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Descrizione libro PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo CX-9781783203796
Descrizione libro PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo CX-9781783203796
Descrizione libro Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days. Zombies, vampires, and mummies are frequent stars of American horror films. The author investigates the ways in which American living-dead films have addressed death through different narrative and rhetorical solutions during the twentieth century. She focuses on films from the 1930s, 1950s, 1960s, and more recent fare like The Mummy. Codice articolo B9781783203796
Descrizione libro Condizione: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book. Codice articolo ria9781783203796_lsuk
Descrizione libro Paperback. Condizione: Brand New. 207 pages. 8.75x6.50x0.50 inches. In Stock. Codice articolo __178320379X
Descrizione libro Paperback. Condizione: New. Codice articolo 6666-NBN-9781783203796
Descrizione libro Paperback. Condizione: New. Codice articolo 6666-IUK-9781783203796
Descrizione libro Paperback. Condizione: new. Paperback. Zombies, vampires, and mummies are frequent stars of American horror films. But what does their cinematic omnipresence and audiences' hunger for such films tell us about American views of death? Here, Outi Hakola investigates the ways in which American living-dead films have addressed death through different narrative and rhetorical solutions during the twentieth century. She focuses on films from the 1930s, including Dracula, The Mummy, and White Zombie, films of the 1950s and 1960s such as Night of the Living Dead and The Return of Dracula, and more recent fare like Bram Stoker's Dracula, The Mummy, and Resident Evil. Ultimately, the book succeeds in framing the tradition of living dead films, discussing the cinematic processes of addressing the films' viewers, and analyzing the films' socio-cultural negotiation with death in this specific genre. Outi Hakola investigates the ways in which American living-dead films have addressed death through different narrative and rhetorical solutions during the twentieth century. The book frames the tradition of living dead films, discusses the cinematic processes of addressing the viewers, and analyses the films socio-cultural negotiation with death. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9781783203796
Descrizione libro Paperback. Condizione: new. Paperback. Zombies, vampires, and mummies are frequent stars of American horror films. But what does their cinematic omnipresence and audiences' hunger for such films tell us about American views of death? Here, Outi Hakola investigates the ways in which American living-dead films have addressed death through different narrative and rhetorical solutions during the twentieth century. She focuses on films from the 1930s, including Dracula, The Mummy, and White Zombie, films of the 1950s and 1960s such as Night of the Living Dead and The Return of Dracula, and more recent fare like Bram Stoker's Dracula, The Mummy, and Resident Evil. Ultimately, the book succeeds in framing the tradition of living dead films, discussing the cinematic processes of addressing the films' viewers, and analyzing the films' socio-cultural negotiation with death in this specific genre. Outi Hakola investigates the ways in which American living-dead films have addressed death through different narrative and rhetorical solutions during the twentieth century. The book frames the tradition of living dead films, discusses the cinematic processes of addressing the viewers, and analyses the films socio-cultural negotiation with death. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9781783203796