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Working with Paperclay and Other Additives

Lightwood, Anne

3 valutazioni da Goodreads
ISBN 10: 1861263376 / ISBN 13: 9781861263377
Editore: Crowood Press, Ramsbury, 2000
Condizione: Near Fine Rilegato
Da Wagon Tongue Books (Calgary, AB, Canada)

Libreria AbeBooks dal 4 novembre 1999 Valutazione Libreria 5 stelle

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Spedizione: EUR 11,64 Da: Canada a: U.S.A. Destinazione, tempi e costi
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176 pages examining the natural and not so natural inclusions that are in (or can be added to) clay that affect its aesthetic outcome. Chapter headings include: `Layers and Laminations', `The Dundee Tests', and `Vessels: the Space Within '. Work of artists like Graham Hay, Lotte Glob, Zoe Hall, Carol Ray Nino, and Angella Mellor appears. Read more about flues, Fire Trees, feldspars, friable, flexion, fibres, flux, flax, fireclays, once-fired, National Sculpture Forum, and Carol Farrow. Excellent colour photographs of finished work throughout. Cond : Boards are black with gilt lettering - spine only. End-papers are white. D.J. is black with white lettering. Front cover illus. is of a work by Graham Hay called `Tribal Revolt'. Volume is tight, bright, square, and clean in ALL aspects. Not price-clipped but sm. ink marlk on d.j. flap. Giftable reference ! ! Quote (p. 28) : " The second group could be described as inclusions: molochite and grogs of all grades come into this group, as do coloured particles of fired clay aggregates, glass granules and sand. These are added to alter the texture strength or ._._._. .". Codice inventario libreria 006840

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Dati bibliografici

Titolo: Working with Paperclay and Other Additives

Casa editrice: Crowood Press, Ramsbury

Data di pubblicazione: 2000

Legatura: Hardcover

Illustratore: Colour Plates

Condizione libro: Near Fine

Condizione sovraccoperta: Very Good ++

Edizione: First Edition

Descrizione articolo


Using fibers with clay is not a new idea, but using fibers absorbed within the structure of the clay body is a concept that has recently, and rapidly, taken root among potters. Paperclay is now widely recognized as a material which allows great freedom of expression, relieving the maker of many of the technical problems associated with conventional clays. With lavish illustrations throughout, Working with Paperclay and Other Additives provides the expertise to inspire potters to discover this exciting material and, for those already smitten, to try new techniques and ideas by drawing on the examples and experiences from different artists.

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I am a small home-based business so I may be difficult to reach by phone - there IS however an answering machine. I'm in the Mountain time zone. I've been passionate about books for approximately 25 years. Thank you for thinking Wagon Tongue.

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