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Editore: Leipzig und Berlin, Bureau des arts et d'industrie (Pl.Nr. 304) [1804]., 1804
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
21 gest. S. Seitenränder etwas ausgefranst. Erstausgabe. - Nur die Violine 1.
Editore: Simrock [PN 1114], Bonn, 1815
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito
Folio. Unbound. Violino 1mo: [1] (title), [i] (blank), 3-9, [i] (blank) pp.; Violino 2do: 6 pp.; Viola 1ma: 6 pp.; Viola 2da: 6 pp.; Violoncello: 6 pp. Engraved. With overpaste of Ewer & Co. [London] to title. Rehearsal letters and additional markup in blue pencil. ?"AF" in red crayon to lower right corner of p. 3 of Violino 1mo. "Haensel op. 28" in block letters in pencil to upper left corner of p. 1 of all parts except Violino 1mo. Somewhat browned and soiled; frayed at edges; outer bifolium of Violino 1mo part reinforced at spine with paper tape. A later edition, issued soon after the first (Vienna: Artaria [PN 2303], April 1814). WorldCat (4 copies in North America, at the Eastman School of Music, the University of Pennsylvania, Brigham Young University, and the University of Toronto). "Hänsel was first and foremost a composer of chamber music. Taking Haydn as his point of departure, he approached the style of Schubert without displaying any influences of Beethoven. From op. 17 onward his compositions were well received by the critics." Hubert Unverricht in MGG2.
Editore: Simrock [PN 597], Bonn, 1808
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Folio. Disbound. Violino 1o.: [1] (title), [i] (blank), 3-21, [i] (blank) pp.; Violino 2o.: [1] (blank), 2-19, [i] (blank) pp.; Viola: 15, [i] (blank) pp.; Violoncello: 13, [i] (blank) pp. Engraved. Overpaste with early owner's signature in ink to upper right corner of all title pages: "W. W. Wouters," covering an earlier signature, "J. van G." Measure numbers added in pencil in a modern hand throughout; titling "Haensel op. 17" in the same hand to first blank page of Violino 2o and head of first page of Viola and Violoncello parts. Slightly worn, browned, and soiled. A later edition, issued within months of the first edition (Vienna: Artaria [PN 1948], January 1808). "Hänsel was first and foremost a composer of chamber music. Taking Haydn as his point of departure, he approached the style of Schubert without displaying any influences of Beethoven. From op. 17 onward his compositions were well received by the critics." Hubert Unverricht in MGG2.