Establishing a new vision for film history, Film and Attraction: From Kinematography to Cinema urges readers to consider the importance of complex social and cultural forces in early film. André Gaudreault argues that Edison and the Lumières did not invent cinema; they invented a device. Explaining how this device, the kinematograph, gave rise to cinema is the challenge he sets for himself in this volume. He highlights the forgotten role of the film lecturer and examines film's relationship with other visual spectacles in fin-de-siècle culture, from magic sketches to fairy plays and photography to vaudeville. In reorienting the study of film history, Film and Attraction offers a candid reassessment of Georges Méliès' rich oeuvre and includes a new, unabridged translation of Méliès' famous 1907 text "Kinematographic Views." A foreword by Rick Altman stresses the relevance of Gaudreault's concerns to Anglophone film scholarship.
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André Gaudreault is a professor at the Département d’histoire de l’art et d’études cinématographiques at the Université de Montréal, the author of From Plato to Lumière: Narration and Monstration in Literature and Cinema, and the editor of American Cinema 1890–1909: Themes and Variations. Timothy Barnard is a film historian, author, and translator.
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Descrizione libro Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days. An important reexamination of early film history, translated from the French for the first time. Codice articolo B9780252078057
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Descrizione libro Condizione: New. Codice articolo 11867055-n
Descrizione libro PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo FW-9780252078057
Descrizione libro Condizione: New. An important reexamination of early film history, translated from the French for the first time Translator(s): Barnard, Timothy. Num Pages: 224 pages, 23 black and white photographs. BIC Classification: APFA; JFCA. Category: (P) Professional & Vocational. Dimension: 228 x 154 x 15. Weight in Grams: 376. . 2011. 1st Edition. Paperback. . . . . Codice articolo V9780252078057
Descrizione libro Condizione: New. An important reexamination of early film history, translated from the French for the first time Translator(s): Barnard, Timothy. Num Pages: 224 pages, 23 black and white photographs. BIC Classification: APFA; JFCA. Category: (P) Professional & Vocational. Dimension: 228 x 154 x 15. Weight in Grams: 376. . 2011. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. Codice articolo V9780252078057
Descrizione libro Paperback. Condizione: new. Paperback. Establishing a new vision for film history, Film and Attraction: From Kinematography to Cinema urges readers to consider the importance of complex social and cultural forces in early film. Andre Gaudreault argues that Edison and the Lumieres did not invent cinema; they invented a device. Explaining how this device, the kinematograph, gave rise to cinema is the challenge he sets for himself in this volume. He highlights the forgotten role of the film lecturer and examines film's relationship with other visual spectacles in fin-de-siecle culture, from magic sketches to fairy plays and photography to vaudeville. In reorienting the study of film history, Film and Attraction offers a candid reassessment of Georges Melies' rich oeuvre and includes a new, unabridged translation of Melies' famous 1907 text "Kinematographic Views." A foreword by Rick Altman stresses the relevance of Gaudreault's concerns to Anglophone film scholarship. An important reexamination of early film history, translated from the French for the first time Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9780252078057