Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Lingua: Inglese
Editore: Leuven University Press, BE, 2010
ISBN 10: 9058678229 ISBN 13: 9789058678225
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 31,67
Quantità: 11 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In Musical Form, Forms, and Formenlehre, three eminent music theorists reflect on the fundamentals of "musical form." They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts andc oncerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First and Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin's "theory of formal functions," Hepokoski's concept of "dialogic form," and Webster's method of "multivalent analysis" respectively. Each part begins with a basic essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to reply to the comments, and to further refine his own fundamental ideas on musical form.
Paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Da: Better World Books Ltd, Dunfermline, Regno Unito
EUR 25,98
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Condizione: Like New. Item is in like new condition.
paperback. Condizione: Very Good.
Da: FITZ BOOKS AND WAFFLES, Buffalo, NY, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. 1st Edition. Slight outer wear, pen marking on first blank page. Otherwise an overall unmarked and undamaged copy. Category: Music.
Lingua: Inglese
Editore: Leuven University Press 9/1/2009, 2009
ISBN 10: 9058678229 ISBN 13: 9789058678225
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Musical Form, Forms, and Formenlehre: Three Methodological Reflections. Book.
Da: Lucky's Textbooks, Dallas, TX, U.S.A.
Condizione: New.
Lingua: Inglese
Editore: Oxford University Press, Incorporated, 1998
ISBN 10: 0195104803 ISBN 13: 9780195104806
Da: Better World Books: West, Reno, NV, U.S.A.
Condizione: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Lingua: Inglese
Editore: Oxford University Press, Incorporated, 1998
ISBN 10: 0195104803 ISBN 13: 9780195104806
Da: Better World Books: West, Reno, NV, U.S.A.
Condizione: Good. Used book that is in clean, average condition without any missing pages.
Da: B-Line Books, Amherst, NS, Canada
EUR 33,41
Quantità: 1 disponibili
Aggiungi al carrelloSoftcover. Condizione: Very Good+. Tight unmarked book in rubbed covers with touch of shelfwear. ; 11 X 0.67 X 8.25 inches; 320 pages; Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Lingua: Inglese
Editore: Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Da: WeBuyBooks, Rossendale, LANCS, Regno Unito
EUR 37,24
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 32,50
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In English.
Lingua: Inglese
Editore: Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Da: Textbooks_Source, Columbia, MO, U.S.A.
paperback. Condizione: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 32,23
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Condizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 36,26
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Leuven University Press, BE, 2010
ISBN 10: 9058678229 ISBN 13: 9789058678225
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
EUR 55,90
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In Musical Form, Forms, and Formenlehre, three eminent music theorists reflect on the fundamentals of "musical form." They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts andc oncerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First and Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin's "theory of formal functions," Hepokoski's concept of "dialogic form," and Webster's method of "multivalent analysis" respectively. Each part begins with a basic essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to reply to the comments, and to further refine his own fundamental ideas on musical form.
Da: Mooney's bookstore, Den Helder, Paesi Bassi
EUR 44,55
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very good.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
EUR 48,18
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
EUR 48,29
Quantità: 5 disponibili
Aggiungi al carrelloCondizione: New.
EUR 48,34
Quantità: 2 disponibili
Aggiungi al carrellopaperback. Condizione: New.
EUR 51,52
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. In.
EUR 50,53
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 720 pages. 0.10x0.10x10.60 inches. In Stock.
Lingua: Inglese
Editore: Oxford University Press Inc, New York, 2025
ISBN 10: 0197782167 ISBN 13: 9780197782163
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts ofcadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in termsof their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests ofcomposers, historians, and performers alike. Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 58,00
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. 2025. paperback. . . . . .