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Editore: NYRB Poets, 2015
ISBN 10: 1590179242ISBN 13: 9781590179246
Da: Ergodebooks, Houston, TX, U.S.A.
Libro
Paperback. Condizione: Used: Good.
Editore: Holt, Rhinehart & Winston, 1968
Da: Amazing Books Pittsburgh, Pittsburgh, PA, U.S.A.
Libro
Hardcover. Condizione: Good. Sturdy hardcover w/jacket. Light wear and tear, discoloration on jacket. Light edge-wear. WF.
Editore: New York Review of Books, 2015
ISBN 10: 1590179242ISBN 13: 9781590179246
Da: Revaluation Books, Exeter, Regno Unito
Libro
Paperback. Condizione: Brand New. translation edition. 251 pages. 7.00x4.50x1.00 inches. In Stock.
Editore: New York Review of Books, 2015
ISBN 10: 1590179242ISBN 13: 9781590179246
Da: Revaluation Books, Exeter, Regno Unito
Libro
Paperback. Condizione: Brand New. translation edition. 251 pages. 7.00x4.50x1.00 inches. In Stock.
Editore: Holt, Rinehart and Winston, New York, 1968
Da: Clayton Fine Books, Shepherdstown, WV, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Jim Dine, illustrations (illustratore). First Edition. Near fine in illustrated boards and very good dust jacket. Both have a little darkening at the etremities and the dusdt jacket has a short closed tear and wear at the tips.
Editore: Holt Rinehart & Winston (1968), N. Y., 1968
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Prima edizione
(DINE, Jim). (illustratore). Small 4to, original pictorial boards, dust jacket. Fine copy in slightly sunned jacket. Fine copy in slightly sunned jacket. First American edition, with the publication date (Sep. 11, 1968) stamped on the title-page.
Editore: New York Rinehart and Winston, 1968
Da: Shapero Rare Books, London, Regno Unito
Libro Prima edizione Copia autografata
First edition thus, signed by the artist; 4to; black and white illustrations by Jim Dine, minor age-toning to margins, else unmarked internally; publisher's pictorial black and white cloth, black and white lettering to spine and upper cover, minor toning to edges, patterned endpapers, with the unclipped pictorial dustjacket, slightly toned, minor edge-wear, else a very good example. The first public translation into English of Guillaume Apollinaire's masterwork, illustrated by Jim Dine and signed by him on the title page.
Editore: New York Tanglewood Press [1968], 1968
Da: Buddenbrooks, Inc., Newburyport, MA, U.S.A.
Copia autografata
LIMITED DELUXE EDITION, of 250 hand-numbered copies SIGNED by both the translator and artist and with Dine s eight original glossy Pochoir plates signed by the artist and hand-numbered and laid in. Printed on Euroset offset paper. Illustrated throughout with black and white photographs and photo-collages plus the eight original numbered colour pochoir plates by Jime Dine with all tissue guards intact. 4to, loose in printed chemise as issued within the publisher s wrap of stiff paper covered in glassine and printed in black. In the original cloth covered slipcase with photographic image printed in hot pink. 128 pp. plus the eight additional plates. A very fine copy, internally as new, the glassine wrapper also fine and just a tad mellowed at the spine, the slipcase very fresh and clean with very minor mellowing to the pink at the rear panel. SCARCE LIMITED EDITION OF ONLY 250 COPIES. This English edition of Apollinaire s "Le Poète Assassiné" is one of the great works of the "Pop Art" movement created around one of the foundational works of surrealist literature. This edition is signed by both Ron Padgett and Jim Dine and includes eight original pochoir plates which are also hand-numbered and signed by the artist. Padgett studied 20th-century French literature in Paris during 1965 and 1966. In 1962 Dine's work was included, along with Roy Lichtenstein, Andy Warhol, Robert Dowd, Phillip Hefferton, Joe Goode, Edward Ruscha, and Wayne Thiebaud, in the historically important and groundbreaking "New Painting of Common Objects", curated by Walter Hopps at the Norton Simon Museum. This exhibition is considered historically as one of the first "Pop Art" exhibitions in America. At a time of major social unrest and socio-political change, the painters included began a great new movement, shocking America and the art world in general and changing modern art for all time.