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Pancho McFarland is Associate Professor of Sociology at Chicago State University. He was born in Illinois and raised in Raton, New Mexico, as a member of the Cortez clan.
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Descrizione libro Paperback. Condizione: new. Paperback. The population of Mexican-origin peoples in the United States is a diverse one, as reflected by age, class, gender, sexuality, and religion. Far from antiquated concepts of mestizaje, recent scholarship has shown that Mexicanat/Chicanat culture is a mixture of indigenous, African, and Spanish and other European peoples and cultures. No one reflects this rich blend of cultures better than Chicanat rappers, whose lyrics and iconography can help to deepen our understanding of what it means to be Chicanat or Mexicanat today. While some identify as Mexican mestizos, others identify as indigenous people or base their identities on their class and racial/ethnic makeup. No less significant is the intimate level of contact between Chicanats and black Americans. Via a firm theoretical foundation, Pancho McFarland explores the language and ethos of Chicanat/Mexicanat hip hop and sheds new light on three distinct identities reflected in the music: indigenous/Mexica, Mexican nationalist/immigrant, and street hopper. With particular attention to the intersection of black and Chicano cultures, the author places exciting recent developments in music forms within the context of progressive social change, social justice, identity, and a new transnational, polycultural America. The population of Mexican-origin peoples in the United States is a diverse one, as reflected by age, class, gender, sexuality, and religion. This vibrant book explores the language and ethos of Chicanat/Mexicanat hip hop in the context of progressive social change, social justice, identity, and a new transnational, polycultural America. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9781611860863
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