Baroque Personae - Rilegato

Rilegato

ISBN 10: 0226856364 ISBN 13: 9780226856360

Casa editrice: Univ of Chicago Pr, 1995

The Baroque, which stretched from the end of the sixteenth to the second half of the seventeenth century, is one of the most enigmatic eras in history. In this book, thirteen distinguished scholars develop a portrait of institutions, ideologies, intellectual themes, and social structures as they are reflected in Baroque personae, or characteristic social roles.

Studying the statesman, soldier, financier, secretary, rebel, preacher, missionary, nun, witch, scientist, artist, and bourgeois, the essays depart dramatically from traditional accounts of this era. The statesman, for example, is seen here as the exact opposite of a benevolent man working for the common good; and the soldier is depicted as part of an institution that could be savage and destructive but that also, by the end of the Baroque age, helped shape a more rational relationship with the military and civil society.

The contributors are Rosario Villari, Henry Kamen, Geoffrey Parker, Daniel Dessert, Salvatore S. Nigro, Manuel Morán, José Andrés-Gallego, Adriano Prosperi, Mario Rosa, Brian P. Levack, Paolo Rossi, Giovanni Careri, and James S. Amelang.

L'autore:

Rosario Vallari teaches at La Sapienza University in Rome and is affiliated with the Institute for Advanced Study, the Newberry Library, and the University of Oxford.

Product Description:

The Baroque period stretched from the end of the 16th to the second half of the 17th century. In this book, 13 scholars develop a portrait of institutions, ideologies, intellectual themes and social structures as they are reflected in Baroque personae, or characteristic social roles. Studying the statesman, soldier, financier, secretary, rebel, preacher, missionary, nun, witch, scientist, artist and bourgeois, the essays depart dramatically from traditional accounts of this era. The statesman, for example, is seen here as the exact opposite of a benevolent man working for the common good; and the soldier is depicted as part of an institution that could be savage and destructive but that also, by the end of the Baroque age, helped shape a more rational relationship with the military and civil society.