Tipo di articolo
Condizioni
Legatura
Ulteriori caratteristiche
Paese del venditore
Valutazione venditore
Editore: London Filmmakers Co-operative, London, 1976
Da: Indexbooks/Peter Gidal, London, Regno Unito
Roneo-stencil of a lecture by the best and most important English Experimental filmmaker. Writings (see his collection Experimental Cinema in the Digital Age, especially "Problematizing the Spectator Placement in Film") that even now are breakthroughs. Signed on last of four sheets. One of approximately 40 copies made.
Editore: Studio International London, United Kingdom, 1974
Da: Specific Object / David Platzker, New York, NY, U.S.A.
251 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1974 issue of Studio International edited by Peter Townsend. Contents include: "The Complete Artist," by John McEwen; "2 Fisherman: 1. An Appreciation of C.M. Wells," by J.W. Chance and "2. Ivan Marks: fishing as a profession;" "Correspondence;" "Acanthonemus Lubaurus Fossil;" "The Fish as a Symbol," by Cara Montgomery; "Multiple Exercise," by William Allan; "Sea Grant second narrative and two precedent works," by Newton Harrison; "Char and char fishing," by Geoffrey White; "Feuilleton," by Marcel Broodthaers; "The paintings of Joseph Raffael," by William S. Wilson; "A/S Mowi: industrial fish farming;" "Man's Impact on life in inland waters," by H.A. Hawkes; "Recipes," by Henri de Toulouse-Lautrec, Marcello Salvadori; and X-ray of a flounder" and reviews by Clive Phillpot, Malcolm LeGrice, John Walker, Liesbeth Corstius, Keith Albarn, Günther Wirth, R.C. Kenedy, David Troostwyck, Tony Rothon, Judy Marle, Paul Rosenbloom, Fenella Crichton, Christopher Fox, James Faure Walker, Robert Corbett, and Frank Whitford. Cover specifically designed for this issue by James Sneath. Also includes a ten page artist project by Hamish Fulton presented by Robert Self, presumably paid for as an advertisement in the magazine and not presented as editorial content. Good. Bumping of corners with creasing. 5.7 cm. area of writing in pencil on recto. 4 mm. tear to bottom right corner of verso and two 8 mm. tears across spine. Yellowing of pages. Contents clean and unmarked.