A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse.
As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts.
Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation.
Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
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Victor S. Navasky is the former editor and publisher of The Nation, and a former editor at The New York Times Magazine, who once founded his own quarterly of political satire, Monocle, “a radical sporadical.” He is the author of, among other books, Naming Names, which won a 1982 National Book Award, and A Matter of Opinion, which won the George Polk Book Award. He teaches at the Columbia University Graduate School of Journalism, where he is the director of the Delacorte Center for Magazine Journalism and chair of the Columbia Journalism Review. He lives in New York.
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Descrizione libro gebunden. Condizione: Neu. Neu -Von höchster Aktualität ist dieser Band, der den politischen Cartoon und seine Geschichte zum Thema hat. Mit der Ermordung von Autoren und Zeichnern des Pariser Satiremagazins »Charlie Hebdo« durch islamistische Fanatiker wurde einmal mehr augenfällig, dass das Geschäft der politischen Karikatur treffend, entlarvend und deshalb eben auch lebensgefährlich für die Autoren sein kann. Dies zeigt auch ein Blick in ihre Geschichte: Politische Satiriker und Cartoonisten wurden immer wieder zensiert, bedroht, eingekerkert und auch ermordet. Der Autor fragt, weshalb diese häufig als trivial missverstandene Kunstform unsere Gedanken und Herzen so sehr treffen kann. Werke der großen Meister ihres Faches werden gezeigt und in konzisen Texten beleuchtet, u.a. sind Arbeiten von George Grosz, David Levine, Herblock, Honoré Daumier und Ralph Steadman neu zu entdecken. Die Kehrseite der weltoffenen, entlarvenden Karikatur wird allerdings ebenso zur Sprache gebracht, etwa die Machwerke des antisemitischen Hetzblatts »Der Stürmer«. Auch die politische Kraft von Gemälden wie Picassos »Guernica« kommt in den Blick. Interviews mit Cartoonisten und umfassende Studien in historischen Archiven runden den äußerst lesenswerten Band ab. (Text engl.)\\nSchlagwörter: the art of controversy, politische karikaturen und ihre andauernde kraft, Sachgruppen: Geisteswissenschaften, Kunst, Musik, Geschichte, Kulturgeschichte Format: 24,00 x 18,00 x 2,50 cm Englisch. Codice articolo 704490
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