Articoli correlati a Multiples in Pre-Modern Art: édition anglaise
In the art world, replicas are typically thought to be of low value. However skillfully created, they remain in the eyes of many mere copies, pointing toward an original of greater significance. In recent years, however, replicas and multiples have come to occupy a more central position in discussions about ancient, medieval, and early modern art.
Multiples in Pre-Modern Art looks at the production and reception of replicas and multiples before the nineteenth century. A wide variety of media are considered, including metal, marble, terra cotta, textiles, plaster, porcelain, canvas, wood, and wax. Through a series of questions—What happens if a copy purposely points not to an original but to another copy? What does it matter that some serially made multiples are not identical?—many of the works are reappraised as significant art forms in their own right.
Multiples in Pre-Modern Art looks at the production and reception of replicas and multiples before the nineteenth century. A wide variety of media are considered, including metal, marble, terra cotta, textiles, plaster, porcelain, canvas, wood, and wax. Through a series of questions—What happens if a copy purposely points not to an original but to another copy? What does it matter that some serially made multiples are not identical?—many of the works are reappraised as significant art forms in their own right.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
L'autore:
Walter Cupperi is an art historian and an Exzellenzinitiative Research Fellow at the Ludwig Maximilian University of Munich.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
- EditoreDiaphanes
- Data di pubblicazione2015
- ISBN 10 3037343745
- ISBN 13 9783037343746
- RilegaturaCopertina rigida
- Numero di pagine304
- RedattoreCupperi Walter
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Descrizione libro Condizione: Neuf. Codice articolo 9783037343746
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Diaphanes Apr 2014
(2014)
ISBN 10: 3037343745
ISBN 13: 9783037343746
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Descrizione libro Buch. Condizione: Neu. Neuware - In the last years replicated objects have gained an increasingly central position in the discourse about ancient, medieval and early modern art. 'Multiples', we are often told, lack uniqueness, invention, autonomy, and sometimes even authorship. Indeed, 'multiples' can be powerful multipliers - in that they enhance the 'aura of the originals' that they replicate - but they remain secondary indexes pointing to an 'original' imbued with significance. Yet, what happens if 'multiples' do not refer to other artifacts at all, or if they are associated with other 'multiples' rather than with a first version in the mind of their owners What happened when serially-made 'multiples' were not quite identical to each other, as was the rule with pre-modern artifacts What shaped their identity and the perception of them as identical This collection of essays explores different forms of interaction between the making of artifacts in more than one specimen and their reception before the nineteenth century. It addresses media such as metal, wax, plaster, terracotta, textiles, marble, ivory, porcelain, canvases and tables in an attempt to re-assess the current identification of the mediality of prints with that of pre-modern 'multiples' in general. Codice articolo 9783037343746
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Descrizione libro Gebunden. Condizione: New. Looking at the production and reception of replicas and multiples before the nineteenth century, this book shows what happens if a copy purposely points not to an original but to another copy? What does it matter that some serially made multiples are not id. Codice articolo 4320461
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