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Editore: PLA 1991., 1991
Da: Adam Mills Rare Books, Cambridge, Regno Unito
Red cloth strikingly stamped in black. Sm.folio, c.pp184, fine. Includes c.40 illustrations + 16 colour plates. Authoritative work on one of the most idiosyncratic English presses. Handsome Limited Edition. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.
Editore: Gogmagog Press nd, London
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Single sheet folded once vertically, in handmade Japanese paper wraps. Fleuron by Roderick Cave.
Editore: Gogmagog Press, London, 1988
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Copia autografata
2 volumes, illustrated with a total of 10 double-page and one single-page collages. Chambers 70. Copy number 34 of 50 copies, numbered and signed in ink by Tucker and Cox. Green cloth boards, printed on Japanese handmade paper. In green cloth slipcase with black paper sides.
Editore: Gogmagog Press, London, 1967
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Copia autografata
Chambers 18. One of 60 copies out of a total edition of edition of 100 copies, bound in Rakusuki paper boards, numbered and signed in ink by the author on the colophon. Printed on damped Japanese Hososhi, with illustrations on blue Mingei.
Editore: 8vo, 27 leaves (joined at the fore-edges), 21cm, Gogmagog Photocopy Library, London, 1986., 1986
Da: Collinge & Clark, London, Regno Unito
Libro Prima edizione
Hardcover. Condizione: Fine. 1st Edition. Typewritten, with French Antique, Figaro and Cloister Old Style for display. One of ten copies printed on cream wove paper. Grey-green and white boards with spine label. A fine copy. A surrealist mind at play with Victorian magazine illustration. (Gogmagog 62).
Editore: Landscape 4to, 12 pages (12 pairs of leaves joined at the fore-edges), Gogmagog Press, London, 1987., 1987
Da: Collinge & Clark, London, Regno Unito
Libro Prima edizione Copia autografata
Soft cover. Condizione: Fine. 1st Edition. Typewritten titling. One of 10 signed and numbered copies printed in black on Japanese handmade paper. Ochre endpapers ruled in black. This copy lacking the binding of blue, green and white paper boards, but otherwise fine. A series of big collages on Japanese paper, with such punning titles as 'Hole-Hogs', 'Fish-Figment', 'Sweetness & Flight'. Accepting the excellence and validity of results from the photocopier, each print is signed and titled, and numbered as an original in the edition of ten. The delicate title-page was composed from lace. Signed by Author(s).
Editore: Routledge & Kegan Paul Ltd, London, 1954
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Prima edizione
Spine of dust jacket slightly faded, otherwise a fine copy. Spine of dust jacket slightly faded, otherwise a fine copy First edition of Cox's first commercially published book. Chambers d. The original book with red cloth binding and dust jacket designed by Morris Cox.
Editore: Gogmagog Press, London, 1967
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Copia autografata
Chambers 18. Copy number 17 of 40 copies out of a total edition of edition of 100 copies, bound in Japanese Hana-asa paper, numbered and signed in ink by the author on the colophon, with prospectus laid-in. Printed on damped Japanese Hososhi, with illustrations on blue Mingei.
Editore: Gogmagog Press, London, 1967
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Copia autografata
Neat and attractive book-label with initials "WP" at the bottom of the front endpaper. Neat and attractive book-label with initials "WP" at the bottom of the front endpaper Chambers 19. Copy number 13 of 65 copies numbered and signed in ink by the author on the colophon. Printed on Barcham Green Dover Castle handmade paper, bound in natural felt boards with orange flame pattern at covers. Japanese endpapers, matching paper slipcase with silk draw ribbon. Prospectus laid-in.
Editore: Gogmagog Press, 1972
Da: Blackwell's Rare Books ABA ILAB BA, Oxford, Regno Unito
32/50 COPIES signed by Cox, text printed on Japanese Kozu-shi (mulberry) paper, 8 reverse/direct offset colour prints using gesso, card, leaves mounted on partially incised lino, f. 49 (doubled leaves joined at fore-edge), 8vo, original Japanese anime ('net-mesh') paper-covered black boards with 3 pink circles on upper board, pink Japanese handmade paper backstrip printed in black, tairei ('full-ceremonial') crimson endpapers, a few spots at upper and lower edges, acetate wrapper, very good. In addition to Cox' playful, organic nature-printed intaglios in which his experimental approach creates striking effects, the settings of the text are unusual: the first section, 25 alphabetical alliterative poems, each with a red poster-style initial, the next section, playing with a palindromic form, the final section, a cacophony of patterns in type. (Gogmagog: Chambers, Franklin, Tucker, no.22).
Data di pubblicazione: 1966
Da: Maggs Bros. Ltd ABA, ILAB, PBFA, BA, London, Regno Unito
Copia autografata
Eighteen-page coloured concertina print. 8vo., hand-printed boards, cloth label on spine. London. No.74 of 100 copies on Hosho paper, signed by Cox. Some staining on preliminary leaves and a brown spot on the certificate of limitation, but the print unaffected; a nice copy.
Data di pubblicazione: 1962
Da: Maggs Bros. Ltd ABA, ILAB, PBFA, BA, London, Regno Unito
Copia autografata
15 Black and white intaglio prints 'from blocks built up from cardboard, plastic and other materials' and linocut printers device. Number 30 of 50 copies, numbered and signed by the printer. Tall 8vo. sized, 13 x 22cm, [26]pp. Original publisher's binding of grey fabric mesh over red paper boards, printed paper spine label, orange paste paper endleaves, original glassine jacket. London, Gogmagog Press. Very good, externally fine, some spotting to page edges and margins throughout. A collection of surreal epigrams, in the style of John Banting's Blue Book of Conversation.
Editore: Gogmagog Press, London, 1958
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Prima edizione Copia autografata
8vo, original quarter maroon cloth and board with printed label on spine, mylar dust jacket. First edition of the first book to have the Gogmagog Press imprint. Chambers 2. Copy number 21 of 30 copies on cream wove paper, out of a total edition of 45 copies, bound in quarter maroon cloth, with natural boards, numbered and signed in ink by the author on the colophon. Regrettably lacking the small label from the front cover, with glue residue in its former place (approximately 1 x 2 inches), otherwise a fine copy.
Editore: Gogmagog Press, London, 1958
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Prima edizione Copia autografata
Chambers 2. First edition of the first book to have the Gogmagog Press imprint, a set of unbound proof sheets laid into a blue paper folder, with a short typed note signed by Cox reading, "The Slumbering Virgin / A set of proofs / presented to Arnold Yates, Esq., / by the author / Morris Cox / August 1960" laid-in.
Editore: Gogmagog Press, London, 1964
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Copia autografata
Chambers 12. Copy number 27 of 50 copies numbered and signed in ink by the author on the colophon. Printed on Hosho Japanese handmade paper, bound in quarter vellum and heavy Hosho yellow-green paper boards. Stone colored cardboard slipcase with grey and black monotypes at the sides and orange ribbon-pull. Prospectus laid-in.
Editore: Gogmagog Press, London, 1969
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Copia autografata
Chambers 21. Copy number 34 of 50 copies numbered and signed in ink by the author on the colophon. Text on brown Cha-uke and prints on white Shoji Japanese handmade papers. Bound in brown Sugikawa paper boards with acetate dust jacket. Prospectus laid-in.
Editore: Routledge & Kegan Paul Ltd, London, 1970
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Prima edizione Copia autografata
Chambers d. First edition thus, privately issued. These poems were "first published under the title of The Whirligig and Other Poems in 1954 by Routledge & Kegan Paul (London). Cox rebound the original sheets from that edition with an original signed print, and issued the book privately. Copy number 19 of 35 copies, numbered and signed in pencil by the author on the print, bound in Japanese handmade Kyoseishi paper boards with prospectus laid-in.
Editore: Gogmagog Press, London, 1972
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Copia autografata
Chambers 22. Copy number 49 of 50 copies numbered and signed in ink by the author on the colophon. Printed on Japanese handmade Kozu-shi, bound in black paper boards covered in Japanese Amime net-mesh handmade paper with a pink Japanese handmade paper spine and acetate dust jacket.
Editore: no date), (No place
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Square elephant folio, measuring approximately 18 x 18 inches, in a designer binding of embossed leather & brown cloth, with cloth endpapers, by Alan Winstanley with his ticket on the rear turn-in. Regrettably, there is some staining from the adhesive used to affix the samples, and some of the samples need to be reattached - in fact all of them would benefit from archival attention. The binding is in fine condition. Shipping is additional. Regrettably, there is some staining from the adhesive used to affix the samples, and some of the samples need to be reattached - in fact all of them would benefit from archival attention. The binding is in fine condition. Shipping is additional A unique assemblage of twenty-five sample pages, beautifully presented by one of England's finest bookbinders. Alan Winstanley studied at the Central School of Arts and Crafts at Holborn, then studied bookbinding and creative art at Luton and St. Albans. He worked for Sydney Cockerell in Letchworth before moving to Salisbury in 1959 at the invitation of Harry Bailey to take on his craft bookbinding business. Salisbury Bookbinders flourished for forty-one years until Winstanley's retirement in 2000. His work was commissioned for wedding presents to Prince Charles and the late Princess of Wales, and he executed the prestigious job of creating and binding the donor record volume for Lord Mountbatten's memorial at Broadlands. Examples of his conservation work and design can be seen in major collections around the world.
Editore: Gogmagog Press, London, 1965
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Copia autografata
Chambers 13. Copy number 53 of 60 copies numbered and signed in ink by the author on the colophon. Printed on Barcham Green Roger Powell handmade paper, bound in quarter natural linen with paper boards containing actual dried grasses under transparent tissue paper. Prospectus laid-in.
Editore: Gogmagog Press, London, 1975
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Copia autografata
Chambers 25. Copy number 2 of 24 copies, numbered and signed by the author on the colophon. Corrie Guyt's copy. Printed on Japanese handmade Yamato-Chiri and Mingei papers, bound in green silk boards with acetate dust jacket. Laid in is a long TLS, 1 page, 4to, 28 November 1975, from the author to "Corrie" who provided some of the silk for the bindings: "You will see that I have bound the book in some of your Hong Kong silk and the title-page has utilized one of your lace pieces!".
Editore: Gogmagog Press, London, 1980
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Copia autografata
Chambers 33. Copy number 17 of 35 copies numbered and signed in ink by the author and Colin Franklin on the colophon. Printed on Japanese Hosho and Kuzo-shi papers bound by Morris Cox and Gemma O'Connor in natural silk boards with brown designs, in paste-patterned paper slipcase with orange draw ribbon.
Editore: Gogmagog Private Press, London, 1978
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Prima edizione Copia autografata
Condizione: A very fine copy. 4to, original full gilt-decorated vellum with ribbon ties. A very fine copy. First edition. One of three copies specially bound in full decorated vellum by Gemma O'Connor out of a total edition of 75 copies; like the other copies in the edition of 75, the book is printed on Hosho and coloured Japanese paper, with an original blind-drawn frontispiece, and signed by Cox, Franklin and O'Connor. The rest of the edition was bound in quarter vellum and Japanese patterned paper boards. "For many years he [Cox] had practised shutting his eyes, concentrating, drawing. . . . All sorts of effects were achieved in blind drawings, a whirling ballet in line on white. Each was signed, dated and given a BD stamp of affirmation in red". Chambers, Franklin & Tucker 30, p. 156-158. The present book represents some of Cox's finest achievements using this idiosyncratic mode of drawing. Far from a mere curiosity, Cox's blind drawings clearly reflect a spiritual accomplishment of a high order; though the result of an unconventional discipline, the drawings are marked with the elegance of line and subtlety of feeling that come only from long submission to the constraint of technique.
Editore: Gogmagog Private Press (1980), (London), 1980
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Prima edizione Copia autografata
Tall, narrow 8vo, pictorial cloth, patterned slipcase. Spine a little bit sunned, otherwise a fine copy. Spine a little bit sunned, otherwise a fine copy First edition. One of 35 numbered copies "designed, cut, modelled, hand-printed & bound" and signed by Cox. "Plates & text printed on Japanese Hosho & Kuzo-shi papers. Binding material woven in Hong-Kong, supplied by Mr Corrie Guyt". Chambers 33. Presentation copy from Cox to Guyt, who supplied the binding materials, with Guyt's bookplate on the front paste-down and with an autographed note signed ("Xmas 1980, To Corrie - With best wishes & warm affection, Morris") and a typed note signed ("28 November 1980, My dear Corrie, You will see that this book of Studio samples and its Introduction is only for people who already know something about me and my work. And who better than you to be among the first to receive it! See letter by separate post. Yours ever, Morris") from Cox to Guyt, laid in. "This brilliant performance has the appearance of a retrospective exhibition of work across half a century, showing every technique of colour-printing which we have come to know in his work; but these are, as the sub-title explains, '50 Original Colourprints', and the Introduction mentions they 'were all conceived, made and printed within the course of one year's extensive work'. . In his introduction we have the longest most revealing of all his explanations as to method and discovery, a brief artistic memoir. At the end we accept the final word as to his printing which 'has never ceased to thrill me with its potential for spontaneous artistry'." - Chambers pp. 160-161.
Editore: Narrow 4to, 28cm, 68 leaves (joined at the fore-edges), Gogmagog Private Press, Dartmouth Park Road, London, 1980., 1980
Da: Collinge & Clark, London, Regno Unito
Libro Prima edizione Copia autografata
Hardcover. Condizione: Fine. 1st Edition. Text set in Rockwell; display in Extended Egyptian wood letter, French Antique, Bodoni Ultra Bold Italic and Figaro, with a linocut of the author's signature; captions in Gill Sans. One of just 35 copies printed in black (the title-page in black and red; the press-marks in brown; the prints in many colours) on Japanese Hosho and Kuso-shi papers. Natural silk boards with designs printed in brown on the front. Cloth label on the spine. Reddish-brown endpapers. Slipcase covered in paste-patterned paper. A fine copy. 'This brilliant performance has the appearance of a retrospective exhibition of work across half a century, showing every technique of colour-printing which we have come to know in his work; but these are, as the sub-title explains, '50 Original Colourprints', and the Introduction mentions they 'were all conceived, made and printed within the course of one year's extensive work'. Morris Cox follows his custom of giviving titles to each print, perhaps from whatever a chance result suggested to him, continuing thus the notion of blind drawings or reticulation of a cracked plate. In his Introduction we have the longest most revealing of all his explanations as to method and discovery, a brief artistic memoir.' (Chambers 33). Signed by Illustrator(s).
Editore: Gogmagog Press, London, 1966
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Copia autografata
4 volumes, each volume illustrated with 3 embossed reverse/direct offset prints joined in continuous strip. A very fine set of what is generally regarded as one of the artist's masterpieces, with prospectuses laid in. A very fine set of what is generally regarded as one of the artist's masterpieces, with prospectuses laid in Chambers 14, 15, 16, & 17. Winter is copy number 14 of 100 copies on Japanese "Hosho" paper, numbered and signed in ink on the colophon by the author, with grey-green Ingres paper boards printed with a monotype in black, dark green, and white, with acetate dust jacket, with 2 copies of the prospectus laid-in. Spring is copy number 14 of 100 copies on Japanese "Hosho" paper, numbered and signed in ink on the colophon by the author, with dark brown Ingres paper boards printed with a monotype in black and turquoise, and acetate dust jacket, prospectus laid-in. Summer is copy number 14 of 100 copies on Japanese "Hosho" paper, numbered and signed in ink on the colophon by the author, with salmon pink Ingres paper boards printed with a monotype in black and grey, and acetate dust jacket, with two copies of the prospectus laid-in. Autumn is copy number 19 of 100 copies on Japanese "Hosho" paper, numbered and signed in ink on the colophon by the author, with dull purple Ingres paper boards printed with a monotype in black, pale blue, and white, with acetate dust jacket, prospectus laid-in.