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Editore: Printed & Sold by [Domenico Corri], [wm 1802], London, 1802
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. 5pp. Disbound. Engraved. Drop title.
Editore: Printed for Sold by J. Dale [1802?], London, 1802
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. 7pp. Disbound. Engraved. Drop title.
Editore: Printed for J. Dale [1802?], London, 1802
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. pp.55-62. Disbound. Engraved. Drop title.
Editore: Printed & Sold by J. Dale [1802, wm 1798], London, 1802
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. 7pp. Disbound. Engraved. Drop title.
Editore: Published by T. Broom, 15 Holborn Bars, London circa . 1825., 1825
Da: Little Stour Books PBFA Member, Canterbury, Regno Unito
Membro dell'associazione: PBFA
Spartito
Vintage piano sheet music in white paper covers. 14'' x 10½''. Contains 4 pages including the covers, disbound sheet music carefully extracted from a previously stitched bound collection. Scored for the pianoforte and voice with lyrics. In Very Good condition. Member of the P.B.F.A. SHEET MUSIC.
Editore: London, Goulding, D'Almaine, Potter & Co. (o.Pl.Nr.) [ca. 1812]., 1812
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
3 gest. S. (SS. 39-41). Rücken verstärkt, Seiten etwas vergilbt. BritishCOPAC (u.a.). - Vermutlich Erstausgabe (Library of Congress nennt auch eine New Yorker Ausgabe von ca. 1814). - Vermutlich Einzelstück aus dem kompletten Klavierauszug der Oper The Devils Bridge (diese war eine Gemeinschaftsarbeit von John Braham und Charles Edward Horn).
Editore: London, Dale (o.Pl.Nr.) [1805]., 1805
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
2 gest. S. (SS. 12-13) An den Rändern leicht stockfleckig. (Komponist) nicht in RISM. - Einzelstück aus der Erstausgabe des Klavierauszugs der Oper.
Editore: London, Goulding, D'Almaine, Potter & Co. (o.Pl.Nr.) [um 1815]., 1815
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
8 gest. S. (SS. 21-28). Vereinzelt leicht fingerfleckig. BritishCOPAC. - Erstausgabe. - Vermutlich Auszug aus dem kompletten Klavierauszug der Oper.
Editore: London, Corri (o.Pl.Nr.) [um 1803]., 1803
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
5 gest. S. (SS. 27-31). (Komponist) nicht in RISM. - Einzelstück aus der Erstausgabe des Klavierauszugs (siehe KVK, Bayerischer Verbundkatalog). - Die 1803 im Covent Garden uraufgeführte Oper erinnerte an die die Flut von 1342 und war - zwei Jahre vor der Seeschlacht von Trafalgar - auch zur patriotischen Erbauung in den napoleonischen Kriegen gedacht. - Erste Notenseite mit kleinem Schmutzfleck.
Editore: London, Corri (o.Pl.Nr.) [ca. 1805]., 1805
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
5 gest. S. (S. 23-26). (Komponist) nicht in RISM. - Einzelstück aus der Erstausgabe des Klavierauszugs der Oper (vgl. KVK Bayerischer Verbundkatalog). - Die Oper behandelte die Flut von 1342 in England und war - in Zeiten der napoleonischen Kriege - auch zur patriotischen Erbauung gedacht.
Editore: [London: Saturday, c.1830]. *, 1830
Da: Travis & Emery Music Bookshop ABA, London, Regno Unito
Manoscritto / Collezionismo cartaceo
Single sheet 8vo (19 x 12cm). Autograph note requesting that Mapleson sends the singer John Braham copies of the songs "Take oh take these" and "A Lover's eyes will strike", two settings of Shakespeare's verses, so that he can learn them whilst away at the weekend.
Editore: London, Dale (o.Pl.Nr.) [ca. 1805]., 1805
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
7 gest. S. (SS. 25-31). Kleiner Tintenfleck auf Umschlagrückseite. Erstausgabe. - Einzelnummer vermutlich aus dem kompletten Klavierauszug.
Editore: Printed by Button, Whitaker, & Compy. [1821], London, 1821
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. [i (title)], 29pp. Disbound. Few corners thumbed and worn. Engraved. Signed by Braham at foot of the title.
Da: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgio
Membro dell'associazione: ILAB
2. (1) London, Goulding D'Almaine Potter, s.d. (ca. 1830), 7 pp. of engraved music, (numbered 73-79), no title page, title text precedes the score on the first page. (2) London, printed by Pearce, s.d. (ca. 1830), 6 pp. of engraved music, no title page, title text precedes the score on the first page. (arranged for the piano by D. Corri.) (3) London, Goulding D'Almaine Potter, s.d. (ca. 1830), 4 pp. of engraved music, (numbered 62-65),no title page, title text precedes the score on the first page. Convolute of three songs by Braham, no binding nor wrapper, removed from a larger convolute. Clean sheet music.
Editore: Printed & Sold by Preston [wm 1805], London, 1805
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. 32pp. Disbound, sewn. Engraved. Signed by the composer.
Editore: M.P. Corri & Co. [without PN], [London], 1805
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Folio. Dark ivory paper-backed tan paper boards, printed title label to spine. 1f. (title), [1] (blank), 2-110 pp. Engraved. Watermarked 1805. Early signature ("Maria Williams Penpont") in black ink to upper margin of title. Minor browning to title and final leaves; binder's holes to blank inner margins, not affecting music or text; minor offsetting. An attractive copy. First Edition. OCLC no. 19728343. The English Fleet was first performed at Covent Garden in London on December 13, 1803, with Braham singing. "Sir Walter Scott described Braham as 'a beast of an actor, though an angel of a singer.' He composed songs and operas, including The English Fleet in 1342 (1803), and also wrote arias for interpolation in the operas of other composers, particularly for his own roles. 'All's Well' from The English Fleet was the most popular duet in the United States during the first half of the 19th century; other favorite songs were 'Tho' love is warm awhile,' 'Is there a heart that never lov'd?,' and 'No more sorrow.' " Charles Hamm and Kimberly Greene in Grove Music Online.