The emergence of cinema as a predominant form of mass entertainment in the 1910s inspired intellectuals to rethink their definitions of art. The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy’s writers with cinema, and in doing so offers vibrant new perspectives on the country’s early twentieth-century culture.
This comparative study focuses on the immediate responses to this cultural phenomenon of three highly influential intellectuals, each with a competing aesthetic vision – Filippo Tommaso Marinetti, founder of Futurism; Gabriele D’Annunzio, leader of Italian Decadentism; and Luigi Pirandello, a father of modern European theatre and theorist of humour. Along with demonstrating how the popularization of the feature-length narrative influenced each author’s outlook and theories, Michael Syrimis unravels the extent to which cinema enforced or neutralized the ideological and aesthetic differences between them.
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Descrizione libro Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Binding sound, text clean, light shelfwear to book/jacket. Book. Codice articolo 5053386
Descrizione libro Hardcover. Condizione: As New. Condizione sovraccoperta: Very Good. 1st Edition. AS NEW hardcover in VERY GOOD dust jacket, no marks in text, tight binding, appears unread. Book. Codice articolo 120413