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Editore: 26 Xbre [18]86, Firenze
Da: Colin Coleman Music, Stewkley, Regno Unito
Manoscritto / Collezionismo cartaceo
Size: Small 8vo. 181 x 106mm. Single sheet folio with address panel from envelope attached. "Pregiatissimo Signore Giunto Giunti Direttore del Giornale 'Scaramuccia', Gentiliss.mo Signr Giunti. Le urgenti spese di famiglia, e quelle non meno gravi per acquisti di opera inerenti alla mia professione, non mi permettono assoggettarmi a spese ulteriori per cui sono dolentissimo di non poter continuare l abbonamento al di lei accreditato giornale Scaramuccia'. L anno scorso, quando ella gentilmente mi offerse . ho detto che avrei pagato l abbonamento per un anno".
Editore: Firenze 6 Giugno [18]72, Firenze
Da: Colin Coleman Music, Stewkley, Regno Unito
Manoscritto / Collezionismo cartaceo
Size: 8vo. 210 x 134mm. [2]ff. Folded single sheet bifolium. "Caro dottore, Ti siamo gratissimi mia moglie ed io come anche la Nunziata per averci domandate le nostre senove[?]. Oggi il chirurgo sciogliera il cilizio alla Nunziata per farle una fasciatura più blanda. Sembra che tutto vada bene per ora. Si spera di vederti presto, e godere della tua amabile compagnia. Ti salutiamo insieme con Paolo; ed io stringendoti al seno, Mabellini".
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
qu-fol. 3 Bll., 94 gest. S. OUmschlag. Sauberes, breitrandiges Exemplar. Mabellini war geschätzter Dirigent und Kompositionslehrer in Florenz. - Selten.
Editore: N. p. o. d. [Florence, ca. 1880]., 1880
Da: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manoscritto / Collezionismo cartaceo
Large 8vo. 1 p. on bifolium. Asking an unnamed noblewoman to reschedule private lessons with her daughter Alice due to urgent rehearsals for an unexpected engagement: "Un concerto che si dà alla Sala Filarmonica [.] mi tiene occupato per le prove questa mattina e venerdì mattina [.] nelle ore appunto che dovrei recarmi al suo palazzo per la lezione della signorina Alice. Vengo dunque ad incomodar La con queste due righe per domandar le se mercoledì alle due e il sabato egualmente a quell'ora posso rimettere le due lezioni che la signorina anderebbe a perdere [.]". - Mabellini was among the leading Italian composers of his time, particularly of operas and other vocal music. From 1859 to 1874, he was the director of the Florentine Philharmonic Society. In 1868, Mabellini contributed the Lux aeterna to Giuseppe Verdi's project for a collective composition of a Requiem for Gioacchino Rossini by the most important Italian composers. In his later years, Mabellini's style was considered outdated and he struggled to find an audience, composing mostly for private clients and tutoring. - Well preserved.
Editore: Ferd.o Lorenzi [PNs 3560-3571], Firenze, 1845
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Large oblong folio. Full modern green cloth, marbled endpapers. 1f. (recto title within decorative border, verso blank), 1f. (recto table of contents, verso named cast list), 5-267 pp. Engraved. Uncut. Several leaves partially unopened. Each number with its own secondary pagination to upper margin. Named cast includes Cesare Badiali, Giuseppe Mori, Marietta Gazzaniga, Mazzarrini, Faustina Piombanti, Agostino Susini and Luigi Sanesi. Occasional light foxing, staining, and soiling; title and several leaves with minor tears and slight loss to blank margins; early tape repairs to verso of title; some leaves without primary pagination. An attractive, clean, and wide-margined copy overall. First Edition. Scarce. Schmidl, Vol. II, p. 1. Eudossia e Paolo, the first of Mabellini's two oratorios, was first performed in Florence at the Palazzo Vecchio on [?]24 June 1845, "for the benefit of a children's home, according to its printed libretto. The two-part oratorio makes extensive use of chorus, far more so than does the typical Italian oratorio . The work received several additional performances in Florence and Livorno." Smither: A History of the Oratorio, Vol. 4, p. 620. "As a composer Mabellini had many strong qualities, notably an ability to work successfully in different genres, a mastery of counterpoint and orchestration, a solid musical grounding, a sure technique and a conscious adherence to the great Classical tradition . His fame today rests on his promotion of Italian musical culture." Francesco Bussi in Grove Music Online.
Editore: Ferd.o Lorenzi [PN 3560-3571], Firenze, 1845
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Large oblong folio. Green cloth-backed marbled boards. 1f. (recto title within decorative border, verso blank), 1f. (recto named cast list, verso contents), 5-267 pp. Engraved. Each number with its own secondary pagination to upper margin. Named cast includes Cesare Badiali, Giuseppe Mori, Marietta Gazzaniga, Mazzarrini, Faustina Piombanti, Agostino Susin,i and Luigi Sanesi. Binding worn, rubbed, and bumped; upper nearly detached. Very slightly browned. First Edition. Scarce. Schmidl, Vol. II, p. 1. Eudossia e Paolo, the first of Mabellini's two oratorios, was first performed in Florence at the Palazzo Vecchio on June [?]24, 1845, "for the benefit of a children's home, according to its printed libretto. The two-part oratorio makes extensive use of chorus, far more so than does the typical Italian oratorio . The work received several additional performances in Florence and Livorno." Howard E. Smither: A History of the Oratorio, Vol. 4, p. 620. "As a composer Mabellini had many strong qualities, notably an ability to work successfully in different genres, a mastery of counterpoint and orchestration, a solid musical grounding, a sure technique and a conscious adherence to the great Classical tradition . His fame today rests on his promotion of Italian musical culture." Francesco Bussi in Grove Music Online.
Editore: S. Richault [PN 380 R], Paris, 1860
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione Copia autografata
Folio. Green leather-backed marbled boards, titling and decorative devices gilt to spine. 1f. (title), 215, [1] (blank) pp. Engraved. With an autograph inscription to fellow-composer Francesco Maria Albini (1829-1917) signed "T Mabellini" in ink to upper margin of title, with Albini's signature and "1032" to lower margin of title. First Edition. Rare. Worldcat records copies at the Bibliothèque Nationale and University of California, Berkeley only. Bound with: MABELLINI. [Requiem]. Libera me Domine pour quatrevoix avec chÅ"ur et Accompagnem.t d'Orchestra (ou Orgue par Leprévost) . [Full score]. Paris: Richault [PN 12675 R], [1853]. 1f. (title), [1] (blank), 210-252 pp. Engraved. First Edition, later issue. Scarce. From the collection of Italian conductor, vocal coach, and close associate of Puccini and Mascagni, Luigi Ricci (1893-1981). Handstamp of Richault to foot of both titles. Binding slightly worn and bumped; boards detached. Light scattered foxing. Italian composer Teodulo Mabellini studied with Servio Mercadante and spent most of his career in Florence as director of the Società Filarmonica as well as maestro di cappella at the ducal court. "As a composer Mabellini had many strong qualities, notably an ability to work successfully in different genres, a mastery of counterpoint and orchestration, a solid musical grounding, a sure technique and a conscious adherence to the great Classical tradition. But none of these could redeem his numerous works (not even [his opera] Rolla and the Requiem, the most famous of them) from the fundamental lack of an individual, original and genuinely creative musical personality, and they are now completely forgotten. His fame today rests on his promotion of Italian musical culture." Francesco Bussi in Grove Music Online.