Francesco Vanni (1563/64–1610) was the most important artist in Siena at the turn of the 17th century. His works combine dazzling technical virtuosity and brilliant coloring with the naturalistic approach employed by his more famous contemporaries Annibale Carracci and Caravaggio. He painted altarpieces for every significant church in Siena, as well as for Saint Peter’s and other churches in Rome.
Beautifully illustrated and featuring new research, Francesco Vanni: Art in Late Renaissance Siena is the definitive resource on the artist. John Marciari investigates Vanni’s career, including his connections with patrons and his adaptation of traditional subject matter to serve the Counter-Reformation. Suzanne Boorsch explores Vanni’s engagement with printmakers and the dissemination of his compositions through prints. The catalogue examines more than 80 paintings, drawings, and prints, including the Madonna della Pappa, one of Vanni’s masterpieces, acquired by the Yale University Art Gallery in 2003.
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John Marciari is the curator of European art and head of provenance research at the San Diego Museum of Art. Suzanne Boorsch is the Robert L. Solley Curator of Prints, Drawings, and Photographs at the Yale University Art Gallery.
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Descrizione libro Yale University Press. Condizione: new. Codice articolo think0300135483
Descrizione libro Yale University Press, 2013. Hardcover. Condizione: New. Condizione sovraccoperta: New. The book is new and factory sealed. Codice articolo 000599w
Descrizione libro Yale University Press, 2013. Hardcover. Condizione: New. Illustrated. A+ Customer service! Satisfaction Guaranteed! Book is in NEW condition. Codice articolo 0300135483-2-1
Descrizione libro Yale University Press, 2013. Hardcover. Condizione: New. Brand New!. Codice articolo VIB0300135483
Descrizione libro Hardcover. Condizione: Brand New. New. Codice articolo dh35chalis13648
Descrizione libro Hardcover. Condizione: Brand New. New. Codice articolo dh35chalis13647
Descrizione libro Yale University Press, United States, 2013. Hardback. Condizione: New. New. Language: English. Brand new Book. Francesco Vanni (1563/64-1610) was the most important artist in Siena at the turn of the 17th century. His works combine dazzling technical virtuosity and brilliant coloring with the naturalistic approach employed by his more famous contemporaries Annibale Carracci and Caravaggio. He painted altarpieces for every significant church in Siena, as well as for Saint Peter's and other churches in Rome. Beautifully illustrated and featuring new research, Francesco Vanni: Art in Late Renaissance Siena is the definitive resource on the artist. John Marciari investigates Vanni's career, including his connections with patrons and his adaptation of traditional subject matter to serve the Counter-Reformation. Suzanne Boorsch explores Vanni's engagement with printmakers and the dissemination of his compositions through prints. The catalogue examines more than 80 paintings, drawings, and prints, including the Madonna della Pappa, one of Vanni's masterpieces, acquired by the Yale University Art Gallery in 2003. Codice articolo BZV9780300135480
Descrizione libro Yale University Press, New Haven, 2013. Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. ncesco Vanni: Art in Late Renaissance Siena John Marciari, Suzanne Boorsch, Jamie Gabbarelli, Alexa A Greist, Editore: Yale University Press October 2013, 2013 ISBN 10: 0300135483 / ISBN 13: 9780300135480 Descrizione: Francesco Vanni (1563/64-1610) was the most important artist in Siena at the turn of the 17th century. His works combine dazzling technical virtuosity and brilliant coloring with the naturalistic approach employed by his more famous contemporaries Annibale Carracci and Caravaggio. He painted altarpieces for every significant church in Siena, as well as for Saint Peter's and other churches in Rome.Beautifully illustrated and featuring new research, 'Francesco Vanni: Art in Late Renaissance Siena' is the definitive resource on the artist. John Marciari investigates Vanni's career, including his connections with patrons and his adaptation of traditional subject matter to serve the Counter-Reformation. Suzanne Boorsch explores Vanni's engagement with printmakers and the dissemination of his compositions through prints. The catalogue examines more than 80 paintings, drawings, and prints, including the 'Madonna della Pappa,' one of Vanni's masterpieces, acquired by the Yale University Art Gallery in 2003. Published in conjunction with the exhibition organized by the Yale University Art Gallery, Yale University Art Gallery, September 27, 2013-January 5, 2014. end paper a little loose otherwise a near perfect copy. Codice inventario libreria 008573assunto: Francesco Vanni (1563/64-1610) was the most important artist in Siena at the turn of the 17th century. His works combine dazzling technical virtuosity and brilliant coloring with the naturalistic approach employed by his more famous contemporaries Annibale Carracci and Caravaggio. He painted altarpieces for every significant church in Siena, as well as for Saint Peter's and other churches in Rome. Beautifully illustrated and featuring new research, Francesco Vanni: Art in Late Renaissance Siena is the definitive resource on the artist. John Marciari investigates Vanni's career, including his connections with patrons and his adaptation of traditional subject matter to serve the Counter-Reformation. Suzanne Boorsch explores Vanni's engagement with printmakers and the dissemination of his compositions through prints. The catalogue examines more than 80 paintings, drawings, and prints, including the Madonna della Pappa, one of Vanni's masterpieces, acquired by the Yale University Art Gallery in 2003. Language : english text Size: 225 X285 mm. Codice articolo 008573