Articoli correlati a Women Artists in Early Modern Italy: Careers, Fame,...
L'autore:
Sheila Barker (Ph.D., Columbia University, 2002), directs the Jane Fortune Research Program on Women Artists at the Medici Archive Project, the first archival program of its kind. Her publications of documentation on women artists have shed light on Lucrezia Quistelli, Artemisia Gentileschi, Irene Parenti Duclos, and the phenomenon of female copyists.
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- EditoreHarvey Miller Pub
- Data di pubblicazione2017
- ISBN 10 1909400351
- ISBN 13 9781909400351
- RilegaturaCopertina rigida
- Numero di pagine181
- RedattoreBarker Sheila
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Women Artists in Early Modern Italy
Editore:
Harvey Miller
(2016)
ISBN 10: 1909400351
ISBN 13: 9781909400351
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Descrizione libro hardcover. Condizione: New. 1st. Codice articolo 603511
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Women Artists In Early Modern Italy
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Women Artists in Early Modern Italy: Careers, Fame, and Collectors
Editore:
Harvey Miller Pub
(2016)
ISBN 10: 1909400351
ISBN 13: 9781909400351
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Descrizione libro Hardcover. Condizione: Brand New. bilingual edition. 300 pages. 11.00x8.75x0.75 inches. In Stock. Codice articolo 1909400351
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Women Artists in Early Modern Italy (Hardcover)
Editore:
Brepols N.V., New York
(2017)
ISBN 10: 1909400351
ISBN 13: 9781909400351
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Descrizione libro Hardcover. Condizione: new. Hardcover. In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary evidence about the diverse strategies that women utilized in order to carry out artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Philip II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes - so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to moral scrutiny, with consequences for their patronage opportunities. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting women's self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, even though they largely ignored the contemporary women artists in their midst. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9781909400351
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Women Artists In Early Modern Italy
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Descrizione libro Condizione: New. Codice articolo V9781909400351
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Women Artists in Early Modern Italy (Hardcover)
Editore:
Brepols N.V., New York
(2017)
ISBN 10: 1909400351
ISBN 13: 9781909400351
Nuovo
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Quantità: 1
Da:
Valutazione libreria
Descrizione libro Hardcover. Condizione: new. Hardcover. In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary evidence about the diverse strategies that women utilized in order to carry out artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Philip II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes - so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to moral scrutiny, with consequences for their patronage opportunities. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting women's self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, even though they largely ignored the contemporary women artists in their midst. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9781909400351
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