Seeking to rebuild the Russian film industry after its post-Soviet collapse, directors and producers sparked a revival of nationalist and patriotic sentiment by applying Hollywood techniques to themes drawn from Russian history. Unsettled by the government’s move toward market capitalism, Russians embraced these historical blockbusters, packing the American-style multiplexes that sprouted across the country. Stephen M. Norris examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history"—the adaptation of an American cinematic style to Russian historical epics.
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Stephen M. Norris is Professor of History at Miami University of Ohio. He is author of A War of Images: Russian Popular Prints, Wartime Culture, and National Identity and editor (with Willard Sunderland) of Russia's People of Empire: Life Stories from Eurasia, 1500 to the Present (IUP, 2012).
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Descrizione libro Condizione: New. Examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history" Num Pages: 406 pages, 27 b&w illus. BIC Classification: 1DVUA; APFN. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 30. Weight in Grams: 681. . 2012. Hardcover. . . . . Codice articolo V9780253006790
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Descrizione libro Condizione: New. Codice articolo 18648085-n
Descrizione libro Condizione: New. Examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history" Num Pages: 406 pages, 27 b&w illus. BIC Classification: 1DVUA; APFN. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 30. Weight in Grams: 681. . 2012. Hardcover. . . . . Books ship from the US and Ireland. Codice articolo V9780253006790