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Editore: Ernst Eulenburg [1941], London, 1941
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Publisher's printed wrappers. Size: Small 8vo. [i (title)], 63pp.
Editore: Breitkopf & Härtel [1910], London, 1910
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. 4pp. Folded as issued in publisher's printed wrappers.
Editore: J. & W. Chester [1924], London, 1924
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. [i], 6pp. Folded as issued in publisher's printed wrappers.
Editore: J. & W. Chester [1920], London, 1920
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. [i], 54, 16pp. Publisher's printed wrappers. Backstrip worn where previously bound.
Editore: Breitkopf & Härtel [1906], Leipzig, 1906
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Breitkopf & Härtels Edition of Vocal Scores. Size: 8vo. [ii], 246pp. Publisher's printed wrappers (little damp-stained) with cloth backstrip.
Editore: Breitkopf & Härtel [1912], Leipzig, 1912
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Breitkopf & Härtels Partitur-Bibliothek, no.2338. Size: Folio. 37pp. Publisher's printed decorative wrappers. Dedicated to Edward Steel Harper.
Editore: London, Bosworth & Co. (VN B.& C. 15588) [ca. 1915]., 1915
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
gr-8°. Klavierpartitur und 2 Stimmen: 5, 2, 2 S. Inkomplett: Enthält nur 2x die Klavierpartitur (Piano Conductor) sowie die Stimmen von Vl I und Vc (je 1x). - Fingerfleckig. BritishCOPAC. - Erstausgabe.
Data di pubblicazione: 2022
Da: S N Books World, Delhi, India
Libro Print on Demand
LeatherBound. Condizione: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1927 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 316 Language: zxx Pages: 316.
Editore: London, Elkin (VN 962) 1918., 1918
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
6 S. Titelblatt mit kleinem Papiereinriss. Gebrauchsspuren. Erstausgabe. - Bantock brachte mehrere Serien mit chinesischen Liedern heraus (vgl. MGG 1, Sp. 1217).
Editore: Joseph Williams, London, 1936
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: 8vo. [i], 279pp. Publisher's printed wrappers. Facsimile of the composer's manuscript.
Editore: Goodwin & Tabb [1940], London, 1940
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Publisher's printed wrappers. Size: Folio. 43, 11pp.
Editore: Swan & Co. [1918], London, 1918
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: 4to. [iv], 165pp. Publisher's printed pictorial wrappers (edges a tiny bit water-stained).
Editore: London, Bosworth (VN 15647) [nach 1914]., 1914
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
6 S. OUmschlag. Umschlagrücken verstärkt. Umschlag leicht bestaubt etwas fingerfleckig. Titelauflage der Erstausgabe von 1910.
Editore: London, Swan & Co. (VN 2825) [ca. 1922]., 1922
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
15 S. Leichte Gebrauchsspuren. Erstausgabe dieser Bearbeitung. - Prelude zu einem Oratorium in fünf Teilen.
Editore: London, Novello (VN 14123) [ca. 1915]., 1915
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
qu-fol. 16 S. OUmschlag. Umschlag leicht bestaubt. Erstausgabe dieser Bearbeitung (ursprünglich für Orchester) als No. 53 in der Reihe: Organ Arrangements. Edited by John E. West. - Mit Verlagskatalog (Originalkompositionen für Orgel) auf dem Umschlag.
Editore: Swan & Co. [1927], London, 1927
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: 4to. [i], 305pp. Publisher's printed wrappers with cloth backstrip.
Editore: London, Williams (VN 13333) [1836]., 1836
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
4°. 15 S. Umschlag mit Händlerstempel. Erstausgabe.
Editore: Breitkopf & Härtel [PN 2338], New York, 1912
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Folio. Original publisher's light green printed wrappers with titling to upper within decorative blue board, publisher's advertisements to lower. 1f. (recto title), 37, [i] (blank) pp. With printed dedication to Edward Steel Harper to head of title. Wrappers worn and chipped; detached. Slightly browned; some creasing and chipping to edges; handstamp "Music Div. 2nd Copy Not to leave the Library" to corner of upper wrapper. First Edition. The present Serenade was composed in 1912. "Bantock's compositional output was prodigious and from the turn of the 20th century to his death in 1946, he poured out, apparently effortlessly, orchestral and choral works, piano and chamber music, compositions for brass band, and hundreds of songs. .Gradually Bantock's music passed out of fashion, for reasons easily understood: Bantock was strongly influenced by Wagner and Richard Strauss, but failed to find a consistently distinctive musical language of his own. He never adopted the advanced harmonic idiom of Tristan, let alone Salome or Elektra. His harmonic style suggests rather such works as Der fliegende Holländer and Guntram. It is based on common chords and diatonic discords; the complex chromatic suspensions of Tristan are outside its scope, as is the dissonant counterpoint of Strauss's more advanced works. His obsession with pseudo-eastern subjects was also a handicap, since it was the theatrical east of magnificent processions, the gigantic, and the gaudy that attracted him; and although he travelled to several Asian countries, the subtlety and restraint of oriental thought escaped him." Peter J. Pirie, David Brock, and Andrew King in Grove Music Online.
Editore: O. O. u. D.
Da: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manoscritto / Collezionismo cartaceo
1 S. auf Doppelblatt. 8vo. Auf Briefpapier mit gepr. Adresse.
Editore: Broad Meadow, King's Norton [Birmingham], 9. VIII. 1908., 1908
Da: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manoscritto / Collezionismo cartaceo
4to. 1 page. To the composer Edgar Bainton (1880-1956) with a dinner invitation: "Just received your letter. I am going into S. Wales early tomorrow morning, & do not return home until the end of the week. If you can come over here on Monday 17th next, I shall be very pleased to see you. Come to mid-day dinner about 1.30 PM. [.]". - On stationery with blindstamped address. With traces of former mounting on verso.