Articoli correlati a On the Theory and Practice of Art-Enamelling Upon Metals

On the Theory and Practice of Art-Enamelling Upon Metals - Brossura

 
9781235795251: On the Theory and Practice of Art-Enamelling Upon Metals
Vedi tutte le copie di questo ISBN:
 
 
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated.1906 Excerpt: ... Chapter I INTRODUCTION THE process of enamelling consists in coating the surface of earthenware, porcelain, glass, metal, or any other substance that will bear to be raised to a red heat, with a layer of melted glass. The origin of the name is doubtful. In old French it was spelt "esmail." It probably is connected with the word "smelt," and the German "smeltzen," from which also the word " smalt" is derived. A mere uniform glaze of glass, such as is used to cover pottery and porcelain, is sometimes termed enamel, but more strictly the word is only used when the glaze is laid on so as to form a design. The use of the word should also in strictness be confined to cases in which coloured glass is employed, laid on in masses like washes of colour, and not to work painted with a brush. Thus when china or metal is covered with solid coats of glaze it is said to be enamelled, but stippled ornaments or landscapes upon Dresden China, or Battersea ware, are not enamels properly so called. In practice the word is loosely employed, and it is usual to call all applications of melted glass upon metal by the name enamel, so that the term is employed for saucepans and other kinds of household ware made by coating iron with vitreous material. The so-called enamels used on bicycles are not true enamels, but only preparations of pitch or other resinous substances, which are hardened by baking them for two or three hours in ovens at a temperature rather higher than that of boiling water. Used in this way, common Japan black produces a hard and beautiful surface; but it is not a true enamel. Enterprising tradesmen sometimes mix two or three pennyworth of paint with a hard varnish, strain it, and sell it in tins as "enamel." Ladies' faces are also "enamelled" by the application ...

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

  • EditoreGeneral Books LLC
  • Data di pubblicazione2012
  • ISBN 10 123579525X
  • ISBN 13 9781235795251
  • RilegaturaCopertina flessibile
  • Numero di pagine44

(nessuna copia disponibile)

Cerca:



Inserisci un desiderata

Se non trovi il libro che cerchi su AbeBooks possiamo cercarlo per te automaticamente ad ogni aggiornamento del nostro sito. Se il libro è ancora reperibile da qualche parte, lo troveremo!

Inserisci un desiderata

Altre edizioni note dello stesso titolo

9781444656930: On the Theory and Practice of Art-Enamelling Upon Metals

Edizione in evidenza

ISBN 10:  1444656937 ISBN 13:  9781444656930
Casa editrice: Obscure Press, 2010
Rilegato

  • 9780282497590: On the Theory and Practice of Art-Enamelling Upon Metals (Classic Reprint)

    Forgot..., 2018
    Brossura

  • 9781444656091: On the Theory and Practice of Art-Enamelling Upon Metals

    Obscur..., 2010
    Brossura

  • 9780428462208: On the Theory and Practice of Art-Enamelling Upon Metals (Classic Reprint)

    Forgot..., 2018
    Rilegato

I migliori risultati di ricerca su AbeBooks