Riassunto:
In 1939, the families in a remote Jewish village in Romania feel the war close in on them. Their tribe has moved and escaped for thousands of years- across oceans, deserts, and mountains-but now, it seems, there is nowhere else to go. Danger is imminent in every direction, yet the territory of imagination and belief is limitless. At the suggestion of an eleven-year-old girl and a mysterious stranger who has washed up on the riverbank, the villagers decide to reinvent the world: deny any relationship with the known and start over from scratch. Destiny is unwritten. Time and history are forgotten. Jobs, husbands, a child, are reassigned. And for years, there is boundless hope. But the real world continues to unfold alongside the imagined one, eventually overtaking it, and soon our narrator-the girl, grown into a young mother-must flee her village, move from one world to the next, to find her husband and save her children, and propel them toward a real and hopeful future. A beguiling, imaginative, inspiring story about the bigness of being alive as an individual, as a member of a tribe, and as a participant in history, No One Is Here Except All Of Us explores how we use storytelling to survive and shape our own truths. It marks the arrival of a major new literary talent.
“Fantastical and ambitious . . . infused with faith in the power of storytelling . . . Light and tenderness persevere—in a shining moon, in a candle still aglow, in a mother’s embrace of her child.”—The New York Times Book Review
“Debut novelist Ausubel casts a vibrant, dreamlike spell in this tale of a remote Romanian Village whose citizens try to save themselves from the Holocaust by reinventing their own history.”—Marie Claire
“Romanian Jews in 1939 reinvent their own reality in this inspiring novel about the power of community and imagination.”—O, the Oprah Magazine
“Ramona Ausubel’s debut, No One Is Here Except All of Us captures the magical group-think of a Romanian village that retreats into an imaginary reality at the outbreak of war.”—Vogue
“In her debut novel, No One Is Here Except All of Us, Ramona Ausubel breaks new ground, with a unique prose style that weaves a classic immigrant tale into a world of dreams. The town of Zalischick and its citizens re-write their own story, filling it with magic, hope, and a determination in the face of destruction to find new ways to begin.”—Hannah Tinti, author of The Good Thief
"Here is a world created out of the most curious and beautiful remnants of our own: opera, suitcases, letters, rivers, daughters, strangers and shovels. Ramona Ausubel cracks open the very idea of a book and fills its shell with a thing glimmering, thrilling and new.”—Samantha Hunt, author on The Invention of Everything Else
“A special work of the imagination, an original gift, dark and light, and Ramona Ausubel colors it all with a glowing wisdom.”—Ron Carlson, author of Five Skies
“Beautifully written and alive in story, fascinating characters, and place. You can't help but compare Ausubel's book with Marquez, with her fantastic vision of history and invention, the small village dreaming the vast world, but she is her own new fresh voice.”—Brad Watson, author of The Heaven of Mercury
“A wise, compassionate book that even in its darkest turns uplifts.”—Christine Schutt, author of Florida and All Souls
"An absorbing and unpredictable novel that manages to encompass a wide geographic and emotional range. . . . Ausubel's original voice combines fresh, clear observation and Old testament grandeur."—The New Yorker
"No One Is Here Except All of Us contains so many achingly beautiful passages, it's as if language itself is continually striving to be a refuge. . . . If a book can be said to have a consciousness, the consciousness here is infinitely tender and soulful, magical and true. It's the kind of God we wish for.”—San Francisco Chronicle
“Ramona Ausubel's first novel, "No One Is Here Except All of Us," is a poetic fable about a part of history after which some people say poetry is an obscenity... Ausubel's fable-like tone is effective in creating a sensation of tale and dream. For conveying the full horror of the events surrounding the Holocaust, it is less so, but this isn't what she's trying to do. Instead, she is comfortable reshaping, in a safe time and place, stories that were handed to her, using her rhetorical and narrative skill to create something that can be carried without cutting the one who carries it.”—Minneapolis Star Tribune
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