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Editore: Wildwood Arts, 1990
ISBN 10: 0826312381ISBN 13: 9780826312389
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Libro
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.55.
Editore: Wildwood Arts, 1990
ISBN 10: 0826312381ISBN 13: 9780826312389
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.55.
Editore: California Museum of Photography, 1979
Da: Edward Ripp: Bookseller, Albuquerque, NM, U.S.A.
Condizione: Very Good +. B0006CZ598 4to, 56 pp, VG+ in pictorial wraps. 40 full-page b&w plates. Exhibition history; exhibition checklist; bibliography. Uncommon.
Editore: Wildwood Arts, Berkeley, CA, 1990
ISBN 10: 0826312381ISBN 13: 9780826312389
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Libro Prima edizione
First edition. Sofcover. 106 pages. Simultaneous paperback issue of the first monograph on Lavenson's photographs. Features text by Susan Ehrens. Incudes 76 laster fultones and 25 halftones, biographical chronology, list of previous exhibitions, selected bibliography, and list of public collections. A near fine copy in wrappers with some slight sunning to and along the spine.
Editore: Hastings House Pub, NY, 1953
Da: Pepper's Old Books, Hanson, KY, U.S.A.
Libro
Spiral Spine. Condizione: Good. Don Knight, Josef Muench, Hubert A Lowman, Ray Atkeson, Ewing Galloway, Alma Lavenson, Philip Hyde, W W Goodfellow, David M Mills, Will Bragg, Dan Ollis, Jerry A Anson, James Arthur Stewart, Jack Wright, Chuck Abbott (illustratore). Lots of Illustrations -- Week by Week - Soft Cover - Calendar for Engagements Blank unsed - EMAIL for Pictures.
Editore: Wildwood Arts, 1990
ISBN 10: 0826312381ISBN 13: 9780826312389
Da: ANARTIST, New York, NY, U.S.A.
Libro
Softcover, 162 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Editore: Riverside: California Museum of Photography, 1979
Da: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germania
Libro
Originalbroschur. Condizione: Sehr gut. 56 S. Einband berieben. - Alma Ruth Lavenson (1897-1989) was a leading American photographer of the first half of the 20th century. She worked with and was a close friend of Ansel Adams, Imogen Cunningham, Edward Weston and other photographic masters of the period. The daughter of a dry-goods businessman, Lavenson apparently decided to become a photographer on her own after enrolling at the University of California, Berkeley, in 1915. Her first photos were snapshots of family and friends taken with a small Kodak camera. She learned to develop and print her negatives by watching a technician at an Oakland drugstore in the early 1920s. Her first published photograph, an image of Zion Canyon entitled "The Light Beyond," appeared on the cover of Photo-Era magazine in December 1927. In her early work she concentrated the geometric forms of structures and their placement in the landscape. She frequently exhibited in photographic salons and became a member of the influential Pictorial Photographers of America. Sprache: Deutsch Gewicht in Gramm: 550.
Editore: University of Washington Press, 1990
ISBN 10: 0826312373ISBN 13: 9780826312372
Da: ThriftBooksVintage, Tukwila, WA, U.S.A.
Libro
Hardcover. Condizione: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Dust jacket wrapped in protective mylar sleeve. Secure packaging for safe delivery. 1.55.
Editore: Washington, c.191?,
Da: Harry Alter, Sylva, NC, U.S.A.
paperback, Condizione: Good, American Forests Magazine, Washington, no date, ca.191?, 9"x11-1/4", staple-bound wraps, loose portfolio of 12 b&w photographs of trees., soiled covers, G $.
Editore: (Guatemala and Mexico), 1959
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Condizione: Near Fine. A collection of 79 gelatin silver prints (ranging in size from 7" x 7" to 8" x 10") and four smaller (5" x 4") prints by Alma Lavenson, collated and housed in 11 handmade paste-paper portfolios. The collection consists of 51 prints taken in Guatemala (in seven portfolios), and 32 prints taken in Mexico in four portfolios. Each print is captioned by Lavenson on the versos in green ink (giving place names) and in her smaller hand underneath in blue ink (giving additional information). All are in fine condition. Also included is a San Francisco Museum of Modern Art exhibition catalog (1984-85) Inscribed by Lavenson. This portfolio is Lavenson's first book solely devoted to her photography. A remarkable assemblage of images made by the famed California photographer, of Guatemalan and Mexican women, children, and men, including several Mayan peoples, from various rural regions and towns throughout both countries. The images date from a trip Lavenson made in 1959, during which she also visited her son Albert who was conducting anthropological field research in Chiapas, Mexico. Lavenson was a self-taught photographer from the Bay Area whom Edward Weston told to abandon the soft-focus style of the times and adopt the crisp style of the Modernist movement. She took the advice to with such verve that she was invited to participate in a San Francisco gallery show that featured work by Weston's newly formed photo group f/64. The attention- getting show, which also featured the work of Ansel Adams, Imogen Cunningham, and Consuelo Kanaga, exposed her work to wide acclaim leading to three solo shows at the San Francisco Museum of Modern Art, inclusion in Edward Steichen's "The Family of Man" exhibition, and showings at the Metropolitan Museum of Art and the Museum of Modern Art in New York. Like many women of the time Lavenson largely set aside her career as a photographer after her marriage in 1933. Lavenson died in 1989 at age 92, just a year after her final solo exhibition at the Baltimore Museum of Art but today is gaining in reputation as an important photographer of the first part of the 20th Century. A detailed list follows: Guatemala (47 prints + 4 small prints) [Portfolio 1]. Almolonga, Quetzaltenango (5 prints). In a red and purple paste paper wrapper. Some fraying and short tears to the edges, else all other wrappers are near fine. [Portfolio 2]. San Francisco el Alto (6 prints). In a dark green/blue paste paper wrapper. Includes several images of "Friday Market Day". [Portfolio 3]. Chichicastenango (8 prints). B & W and multi-colored paste paper wrapper. [Portfolio 4]. Antiqua (3 prints). Light amber and multi-colored paste-paper wrapper. Includes an image of a man stitching on a loom. [Portfolio 5]. San Antonio Aguas Calientes (3 prints). B & W and multi-colored paste-paper wrapper. [Portfolio 6]. Palín, Nahualá, and Quetzaltenango (10 prints). Light purple paper wrapper. [Portfolio 7]. Lake Atitlán (16 prints, including the four smaller prints). Light purple paper wrapper. Includes images of Guatemalans in Panajachel, Santiago, and San Antonio Palopó. The four smaller prints are landscapes of Puerto Barrios and the Rio Dulce. Mexico (32 gelatin silver prints) (Housed in 4 orange and black paste-paper wrappers, very good or better) [Portfolio 1] (12 prints) Pátzcuaro (6) and Taxco (6). [Portfolio 2] (4 prints) Janitzio (3) and Cuernavaca (1). [Portfolio 3] (9 prints) San Miguel Allende (5) and Guanajuato (4). Includes one print: "Child with Sugar Cane" owned by the Center for Creative Photography at the University of Arizona; and images of the woman "Caretaker of Church Guanajuato". [Portfolio 4] (7 prints) San Juan de las Lagos (2) and Morelia (5). Includes images of "Fiesta dancers, Guadelupe Day" and of a "Fire-Works Family". Also: Exhibition Catalog, Inscribed. *Portraits of Artists; Faces Photographed; 9 December 1984 - 24 March 1985*. Inscribed by Lavenson: "For Judy [Nan?] / from Alma" on p. 37 underneath her photograph printed in the catalog: *San Idelfonso Indians, 1941*.