido Kaschnitz-Weinberg and Fritz Novotny, all dating from the 1930s. The book closes with the divergent responses of Benjamin (1933) and Schapiro (1936). The difference of opinion between these two key voices raises again the question of the legitimacy and effectiveness of the method, and reveals the analogies between the New Vienna School project and the antiempiricist cultural histories of our own time. The book also contains an extensive bibliography. Codice libro della libreria 207836

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10.

Christopher S. Wood, Editor
Editore: Zone Books, NY (2000)
ISBN 10: 1890951145 ISBN 13: 9781890951146
Usato Rilegato Prima edizione Quantità: 1
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art longwood books
(Rockport, MA, U.S.A.)
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Descrizione libro Zone Books, NY, 2000. Hard Cover. Condizione libro: Near Fine Plus. Condizione sovraccoperta: Near Fine Plus. First Edition. hardcover in dust jacket., no flaws, clean, no writing or markings, tight binding.; 485pp., b/w figures/illustrations. ten essays by alois riegl, hans sedlmayr, otto pacht, walter benjamin, guido kaschnitz von weinberg, fritz novotny, meyer schapiro. Size: 8vo - over 7¾" - 9¾" tall. Codice libro della libreria 10618

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