This book examines the role of photography as a powerful language of expressing collective identities in Eastern Europe during the period of dramatic socio-political transformation associated with the slow rise of national and ethnic consciousness, the dawn of empire and the outbreak of the two World Wars.
From the 1867 All-Russian Ethnographic Exhibition to the war-time Nazi scientific surveys, this innovative account looks closely at how photographic practices and records were applied, borrowed, appropriated, transmitted to exert or subvert power, and used as a tool in negotiating collective identities. Discussing a wide range of little-known archives, libraries of scientific institutions, learned societies, and professional and amateur photographers, it focuses on those ambitious photographic projects which not only shaped the various national, ethnic or imperial identities but also went to the heart of the idea of Eastern Europe.
By juxtaposing photography with other visual and non-visual heritage discourses and practices, this book offers both a new perspective in the field of East European studies and a novel approach to the history of photography.
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Ewa Manikowska is Professor of Art History at the Institute of Art, Polish Academy of Sciences, Warsaw. She has researched and published primarily in the areas of history of collecting, cultural transfer, survey photography and cultural heritage.
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Spese di spedizione:
EUR 4,24
Da: Regno Unito a: U.S.A.
Descrizione libro Taylor and Francis 2018-11-29, London, 2018. hardback. Condizione: New. Language: ENG. Codice articolo 9781472585660
Descrizione libro Bloomsbury Publishing PLC, United Kingdom, 2018. Hardback. Condizione: New. Language: English. Brand new Book. This book examines the role of photography as a powerful language of expressing collective identities in Eastern Europe during the period of dramatic socio-political transformation associated with the slow rise of national and ethnic consciousness, the dawn of empire and the outbreak of the two World Wars. From the 1867 All-Russian Ethnographic Exhibition to the war-time Nazi scientific surveys, this innovative account looks closely at how photographic practices and records were applied, borrowed, appropriated, transmitted to exert or subvert power, and used as a tool in negotiating collective identities. Discussing a wide range of little-known archives, libraries of scientific institutions, learned societies, and professional and amateur photographers, it focuses on those ambitious photographic projects which not only shaped the various national, ethnic or imperial identities but also went to the heart of the idea of Eastern Europe. By juxtaposing photography with other visual and non-visual heritage discourses and practices, this book offers both a new perspective in the field of East European studies and a novel approach to the history of photography. Codice articolo AA69781472585660
Descrizione libro Routledge, 2018. HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo FT-9781472585660
Descrizione libro Taylor & Francis Ltd, United Kingdom, 2018. Hardback. Condizione: New. Language: English. Brand new Book. The second half of the 19th century was a time of extensive political upheaval in central east Europe that saw the negotiation of conflicting territorial claims in the region by the Russian, Austrian and Prussian empires. The post-WW1 settlement gave rise to the formation of the independent nation states of Poland, Lithuania, Ukraine, Latvia and Belarus. Less well know is that this same period was also an era of keen photographic activity. During this time of empire-, state- and nation-building, cultural heritage was a potent vehicle and a provider of collective memory and identity.This innovative account analyses the relationship between politics, history, cultural heritage and photography in central east Europe between 1859 and 1945. To understand the work photographs 'do' in the construction of cultural heritage, the author analyses a wide range of little-known photographic archives created by contemporary professional and amateur photographers. Their work was extensively exploited in contemporary debates, appearing in albums, books, journals, exhibitions, museum exhibits, postcards and newspapers aimed at both scientific and popular and national and international publics. An extensive analysis of how photographic practices and outcomes were applied, borrowed, copied, appropriated and transmitted shows how photography was used to exert or subvert power, on the one hand, and as a tool in constructing and negotiating group identities on the other. By weaving photography and its patterns of making, dissemination and archival survival through major historical narratives, this volume reveals the centrality of photography and visual discourse at pivotal moments of modern history. Codice articolo BTE9781472585660
Descrizione libro Routledge -. Condizione: New. Codice articolo 6666-TNF-9781472585660
Descrizione libro Bloomsbury Academic 2018-09-20, 2018. Hardcover. Condizione: New. Codice articolo 6666-GRD-9781472585660
Descrizione libro Routledge, 2018. HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo FT-9781472585660
Descrizione libro Routledge, 2018. Hardcover. Condizione: NEW. NEW. book. Codice articolo F7S5-8-Z-1472585666-5
Descrizione libro Condizione: New. book. Codice articolo ria9781472585660_new
Descrizione libro Bloomsbury Academic, 2018. Hardcover. Condizione: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE. Codice articolo mon0005316109