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Hardcover. Condizione: Good. Boards tanned. Minor foxing here and there throughout, overall clean.
Editore: Comet Press, 1938
Da: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condizione: Good. first edition, limited to 500 copies; [107] pp. including over 40 full page illustrations; original cloth (hardcover), age-toning to covers else text clean & binding tight. INSCRIBED by Max Kalish. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Editore: Printed in the press of Comet Press, New York, 1938
Da: McBlain Books, ABAA, Hamden, CT, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st ed. (7), 43 full page plates, Original cloth. dj. 31 cm. Jacket has some chopping and wear. Edition limited to 500 copies, Introduction by Emily Genauer. Inked inscription dated July fills the front free endpaper. American sculptor.
Editore: Printed in the Plant of the Comet Press, New York, 1938
Da: Second Story Books, ABAA, Rockville, MD, U.S.A.
Prima edizione Copia autografata
Hardcover. Quarto, 43 leaves of plates. In Good condition. Spine is tan without print. Boards in tan cloth with brown print. Toning to spine, light blemish at front top edge. Illustrated: b&w plates. Inscribed in ink by the author on front endpaper. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. 1377789. FP New Rockville Stock. First edition; Limited edition, 500 copies.
Condizione: Good. Max Kalish New York 1938 Binding: Hardcover small chips and tear on dust jacket. previous owner inscription on ffep.
Editore: privately published, NY, 1938
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Prima edizione
Hardcover. Condizione: VG-. First Edition. Beige cloth boards with brown stamped lettering. 107 pp. 43 plates. Portrait. Seven page essay by Emily Genauer, followed by the plates. 500 copies printed. Signed and inscribed by Max Kalish on front-endpaper.
Editore: Printed By Comet Press, N.Y., 1938
Da: The Chatham Bookseller, Madison, NJ, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. First Edition of 500 Copies. [107]p. including illustrations. A very good copy, the light tan spine and covers are very faintly dust-soiled and the front free endpaper has been creased at one time and it shows very slight wear for about 2 inches on the bottom edge near the fore-edge, no d.j. Size: Folio - over 12" - 15" tall.
Condizione: Very Good. Max Kalish New York 1938 Binding: Hardcover ex-library copy. library stamps on ffep and title page. previous owner inscription on ffep. $NRP.
Editore: Comet Press / Max Kalish / M. A. Kallis, New York Ny, 1938
Da: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Membro dell'associazione: IOBA
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Good. 1st Edition. Grey Cloth Stamped In Brown. First Edition. Fine, Cloth Slightly Aged But Not Worn. Dust Jacket With Edge Tears And A Chip From Bottom Of Rear Panel. Inscribed By Alice Kalish To Russell W. And Rowen Woodham Jelliffe "To The Jelliffes- And Their Wonderful Karamu From Alice Kalish February 1950". Alice Kalish Was The Dedicatee Of This Book. Rowena Woodham Jelliffe (1892- 1992) Became A Pioneer In The Field Of Interracial Theater As An Outgrowth Of Her Career As A Social Worker And Co-Founder Of Karamu House. Born And Raised In New Albion, Ill., She Came To Ohio In 1910 To Enter Oberlin College, Where She Served As President Of The Oberlin Women's Suffrage League And Met Her Future Husband, Russell W. Jelliffe. After A Year Spent Jointly As Graduate Students At The University Of Chicago, Rowena And Russell Were Married And Came To Cleveland To Establish The East Side Settlement House That Eventually Became Karamu. To Help Draw Their Largely African American Constituency Into The Settlement's Program, Mrs. Jelliffe Began Producing Children's Plays With Interracial Casting. An Adult Dramatic Group, The Gilpin Players, Was Organized In The Couple's Living Room In 1920. A Permanent Theater Was Opened In 1927, After 2 Summers' Study By Mrs. Jelliffe At The School Of Theater And Dance In New York. Besides Directing 100 Plays At Karamu From 1920-46, She Sometimes Wrote Plays For The Children And Once Completed A Play By Langston Hughes When The Final Act Failed To Arrive In Time. Mrs. Jelliffe Was Also A Campaigner For Civil Rights, Helping To Integrate The Wade Park Manor Dining Room In 1926 And Marching With Martin Luther King, Jr., In The 1960S. Following Their Retirement And The Death Of Russell In 1980, Mrs. Jelliffe Remained Active In Numerous Civic And Arts Organizations, Serving On The Boards Of The East Cleveland Theater And The Fine Arts Assoc. Of Willoughby. Her Papers Are At Case Western University.
Data di pubblicazione: 1938
Da: Xerxes Fine and Rare Books and Documents, Glen Head, NY, U.S.A.
Condizione: Near Fine. NY 1938 1st Kalish. Introduction by Emily Genauer. Ltd to 500 copies. 4to., short text plus 43 photo plates of Kalish's sculptures of rubust working men which are designed to honor the working man and to further radical politics, hardcover. Signed by Alice Kalish. Near Fine, no DJ.
Editore: privately published, NY, 1938
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Prima edizione
Hardcover. First Edition. Beige cloth boards with brown stamped lettering. [107] pp. 43 plates. Seven page essay by Emily Genauer, followed by the plates. 500 copies printed. VG- light wear to edges and corners, a bit of soil, tanning/aging to block edges, previous owner name inside front cover and ink scribble).
Hardcover. Condizione: Very Good. Folio, tan rough boards with Kalish symbol, circq 100pp, muscled men doing hard work, with a torso nude and baby thrown in to sweeten the pot. INSCRIBED, "To Bernard Joffe, kindest wishes."vvbrn2/2.
Editore: Comet Press, New York, 1938
Da: William Chrisant & Sons, ABAA, ILAB. IOBA, ABA, Ephemera Society, Fort Lauderdale, FL, U.S.A.
Prima edizione Copia autografata
Condizione: Good. Condizione sovraccoperta: Very Good. First Edition. Very clean copy without previous owners' names or markings. One of only 500 copies signed by Kalish.
Editore: Max Kalish, New York, 1938
Da: Olana Gallery, Brewster, NY, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Good. 1st Edition. Good hardcover copy with d/j. 1st edition, limited to 500 copies, 96 pp, 43 illustrations. Introduction by Emily Genauer. *There are tears on dustjacket, mostly on spine.
Da: Main Street Fine Books & Mss, ABAA, Galena, IL, U.S.A.
Copia autografata
This Belarus-born American sculptor is well known for his many powerful working figures showing the strong social realism of his era, but his full-length Lincoln statue in Cleveland is by far his most famous. ALS, 1p, 7¼" X 10½", New York, NY, 5 March 1941. Address to noted Lincoln scholar Arnold F. Gates (1914-93). Near fine. Faint original folds. On imprinted "Studio of Max Kalish, A.N.A." letterhead, Kalish cordially sends "Thanks for your birthday wishes. It was kind of you to remember me," adding to this Cleveland born and raised resident, "Am pleased also that you like my Lincoln statue." Boldly penned in black ink and signed at the close. A superb example of this seldom seen autograph -- and referencing his most famous work to a Lincoln writer.
Editore: Comet Press, 1938
Da: Visible Voice Books, Cleveland, OH, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. Comet Press January 1938 Binding: Hardcover ONE OF 500 FIRST EDITION COPIES WITH DUST JACKET, DJ HAS SOME WEAR $NRP.
Editore: Comet Press, New York, 1938
Da: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
Copia autografata
hardcover. Condizione: near fine. Condizione sovraccoperta: good. Kalish, Max (illustratore). First. Introduction by Emily Genauer. Slim 4to, beige cloth, torn d.w. New York: (Comet Press), 1938. First edition, limited to only 500 copies. A near fine copy in a good dust wrapper, with a nice ink inscription from the artist on the flyleaf.