William Burton Conyngham and His Irish Circle of Antiquarian Artists (Studies in British Art)

Harbison, Peter

Editore: Paul Mellon Centre BA
ISBN 10: 0300180721 / ISBN 13: 9780300180725
Usato / Hardcover / Quantità: 0
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0300180721 Crisp, clean, unread book with some shelfwear - NICE. Codice inventario libreria

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In the midst of a resurgence of pride in Ireland's history during the 18th century, William Burton, later Conyngham (1733-1796), strove to emulate his British counterparts in producing albums of engravings illustrating the beauties of the country's heritage. To further his aims, he formed the Hibernian Antiquarian Society, which lasted only four years due to internal strife. Nevertheless, Burton Conyngham began acquiring drawings of antiquities, and then commissioned Gabriel Beranger and his fellow artists Angelo Bigari and John James Barralet to make sketches of dolmens, churches, abbeys, and castles in areas which were not represented in existing works.

In its day, Burton Conyngham's was regarded as the most significant collection of such drawings in Ireland. This volume reconstructs that collection, cataloguing more than 600 drawings, which he was known to have secured by about 1780. Also presented in this monograph is the considerable number of copies that were made of the original works as security against damage to the collective whole or the death of its owner.

About the Author: Peter Harbison is a member of the Royal Irish Academy and its honorary academic editor.

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Titolo: William Burton Conyngham and His Irish ...
Casa editrice: Paul Mellon Centre BA
Legatura: Hardcover
Condizione libro: Very Good

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Harbison, Peter
Editore: Yale University Press for the Paul Mellon Centre (2012)
ISBN 10: 0300180721 ISBN 13: 9780300180725
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Descrizione libro Yale University Press for the Paul Mellon Centre, 2012. First Edition. 29 x 25 cm 226 pp with numerous colour and b&w illustrations throughout. Hbk. fine in fine dustwrapper. Codice libro della libreria 11075

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Harbison, Peter
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Descrizione libro Paul Mellon Centre BA, 2012. Condizione libro: New. In the midst of a resurgence of pride in Ireland's history during the 18th century, William Burton, later Conyngham (1733-1796), strove to emulate his British counterparts in producing albums of engravings illustrating the beauties of the country's heritage. This catalogues more than 600 drawings, which he was known to have secured by about 1780. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 244 pages, 100 color + 20 b/w illus. BIC Classification: 1DBK; 3JF; ACQ; AFF; AGC. Category: (G) General (US: Trade). Dimension: 293 x 256 x 22. Weight in Grams: 1542. . 2012. Hardcover. . . . . Codice libro della libreria V9780300180725

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Descrizione libro Paul Mellon Centre BA. Condizione libro: New. In the midst of a resurgence of pride in Ireland's history during the 18th century, William Burton, later Conyngham (1733-1796), strove to emulate his British counterparts in producing albums of engravings illustrating the beauties of the country's heritage. This catalogues more than 600 drawings, which he was known to have secured by about 1780. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 244 pages, 100 color + 20 b/w illus. BIC Classification: 1DBK; 3JF; ACQ; AFF; AGC. Category: (G) General (US: Trade). Dimension: 293 x 256 x 22. Weight in Grams: 1542. . 2012. Hardcover. . . . . Codice libro della libreria V9780300180725

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Descrizione libro Yale University Press. Hardback. Condizione libro: new. BRAND NEW, William Burton Conyngham and His Irish Circle of Antiquarian Artists, Peter Harbison, In the midst of a resurgence of pride in Ireland's history during the 18th century, William Burton, later Conyngham (1733-1796), strove to emulate his British counterparts in producing albums of engravings illustrating the beauties of the country's heritage. To further his aims, he formed the Hibernian Antiquarian Society, which lasted only four years due to internal strife. Nevertheless, Burton Conyngham began acquiring drawings of antiquities, and then commissioned Gabriel Beranger and his fellow artists Angelo Bigari and John James Barralet to make sketches of dolmens, churches, abbeys, and castles in areas which were not represented in existing works. In its day, Burton Conyngham's was regarded as the most significant collection of such drawings in Ireland. This volume reconstructs that collection, cataloguing more than 600 drawings, which he was known to have secured by about 1780. Also presented in this monograph is the considerable number of copies that were made of the original works as security against damage to the collective whole or the death of its owner. Codice libro della libreria B9780300180725

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Descrizione libro Yale University Press, 2012. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WY-9780300180725

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Descrizione libro Paul Mellon Centre BA. Hardcover. Condizione libro: Very Good. 0300180721 Crisp, clean, unread book with some shelfwear - NICE. Codice libro della libreria Z0300180721Z2

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Descrizione libro Paul Mellon Centre BA. Hardcover. Condizione libro: Good. 0300180721 GOOD - This is a hurt hardcover book with some tearing, scuffing, bumping, creasing and a torn dust jacket. Still, it is fully usable and the flaws are only cosmetic. Codice libro della libreria Z0300180721Z3

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Descrizione libro Yale University Press, United States, 2013. Hardback. Condizione libro: New. Language: English . Brand New Book. In the midst of a resurgence of pride in Ireland s history during the 18th century, William Burton, later Conyngham (1733-1796), strove to emulate his British counterparts in producing albums of engravings illustrating the beauties of the country s heritage. To further his aims, he formed the Hibernian Antiquarian Society, which lasted only four years due to internal strife. Nevertheless, Burton Conyngham began acquiring drawings of antiquities, and then commissioned Gabriel Beranger and his fellow artists Angelo Bigari and John James Barralet to make sketches of dolmens, churches, abbeys, and castles in areas which were not represented in existing works. In its day, Burton Conyngham s was regarded as the most significant collection of such drawings in Ireland. This volume reconstructs that collection, cataloguing more than 600 drawings, which he was known to have secured by about 1780. Also presented in this monograph is the considerable number of copies that were made of the original works as security against damage to the collective whole or the death of its owner. Codice libro della libreria AAH9780300180725

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Peter Harbison
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Descrizione libro Yale University Press, United States, 2013. Hardback. Condizione libro: New. Language: English . Brand New Book. In the midst of a resurgence of pride in Ireland s history during the 18th century, William Burton, later Conyngham (1733-1796), strove to emulate his British counterparts in producing albums of engravings illustrating the beauties of the country s heritage. To further his aims, he formed the Hibernian Antiquarian Society, which lasted only four years due to internal strife. Nevertheless, Burton Conyngham began acquiring drawings of antiquities, and then commissioned Gabriel Beranger and his fellow artists Angelo Bigari and John James Barralet to make sketches of dolmens, churches, abbeys, and castles in areas which were not represented in existing works. In its day, Burton Conyngham s was regarded as the most significant collection of such drawings in Ireland. This volume reconstructs that collection, cataloguing more than 600 drawings, which he was known to have secured by about 1780. Also presented in this monograph is the considerable number of copies that were made of the original works as security against damage to the collective whole or the death of its owner. Codice libro della libreria AAH9780300180725

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Descrizione libro Yale University Press, New Haven, CT, 2012. Hardcover. Condizione libro: New. Condizione sovraccoperta: New. New, sealed in plastic. Codice libro della libreria 000031

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