John Nichols's The Progresses and Public Processions of Queen Elizabeth I: A New Edition of the Early Modern Sources (Five-volume set) - Rilegato

Rilegato

ISBN 10: 019920506X ISBN 13: 9780199205066

Casa editrice: OUP Oxford, 2014

Riassunto

John Nichols's The Progresses of Queen Elizabeth (1788-1823) has long been an indispensable reference tool for scholars working on Elizabethan court and culture - despite the serious limitations of an antiquarian edition now two centuries old. This old-spelling edition of the early modern materials contained in Nichols's Progresses is edited to high and consistent standards, and based on a critical re-examination of printed and manuscript sources. It is structured by a narrative of the two sets of annual progresses undertaken by Queen Elizabeth I: the 'summer progresses,' when Elizabeth travelled throughout southern England and the Midlands, visiting cities as far afield as Bristol, Coventry, Norwich, and Southampton; and the 'winter progresses,' when Elizabeth moved between her residences in and around London, including Richmond, Hampton Court, and Whitehall. New editions of the major progress entertainments - Kenilworth, Woodstock, Elvetham, Cowdray, Ditchley, and Harefield - are set alongside accounts of civic receptions, tilts and Accession Day entertainments, and non-dramatic texts, many of which have not been published since Nichols, including verses delivered by Eton scholars before the Queen (1563); John Lesley's Oratio (1574); Gabriel Harvey's Gratulationum Valdinensium (1578); and the Oxford and Cambridge verses on the death of Queen Elizabeth (1603). The editions are supported by translations of all non-English material, full scholarly annotation, illustrations, and maps. This will make John Nichols's The Progresses and Public Processions of Queen Elizabeth: A New Edition of the Early Modern Sources the most comprehensive collection of early modern texts pertaining to the court and culture of Queen Elizabeth.

Su questo libro

Recensione:

five sumptuous volumes, with over a hundred illustrations, some rare ... Years of research of the highest quality have produced an Elizabethan treasure trove. (Brian Vickers, TLS Books of the Year 2015)

[An] astounding scholarly accomplishment. No cultural, historical, social, or economic investigator of Elizabeth's reign can proceed without the new Nichols. (David M. Bergeron, Renaissance Quarterly)

[Provides] an unprecedented amount of data which extend far beyond the original collection ... Scholars are now put in a position to say, again, "it's in Nichols" - but one is not allowed to ask "which edition?" any more. It is the Oxford New Edition, no doubt about that (Carlo M. Bajetta, Review of English Studies)

This is an outstanding edition ... It will quickly become the first port of call for those studying Elizabethan progresses, entertainments and court culture. It provides fascinating insights into the late eighteenth- and early nineteenth-century world of antiquarian studies and printing ... a superb resource for undergraduate dissertations. (Natalie Mears, English Historical Review)

L'autore:

Dr. Jayne Elisabeth Archer is lecturer in Medieval and Renaissance Literature in the Department of English Literature, Aberystwyth University. She is an Associate Fellow of the Centre for the Study of the Renaissance, University of Warwick, where she spent four years as AHRC postdoctoral Research Fellow on the John Nichols Project. She is co-editor of The Progresses, Pageants, and Entertainments of Queen Elizabeth I (Oxford: Oxford University Press, 2007), and has published articles on Elizabethan and Jacobean masques, early modern women's receipt books, and alchemy in early modern literature. She is currently working on a book-length study of the relationship between housewifery and natural philosophy in early modern literature. Dr. Elizabeth Clarke is Professor of English at the University of Warwick. She is author of Theory and Theology in George Herbert's Poetry (Oxford University Press, 1997) and has just finished a study in versions of the Song of Songs in seventeenth-century England. She was director of the Perdita Project for early modern women's manuscripts and is currently directing a British Academy-funded project on the life-writing of Elizabeth Isham (1608-1654). Dr. Elizabeth Goldring was a Research Fellow in the University of Warwick's Centre for the Study of the Renaissance and is now an Associate Fellow of both the Centre and Warwick's History of Art Department. She is co-editor of two essay collections - The Progresses, Pageants, and Entertainments of Queen Elizabeth I (Oxford University Press, 2007) and Court Festivals of the European Renaissance: Art, Politics and Performance (Ashgate, 2002) - and associate general editor of Europa Triumphans: Court and Civic Festivals in Early Modern Europe (Ashgate, 2004). Other recent publications include articles in The British Art Journal, The Burlington Magazine, and ELR: English Literary Renaissance. She was Consultant to English Heritage for the exhibition 'Queen and Castle: Robert Dudley's Kenilworth', which opened in 2006.

Su questa edizione

• Editore: OUP Oxford
• Data di pubblicazione: 2014
• ISBN 10: 019920506X
• ISBN 13: 9780199205066
• Rilegatura: Copertina rigida
• Numero di pagine: 4064
• Redattore: Goldring Elizabeth, Eales Faith, Clarke Elizabeth, Archer Jayne Elisabeth