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Editore: Berlin, Bote & Bock., 1927
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
43 S. [Libretto].
Editore: Wien, UE (VN 5961) [1918]., 1918
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
7 S. Ohne Umschlag, Rücken verstärkt. Erstausgabe.
Editore: Wien, UE (VN 2806) 1910., 1910
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
8°. 28 S. Umschlag. Rücken verstärkt, Umschlag etwas abgegriffen. Erstausgabe.
Editore: Berlin, Cassirer (o.VN) 1917., 1917
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
17 S. Titelblatt mit stärkeren Gebrauchsspuren, etwas vergilbt. Seiten gering knickfaltig. Erstausgabe.
Editore: Verlag Bruno Cassirer, Berlin, 1917
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Edition Breitkopf, Nr 5170a. Size: Folio. 17pp. Stapled as issued in publisher's printed pictorial wrappers, depicting a bearded man seated on a chair scratching his chin, a guitar lies at his feet.
Editore: Breitkopt & Härtel [1922], Leipzig, Berlin, 1922
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Breitkopt & Härtel, E.B.5170b. Size: Folio. 19pp. Stapled as issued in publisher's printed pictorial coloured wrappers, depicting a bearded man standing on a very small island.
Editore: Wien, UE (VN 5076) [1921]., 1921
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
161 S. Umschlag. Umschlag etwas vergilbt, gering bestoßen. Titelauflage der Erstausgabe von 1914.
Da: Eberhard Köstler Autographen&Bücher oHG, Tutzing, Germania
Manoscritto / Collezionismo cartaceo
Leipzig, 22. XI. 1921, 9 x 14 cm. 1 Seite. Mit Adresse. An den Musikwissenschaftler Eugen Schmitz ( (1882-1959) wegen einer Reise nach Dresden und einer Kaffeestunde. Gewicht (Gramm): 20.
Editore: Leipzig, B&H (VN 28699) 1922., 1922
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
19 S. OUmschlag. Umschlag leicht bestaubt, Rückseite beschmutzt. Seiten etwas vergilbt. Erstausgabe. - Mit farbiger Umschlagillustration von C. Graener.
Da: Eberhard Köstler Autographen&Bücher oHG, Tutzing, Germania
Manoscritto / Collezionismo cartaceo
München, Juni 1918, 18,5 x 15 cm. 1 Seite. Dazu eine Portraitpostkarte des Komponisten. Beides unter rotem Passpartout: 40 x 29,5 cm. Notenzeile aus seiner am 5. Juni 1918 in München uraufgeführten Oper "Theophano" (Dichtung von Otto Anthes). Gewicht (Gramm): 20.
Editore: Drei Masken Verlag [PN D.M.-V. 1282.], [Berlin], 1917
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
3 vols. Folio. Full contemporary plain green paper wrappers. Vol. 1 (First Act): 39, [i] (blank) pp.; Vol. 2 (Second Act): [i] (blank), 40-94 pp.; Vol. 3 (Third Act): 95-119, [i] (blank) pp. Engraved and printed by Breitkopf & Härtel in Leipzig. Wrappers slightly stained and faded at margins. Slightly browned; minor soiling, staining, and creasing, not affecting music; some minor dampstaining to Vol. I. Proof copy of the first edition, with some differences from the published score of the piano part. Cf. OCLC no. 48605327. Theophano was first performed in Munich in 1918. "A staunch traditionalist, [Graener] remained opposed to modernism, and was generally overlooked during the Weimar Republic until the late 1920s, when his mystical opera Hanneles Himmelfahrt (1927) was embraced by conservative music critics and administrators as a healthy alternative to then popular Zeitoper. Graener's fortunes changed dramatically after the Nazis came to power. Elevated to a position of some influence, he was able to secure more frequent performances of his compositions, and received a prestigious commission from the Berlin Staatsoper for his opera Der Prinz von Homburg (1935). The work, however, proved to be fatally flawed in terms of its dramatic and psychological impact, and soon disappeared from the repertory. This failure undoubtedly undermined Graener's prestige, and although he remained loyal to the regime for the rest of his life, his later work was greeted more with respect than genuine enthusiasm." Erik Levi in Grove Music Online.
Da: Eberhard Köstler Autographen&Bücher oHG, Tutzing, Germania
Manoscritto / Collezionismo cartaceo Copia autografata
Salzburg, 7. X. 1944, Qu.-Gr.-8°. 2 Seiten. Mit eigenh. Umschlag. An den Dirigenten Rudolf Nilius: "[.] Ich werde die Angelegenheit, die ich sehr befürworte, sofort an den Verlag Zimmermann weiterleiten u. hoffe, daß er einverstanden sein wird [.] Wir sind hier einstweilen bei Steinslechner untergekommen u. werden hier abwarten was geschieht. Eigenlich haben wir wieder einige Hoffnung auf Metz - aber Du scheinst es aufgegeben zu haben? [.]".