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Editore: Forgotten Books, 2018
ISBN 10: 0332379876ISBN 13: 9780332379876
Da: Forgotten Books, London, Regno Unito
Libro Print on Demand
Paperback. Condizione: New. Print on Demand. Excerpt from Opus Architectonicum Equitis Francisci Boromini. About the Publisher, Forgotten Books publishes hundreds of thousands of rare and classic books. This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value. The digital edition of all books may be viewed on our website before purchase. print-on-demand item.
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Nuovo - A partire da EUR 14,32
Editore: LEGARE STREET PR, 2022
ISBN 10: 1016455089ISBN 13: 9781016455084
Da: PBShop.store US, Wood Dale, IL, U.S.A.
Libro Print on Demand
PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Nuovo - A partire da EUR 22,78
Editore: Legare Street Press, 2022
ISBN 10: 101691332XISBN 13: 9781016913324
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Libro Print on Demand
Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Nuovo - A partire da EUR 18,80
Data di pubblicazione: 2022
Da: S N Books World, Delhi, India
Libro Print on Demand
Leatherbound. Condizione: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1921 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 92 Language: Pages: 92.
Editore: Forgotten Books, 2018
ISBN 10: 0332666328ISBN 13: 9780332666327
Da: PBShop.store US, Wood Dale, IL, U.S.A.
Libro
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Nuovo - A partire da EUR 33,61
Data di pubblicazione: 2022
Da: S N Books World, Delhi, India
Libro Print on Demand
LeatherBound. Condizione: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1725 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 182 Language: Latin Pages: 182.
Editore: Lithos Editrice, Roma, 1998
Prima edizione
Soft Cover. Condizione: Near Fine. First Edition. Clean soft pictorial cover. Interior of text is tight, clean & intact. Drawing illustrations. Italian text. Roman Baroque Architecture ; 8vo 8" - 9" tall; 134 pages.
Editore: Legare Street Press, 2022
ISBN 10: 1016908601ISBN 13: 9781016908603
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Libro Print on Demand
Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Nuovo - A partire da EUR 33,93
Editore: Legare Street Press, 2022
ISBN 10: 1016450117ISBN 13: 9781016450119
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Libro Print on Demand
Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Da: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Paesi Bassi
Bellinzona, 1967. 150 pp. 102 b./w. plts. Hardcover.
Da: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Paesi Bassi
Roma, 1995. 141 pp. B./w. ills. Softcover. - Sticker on first end-paper.
Editore: Bellinzona: Casagrande S.A.; 1967, 1967
Da: °ART...on paper - 20th Century Art Books, Lugano, Svizzera
Membro dell'associazione: ILAB
Libro Prima edizione
Hardcover. Condizione: Good. Condizione sovraccoperta: Very Good. 1st Edition. 8° - 150pp - B/w reproductions. Life Works Fortune of Francesco Borromini (1599-1667) Swiss-Italian architect born in the modern Swiss canton of Ticino who, with his contemporaries Gian Lorenzo Bernini and Pietro da Cortona, was a leading figure in the emergence of Roman Baroque architecture. First edition, text in Italian language. Original binding and dust-jacket. In Very good condition.
Editore: SKIRA, MILANO, 1999
ISBN 10: 8881185628ISBN 13: 9788881185627
Da: Art&Libri Firenze, FIRENZE, FI, Italia
Libro
Cartone con cofanetto figurato. Condizione: come nuovo. Condizione sovraccoperta: come nuovo. Milano, Skira, 1999. In-8¡, pp. 528, tavv. e ill. a col. e figg. in nero n. t., br. in cof. Catalogo della mostra tenutasi a Lugano nel 1999.
Editore: Mailand. Electa., 2000
ISBN 10: 8843573837ISBN 13: 9788843573837
Da: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Germania
Libro
29 x 23 cm. XII, 633 S. OLeinen mit illustriertem OUmschlag. Stempelexlibris und Namenszug (Bleistift) auf vorderem Schmutztitel. Umschlag an den oberen Rändern etwas knickspurig und leicht fingerspurig, sonst sehr gutes Exemplar. Veröffentlichungen der Bibliotheca Hertziana (Max-Planck-Institut), Rom. Katalog zur Ausstellung zum vierhundertsten Geburtstag des Architekten, Wien, Albertina im Akademiehof, 12. April - 25. Juni 2000. Ausstellung / Graphische Sammlung Albertina, 409. Durchgehend mit meist farbigen Abbildungen versehen. Beiliegend eine Daten-CD der Albertina zur Ausstellung sowie eine private Ausstellungsbesprechung. Maßgebliche, wissenschaftliche Publikation zum Werk Borrominis. Sprache: deutsch.
Editore: Stuttgart Belser ( ), 1977
ISBN 10: 376301666XISBN 13: 9783763016662
Da: Müller & Gräff e.K., Stuttgart, Germania
Libro
4°. 447 S. Mit 401 Abb. auf Tafn., 147 Zeichn. auf Tafn. u. zahlr. Textill. Original-Pappband mit Schutzumschlag. Schutzumschlag und Schnittkanten gebräunt. Gewicht (Gramm): 2490.
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Usato - A partire da EUR 100,00
Scopri anche Prima edizione
Editore: Milano: Skira, 1999
ISBN 10: 8881185709ISBN 13: 9788881185702
Da: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germania
Libro
Condizione: Sehr gut. 255 S.; sehr zahlr. Illustr.; 28 cm; kart. Gutes Exemplar: Einband geringfügig berieben. - Francesco Borromini (eigentlich Francesco Castelli; * 25. September 1599 in Bissone, Schweiz; 2. August 1667 in Rom) war ein in Italien tätiger Architekt aus dem nachmaligen Kanton Tessin (Schweiz). . (wiki) // INHALT : Guardami, me: ti scopri un post Carlino. Edoardo Sanguined / Appunti sulla rappresentazione lignea del San Carlino a Lugano. Mario Botta / Francesco Mario "Bottomini", owero Borromini sul lago Carlo Bertelli / Lo spaccato di San Carlino aile Quattro Fontane di Roma a Lugano. Giuseppe Panza di Biumo / Se con l'Arte vostra. Arduino Cantafora / Urbanistica virtuale. Due quasi-monumenti di Mario Botta. Stanislaus von Moos / Volontà d'arte. Nicola Emery / Cattedrale di carta. Georges Abou-]aoudé / La struttura portante. Aurelio Muttoni, Franco Lurati, Marco Tajana / Atelier - Officina - Cantiere. Gabriele Cappellato. // Il modello ligneo della sezione trasversale in scala 1:1 della chiesa di San Carlo alle Quattro Fontane, progettata da Francesco Borromini per l'ordine dei Trinitari Scalzi a Roma, costituisce il segnale pubblico della mostra sul giovane Borromini. Il progetto è stato ideato dall'architetto Mario Botta, al quale è stato affidato il compito di allestire la mostra luganese, e nasce all'interno dell'Accademia di architettura di Mendrisio (Università della Svizzera italiana) come tangibile collaborazione con il Museo Cantonale d'Arte. Il rapporto del modello con la mostra è duplice, in quanto è utilizzato quale richiamo spettacolare per la città e i visitatori e, allo stesso tempo, in quanto si ricollega al programma espositivo e alla sua ultima sezione dedicata al San Carlino quale prima grande opera e approdo decisivo della formazione dell'architetto ticinese. Insomma, svolge una duplice funzione di entrata e di conclusione della mostra luganese. Il grande modello si staglia in posizione dominante alla fine del lungolago e dell'insenatura del golfo verso il parco di Villa Ciani, limite storico dello sviluppo secolare della città, con lo sfondo della cerchia dei monti che racchiude il lago di Lugano. Posto su una piattaforma, a qualche metro dalla riva, non vuole essere la copia fedele o una semplice replica dell'originale, ma è concepito come rappre-sentazione e reinterpretazione spaziale e geometrica della chiesa. In questo senso l'opera è riletta attraverso alcune fondamentali variazioni, dal cambiamento del materiale alle scelte formali e alle tecniche costruttive adottate. La chiesa è inserita in un parallelepipedo di base che funge da dispositivo di allontanamento e astrazione rispetto al contesto reale del complesso conventuale alle Quattro Fontane. Il suo apparato ornamentale è drasticamente semplificato, senza alcuna pretesa di ricalco dell'originale; la sezione trasversale è costruita sulla base della costante ripetizione modulare - per l'intera altezza della chiesa - di strisce, tavole sovrapposte di legno di 4,5 cm di spessore e intervallate da una "fuga" di 1 cm. In tal modo si viene a ricomporre una nuova immagine del San Carlino, "liberata" dal contesto ambientale originario e ricostituita allo scopo di evidenziarne la straordinaria invenzione geometrica, strutturale e spaziale. Questa nuova immagine scaturisce da un processo di rielaborazione grafica a partire dal rilievo fotogrammetrico eseguito da Alessandro Sartor. professore di Rilievo presso l'Università La Sapienza di Roma, rilievo poi ridisegnato alla luce delle premesse e degli scopi del modello ligneo. La rappresentazione è stata inoltre a sua volta verificata nel proprio sviluppo tridimensionale attraverso l'immagine virtuale del computer. (Verlagstext) ISBN 8881185709 Sprache: Deutsch Gewicht in Gramm: 1700.
Da: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Paesi Bassi
[Milano], Electa editrici, [1977]. 461 pp. B./w. ills. Orig. hardcover (gilt lettered brown cloth), d./j. In orig. slipcase. - Dust jacket & slipcase with light shelfwear.Text in Italian.
Editore: London, Gregg Press, n. y. (c. 1965)., 1965
Da: Peter Bichsel Fine Books, Zürich, Svizzera
Facsimile of the 1720 resp. 1725 Rome editions. XLV, (2), 31 pp., LXVI, (1) plates (some folding). Large folio. Orig. red cloth. Clean copy.
Editore: Oblong Creative Ltd., 2009
ISBN 10: 0955657644ISBN 13: 9780955657641
Da: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, U.S.A.
Libro
Hardcover. Size: 8.5x11.5 inches. 536pp., illus. Text in English. There is some neat pencil underlining on less than 10 pages, else the book is near new in a near new dust jacket which is taped to the book.
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Usato - A partire da EUR 382,12
Scopri anche Prima edizione
Editore: Akademische Druck- u. Verlagsanstalt, Graz, Austria, 1967
Da: Bailgate Books Ltd, Doncaster, Regno Unito
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket. First Edition. Ochre covers with black lettering on the front covers and the spines. 2-volume set (complete). Text is in German. Fresh covers, tight binding, clean pages and end-papers. Contains many colour and black and white illustrations. No dust-jacket. Previous owner's name, Kerry Downes, in pencil at the front. Quantity Available: 1. Shipped Weight: 3-4kg. Pictures of this item not already displayed here available upon request. Inventory No: 25022041134. For International tracked shipping please select the Priority shipping service. These books are much heavier than 1kg and may incur significant additional delivery charges for some delivery services to some locations.
Editore: Oblong Creative Ltd, Wetherby, 2009
ISBN 10: 0955657644ISBN 13: 9780955657641
Da: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Libro Prima edizione
Hardcover. First edition. 29 x 21.5 cm. Quarto. 536pp. Photographs, plans, drawings., index, bibliography Grey cloth in dust jacket. Very light yellowing to page edges and jacket flaps. From the jacket: "The "Full relation" of the Oratory House in Rome was written down by Father Virgilio Spada but the voice is that of its chief architect, the brilliant Italian-Swiss Francesco Borromini (1599-1667). It was published only in 1725; this fully illustrated first English edition makes accessible in translation a unique and fascinating story of the architect's aesthetic and technical problems in taking over a project already under way, and his solutions - a tale indeed to hold "children from play, and old men from the chimney corner." Borromini now stands as one of the greatest artists of the Italian Baroque. The Companion draws on both previous and new research to place the Oratory building and its architect in context - historical, architectural, biographical and topographical. It leaves no doubt that Borromini was not mad, irrational or eccentric, accusations laid even in his life-time and still repeated. Although not a biography, the major sections cover his career, personality and early life, his sources and ideas, his unique approach to design and symbolism, and his relations with patrons and other architects, in particular the sculptor Gianlorenzo Bernini, whose own architectural work appears in a new light." Near Fine in Near Fine dust jacket.
Da: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Paesi Bassi
Wetherby, 2009. 536 pp. Ills. Hardcover,d/j.
Editore: Graz, Akademische Druck- u. Verlagsanstalt, 1967., 1967
Da: Versandantiquariat Wolfgang Friebes, Graz, Austria
Prima edizione
Condizione: 0. Erstausgabe. - Mehr nicht Erschienen! - Die Schutzumschläge mit Randläsuren u. -einrissen sowie etw. fleckig, sonst gutes Exemplar. ge Gewicht in Gramm: 5000 Fol. Mit 63 Abbildungen auf 32 Tafeln. 106 S., 1 Bl. (Textband); 3 Bll. Mit 85 tlw. doppelblattgr. Originalreproduktionen (Tafelband). OLwd.-Bde. m. illustr. OUmschlägen.
Editore: Giannini, Roma, 1720
Da: Libreria Antonio Pettini, ROMA, RM, Italia
In-folio, frontespizio inciso, 3 carte incise (d'indice), ritratto, tavv. II-XLV+1 tavola più volte ripiegata non numerata. Le tavole sono incise da Dominique Barrière, amico di Borromini. Si tratta della prima parte dell'Opus architectorum, la più bella e la più rara, che illustra il capolavoro del Borromini, S.Ivo alla Sapienza. Forse il più bel libro di architettura mai stampato. La copia è in ottimo stato, con legatura in pergamena. In-folio, engraved front.+3 engraved ll. (of Index)+portrait+pl. II-XLV+1 folding plate not numbered. Plates are by Dominique Barrière, a friend of Borromini. It is the first part of the Opus architectorum, the most beautiful and rarest, which illustrates Borromini's masterpiece, S.Ivo alla Sapienza. Maybe the most beautiful architecture book ever print. The copy is very nice and fresh, in its vellum binding.
Editore: Rome, Sebastiano Giannini, 1725., 1725
Hardcover. Condizione: Very Good. Two works bound in one volume, folio (561x420 mm). complete. I. Fifty-one numbered engraved plates at all: engraved title-page with title and imprint inscribed on a monument, at the background the Trajan s Column, the Pantheon, and the Coliseum; 19-line printer s dedication to Clemens XI, surmounted by large papal arms; engraved printer s address to the reader (head-piece: al lettore ); engraved two-column list of plates (head-piece: indice di tvtta l opera ); the first unnumbered plate bearing Borromini s portrait; further forty-four engraved plates numbered [ii-xlv] and all displaying designs for the church St Ivo alla Sapienza engraved after Borromini s own drawings, the last unnumbered plate showing a ground plan of St Ivo in two halves, clearly intended to be joined up to form a single double-page, counted in the list of contents as Tavola xlvi (RIBA, no. 326). In the present copy the following plates are pasted together as double-page: xv-xvi, xviii-xix, xxi-xxii, xxiii-xiv, xxx-xxxii, xxxv-xxxvi. Plate xxxi is bound before plate xxx. II. [6], 31, [1] pages. Engraved title-page; typographic title-page with large woodcut ornament; printer s Italian dedication to Cardinal Giuseppe Renato Imperiali, with his large engraved arms and engraved pictorial initial; printer s Latin dedication to Cardinal Imperiali, with woodcut decorated initial; fols. A1r-B1v: list of plates in two columns, parallel Italian and Latin ( indice di tutta l opera , index totius operis ); fols. C1r-Q1r: text in two columns of Relazione Della presente Opera, composta dal medesimo Cavalier Francesco Boromini per commando del Signor Marchese di Castel Rodriguez, e copiata dal suo originale inedito (parallel Italian and Latin), fol. Q1v blank. Sixty-seven numbered engraved plates at all: one unnumbered engraved plate showing Borromini s portrait, identical to that included in the Opera of 1720; sixty-six engraved plates, numbered ii-lxvi, [lxvii] top right, and all devoted to the Oratorio of S. Filippo Neri; plate iii, xxvii, lvi, lviii, and the last unnumbered plates are unfolded, made up of three sheets joined together. in this copy, pls. xli and xlii are bound between pls. lx and lxiii, and pls. lxi and lxii are bound between pls. xxxx and xliii. Woodcut decorated initial and tailpieces. Eighteenth-century boards, recently recased. Very good condition; a few spots, and occasional, pale dusting. Some leaves originally remargined with paper strips to ensure uniformity throughout the volume. The first and only two installments of the Roman publisher Giannini s intended series on the complete works of the pioneering Baroque architect, a publication project initiated by Borromini himself but left unfinished at the time of his death and realized in two of the most beautiful architecture books ever printed. Born Francesco Castelli in the village of Bissone, in the southernmost canton of Switzerland, Borromini moved first to Milan, where he studied masonry and sculpture, and then to Rome, where he made his career as one of the most important architects of the seventeenth century. His influences ranged from Michelangelo to classical antiquity, nature and mathematics, but he was above all committed to originality and re-envisioned each of these sources, along with many others, to create some of the most ingenious and breathtaking examples of High Baroque architecture. Borromini was also an outstanding draughtsman and unusual for his time in preferring fine, sharply pointed graphite pencils for his drawings, which allowed him to create remarkably clear renderings. Around 1659/1660 he decided to present several of his drawings in a publication and to this end had them engraved by Domenico Barrière (ca. 1615-1678), a former student of Claude Lorraine. The project was left unfinished at Borromini s suicide in 1667, shortly before which he had burned many of the drawings and prints. A number of them did, however, survive and were passed onto his nephew.