Themes and conventions of Elizabethan Tragedy: 001

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9780521296953: Themes and conventions of Elizabethan Tragedy: 001
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The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintesev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are related to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middlewon. For this second edition Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performace and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters, providing a link with the subsequent volumes in A History of Elizabethan Drama.

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Contenuti:

Preface to the second edition; Part I. The Theatre: 1. Introduction; 2. Conventions of presentation and acting; 3. Conventions of action; 4. Elizabethan habits of reading, writing and listening; 5. Conventions of speech; Part II. The Dramatists: 6. Christopher Marlowe; 7. Cyril Tourneur; 8. John Webster; 9. Thomas Middleton; 10. Character, identity and the performer's art in Elizabethan drama; Outline of related studies 1935–78; Index.

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Book by Bradbrook M C

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Bradbrook,M.C.
Editore: University Press, Cambridge, (1980)
ISBN 10: 0521296951 ISBN 13: 9780521296953
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Descrizione libro University Press, Cambridge, 1980. br.cop.fig. Condizione: NUOVO. The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintesev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are related to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middlewon. For this second edition Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performace and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters, providing a link with the subsequent volumes in A History of Elizabethan Drama. cm.13,5x21,5, pp.270, Cambridge, University Press 1980, cm.13,5x21,5, pp.270, br.cop.fig. Testo in inglese. Codice articolo 20776

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Descrizione libro CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 1980. Paperback. Condizione: New. 2nd Revised edition. Language: English. Brand new Book. The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintesev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are related to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middlewon. For this second edition Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performace and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters, providing a link with the subsequent volumes in A History of Elizabethan Drama. Codice articolo AAV9780521296953

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Descrizione libro Cambridge University Press, 1980. PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice articolo LQ-9780521296953

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Descrizione libro Cambridge University Press, 2017. Paperback. Condizione: New. PRINT ON DEMAND Book; New; Publication Year 2017; Fast Shipping from the UK. No. book. Codice articolo ria9780521296953_lsuk

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Descrizione libro Cambridge. Condizione: new. Themes and Conventions of Elizabethan Tragedy. Codice articolo 70848826f1e202defc462722012d90e4

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Descrizione libro CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 1980. Paperback. Condizione: New. 2nd Revised edition. Language: English. Brand new Book. The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintesev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are related to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middlewon. For this second edition Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performace and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters, providing a link with the subsequent volumes in A History of Elizabethan Drama. Codice articolo LIE9780521296953

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Descrizione libro Cambridge University Press, 1980. PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice articolo LQ-9780521296953

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