Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery - Rilegato

Thompson, Katrina Dyonne

Rilegato

ISBN 10: 0252038258 ISBN 13: 9780252038259

Casa editrice: Univ of Illinois Pr, 2014

Riassunto

In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved.

As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion.

Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots.

Su questo libro

L'autore:

Katrina Dyonne Thompson is an assistant professor of history and African American studies at St. Louis University.

Su questa edizione

• Editore: Univ of Illinois Pr
• Data di pubblicazione: 2014
• ISBN 10: 0252038258
• ISBN 13: 9780252038259
• Rilegatura: Copertina rigida
• Numero di pagine: 242