J HAMBURGER , A KORTEWEG (2 risultati)

Hardcover. 679 p., 311 b/w ill. 81 colour ill., 210 x 275 mm, Languages: English, Including an index. Fine copy. ISBN 9781905375080. 0 g.

Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Tributes in Honor of James H. Marrow Studies in Painting and Manuscript Illumination of the Late Middle Ages and Northern Renaissance J. F. Hamburger, A. Korteweg (eds.) 679 p., 311 b/w ill. + 81 colour ill., 210 x 275 mm, 2006 ISBN: 978-1-905375-08-0 Languages: English Hardback The publication is available. Retail price: EUR 230,00 print Share/Save/Bookmark Bibliography of James H. Marrow Abbreviations Alfred Acres, ?Elsewhere in Early Netherlandish Painting?; Jonathan J. Alexander, ?A Shepherdess on a Swing in a Netherlandish Book of Hours?; François Avril, ?Un nouveau manuscrit de Jean Bourdichon: Les Heures de Charles de Martigny, évêque d?Elne?; Gabriele Bartz, ?Adam wird ins Paradies getragen?; Marina Belozerskaya, ?Good Dog: Model Canines in Renaissance Manuscripts?; Adelaide Bennett, ?Christ?s Five Wounds in the Aves of the Vita Christi in a Book of Hours about 1300?; Paul Binski, ?The Faces of Christ in Matthew Paris?s Chronica Majora?; Bodo Brinkmann, 'Happy End für einen Löwen?; Klara H. Broekhuijsen, ?Ende ziet alomme int paradijs: Seth?s Vision of Paradise as Part of an Unusual Decoration Program in a Fifteenth-Century Book of Hours from Utrecht?; Walter Cahn, ?The Allegorical Menorah?; Bert Cardon, ?The Miroir de la salvation humaine Revisited: Bibliothèque Nationale de France, Ms. Fr. 3275?; Debra Taylor Cashion, ?The Man of Sorrows and Mel Gibson?; Albert Châtelet, ?L?enseignement paternel dans les Heures de Milan-Turin?; Gregory T. Clark, ?Made In Flanders and the Master of the Ghent Privileges: A Second Coda?; Henri Defoer, ?Images as Aids for Earning the Indulgences of Rome?; Christopher de Hamel, ?Dates in the Giant Bible of Mainz?; Albert Derolez, ?Two Notes on Mercatel?s Earliest Astrological Manuscripts?; Mark Evans, ?The Afterlife of Saint Jerome: Giovanni Bilivert?s Portrait of Neri Corsini?; Reindert L. Falkenburg, ?On Compositional Errata in Pieter Aertsen?s Peasant Scenes?; Marc Gil, ?D?Italie du nord en Artois, le portrait de saint Bernardin de Sienne des Heures d?Antoine de Crèvecoeur, vers 1450?55 : Leeds, University Library, The Brotherton Collection, Ms. 4?; Liz Guenther, ?Realism and Invention in the Prints of Albrecht Dürer?; Jeffrey F. Hamburger, ?The Writing on the Wall: Inscriptions and Descriptions of Carthusian Crucifixions in a Fifteenth-Century Passion Miscellany?; Christian Heck, ?Histoire mythique et archéologie au quinzième siècle: Une représentation inédite de Stonehenge?; Lynn F. Jacobs, ?The Miraculous Threshold in Hugo Van der Goes?s Portinari Altarpiece?; Eberhard König, ?Zur Wirklichkeit im Fensterbild der Kreuzannagelung des Wiener Stundenbuchs der Maria von Burgund?; Joseph Leo Koerner, ?Bosch?s Enmity?; Anne S. Korteweg, ?Framing the Issues: A Codicological Approach to Dutch Border Decoration?; Thomas Kren, ?Simon Bening, Juan Luis Vives, and the Observation of Nature?; Anne-Marie Legaré, ?The Reception of the Dresden Prayer Book Master in the Hainaut?; Jean Michel Massing, ?Two Portolan Charts of the Mediterranean in Cambridge by Joan Martines and Estienne Bremond?; Ruth Mellinkoff, ?Pilate?s Wife?; Elizabeth J. Moodey, ?Historical Identity in the Burgundian Netherlands: The Role of Manuscripts?; William Noel, ?William de Brailes in Baltimore, Paris, and Stockholm?; Judith Oliver, ?A Bundle of Myrrh: Passion Meditation in French Vernacular Poems and Images in Some Liège Psalters?; Peter Parshall, ?Penitence and Pentimenti: Hieronymus Bosch?s Mocking of Christ in London?; Véronique Plesch, ?Sixteenth-Century Pictorial and Dramatic Religious Cycles in the French Alps: Time.