Articoli correlati a Evidence
Evidence is the cumulation of six years work on politicaldisappearance by the photographer Diana Matar. Years ago theartist’s father-in-law, a Libyan opposition leader, was kidnapped bythe Egyptian secret service and handed over to the Gaddafi regime;he has been missing ever since.The first third of the book is a meditation on absence told throughphotographs and excerpts of letters written by the artist to hermissing father-in-law, Jaballa. Slowly the book begins to change as itis made clear that Jaballa’s actions have implications for her own lifeand her family’s safety. As she travels through London, Libya, Italyand California, the images and diary entries take one on a journeythrough contemporary history.Crafted as an homage to one man, the book shows the cruel effectsof dictatorship on intimate relationships and family life.
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Evidence is the accumulation of six years work on political disappearance by the photographer Diana Matar. Years ago the artist's father in law, a Libyan opposition leader, was disappeared by the Gaddafi regime.
The first third of the book is a meditation on absence told through photographs and excerpts of letters written by the artist to her missing father in law, Jaballa. Slowly the book begins to change as it is made clear that Jaballa's actions have implications on her own life and family's safety. As she travels through London, Libya, Italy and California, the images and diary entries take one on a journey through contemporary history.
Crafted as an homage to one man, the book shows the cruel effects of dictatorship on intimate relationships and family life.
Diana Matar is a photographer based in London. Her work, which often incorporates testimony, archive or text, investigates issues of immigration, representation, urban development, and political disappearance. Neither her subject matter nor the location where she works are stable. Instead what ties her work together is its relationship to history and memory. When Diana Matar photographs a building she is not concerned with its structure but with what happened inside, when she photographs a tree she is interested in the events it has witnessed over its lifespan. When she makes a portrait she is trying to render something about what the person has already experienced rather than the present moment in their life.
Matar has been the recipient of the Deutsche Bank Pyramid Award for Fine Art, The International Fund for Documentary Photography, and has been nominated for Prix Pictet award. Her work is held in numerous public and private collections and has been published in the New Yorker, Internazionale, Ojo de Pez and many other publications. She has exhibited at Saatchi Gallery, London, Gallery of Photography Temple Bar, Dublin, Fotographie Forum International, Frankfurt, Noorderlicht Fotofestival, Q ARTS Derby and the Plymouth Museum, amongst others.
Fifteen of the images in Evidence will be showing at the Tate Modern in: Conflict, Time, Photography. November 27th, 2014 - April 14th 2015. The book will be launched at the start of this show.
Design: Diana Matar & Victor Levie, MV LevievanderMeer, Amsterdam
Product Description:
The first third of the book is a meditation on absence told through photographs and excerpts of letters written by the artist to her missing father in law, Jaballa. Slowly the book begins to change as it is made clear that Jaballa's actions have implications on her own life and family's safety. As she travels through London, Libya, Italy and California, the images and diary entries take one on a journey through contemporary history.
Crafted as an homage to one man, the book shows the cruel effects of dictatorship on intimate relationships and family life.
Diana Matar is a photographer based in London. Her work, which often incorporates testimony, archive or text, investigates issues of immigration, representation, urban development, and political disappearance. Neither her subject matter nor the location where she works are stable. Instead what ties her work together is its relationship to history and memory. When Diana Matar photographs a building she is not concerned with its structure but with what happened inside, when she photographs a tree she is interested in the events it has witnessed over its lifespan. When she makes a portrait she is trying to render something about what the person has already experienced rather than the present moment in their life.
Matar has been the recipient of the Deutsche Bank Pyramid Award for Fine Art, The International Fund for Documentary Photography, and has been nominated for Prix Pictet award. Her work is held in numerous public and private collections and has been published in the New Yorker, Internazionale, Ojo de Pez and many other publications. She has exhibited at Saatchi Gallery, London, Gallery of Photography Temple Bar, Dublin, Fotographie Forum International, Frankfurt, Noorderlicht Fotofestival, Q ARTS Derby and the Plymouth Museum, amongst others.
Fifteen of the images in Evidence will be showing at the Tate Modern in: Conflict, Time, Photography. November 27th, 2014 - April 14th 2015. The book will be launched at the start of this show.
Design: Diana Matar & Victor Levie, MV LevievanderMeer, Amsterdam
Testi e 67 fotografie a colori e numerose in bianco e nero di Diana Matar . 8vo pp. 176 Rilegato tela con tavola fotografica applicata al piatto anteriore (original full cloth with photographic inlay to front cover) Nuovo (New) Diversi anni fa, il suocero della fatografa Diana Matar, Jaballa, un leader dell'opposizione al regime di Gheddafi, fu rapito dai servizi segreti egiziani e consegnato al regime del dittatore libico, l'uomo è introvabile da allora. Il volume "Evidence" della fotografa californiana, piuttosto che un libro di reportage o di fotogiornalismo, descrive un paesaggio fatto di assenza e nostalgia. Le immagini sono spesso sfuggenti e opache: strade semibuie ed edifici sfocati ripresi in bianco e nero, alberi in fiore e rami verdi che sembrano spettrali anche a colori, fotografie ritrovate che evocano vite e aspirazioni perdute. E' un libro poetico e toccante che spinge a riflettere sugli stravolgimenti umani, privati, quotidiani che le dittature provocano.
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- EditoreSchilt Pub
- Data di pubblicazione2014
- ISBN 10 9053308423
- ISBN 13 9789053308424
- RilegaturaCopertina rigida
- Numero edizione1
- Numero di pagine176
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Evidence
Editore:
Amsterdam, Schilt Publishing,, Amsterdam
(2014)
ISBN 10: 9053308423
ISBN 13: 9789053308424
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Descrizione libro hardcover. Condizione: Perfetto (Mint). Prima edizione (First Edition). Testi e 67 fotografie a colori e numerose in bianco e nero di Diana Matar . 8vo. pp. 176. . Perfetto (Mint). . Prima edizione (First Edition). . Diversi anni fa, il suocero della fatografa Diana Matar, Jaballa, un leader dell'opposizione al regime di Gheddafi, fu rapito dai servizi segreti egiziani e consegnato al regime del dittatore libico; l'uomo è introvabile da allora. Il volume "Evidence" della fotografa californiana, piuttosto che un libro di reportage o di fotogiornalismo, descrive un paesaggio fatto di assenza e nostalgia. Le immagini sono spesso sfuggenti e opache: strade semibuie ed edifici sfocati ripresi in bianco e nero, alberi in fiore e rami verdi che sembrano spettrali anche a colori, fotografie ritrovate che evocano vite e aspirazioni perdute. E' un libro poetico e toccante che spinge a riflettere sugli stravolgimenti umani, privati, quotidiani che le dittature provocano. Book. Codice articolo 0000000203462
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