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Editore: T. Boosey & Co. [1851], London, 1851
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. [i (title)], 7pp. Disbound. Pencil fingerings. Seller's blind-stamp dated '12-11-51'. Engraved.
Editore: R. Cocks & Co. [1853], London, 1853
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. [i (title)], 5pp. Disbound. Some marginal chips and reinforcements. Pictorial title-page of two young girls picking flowers in a woodland. LibraryHub references just one copy (BL).
Editore: chez Henry Lemoine [1845], Paris, 1845
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Oblong folio. [i (title)], 13pp. Disbound, sewn. Engraved. Dedicated to Marie Bruzard de Dracy.
Editore: Paris, Colombier (Pl.Nr. 1025) [ca. 1850]., 1850
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
qu-fol. 15 gest. S. Etwas stock- und fingerfleckig. Mit Titelillustration (Jagdszene).
Editore: Chez Alphonse Leduc [1869?], Paris, 1869
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
WorldCat references just two copies. Edition-Bijou, no.22 Size: Small 8vo. [i (title)], 103pp. Half morocco (rubbed). Decorative title-page. Small piece missing at lower margin of pp.61/6 with loss of bass line for four bars on p.61. Comprising: 1, Brune et blonde, deux valses; 2, La Chaîne d'or; 3, La Chasse royale; 4, La circassienne; 5, La coquette; 6, La couronne de violettes; 7, Les e?chos du vallon; 8, L'e?toile du nord; 9, Fleurs d'espe?rance; 10, Fleur de Marie; 11, Fleur des bois; 12, Indiana; 13, Juana; 14, Le?lia; 15, La mignonnette, trois valses; 16, Ninette et Lisette, deux valses; 17, Olga; 18, La pervenche; 19, Le torrent; 20, La tourterelle.
Editore: London: H. [Henry] Tolkien, [1850]. [1850]., 1850
Da: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, U.S.A.
Condizione: Very good. - Quarto, 13-1/4 inches high by 9-7/8 inches wide. Softcover, pictorial wrappers titled in black and illustrated with a bright color lithograph by W. Taft. The lithograph, which is possibly hand-colored, depicts two attractive women attired in sheer dresses of the period, one lounging in a red armchair while a brightly colored bird is perched on the arm of the woman standing behind her. The covers are slightly soiled with a crease to the top right corner. A paper tab mounted along the left edge would suggest that this score was once bound in with others. The cover is followed by 7 pages of engraved music. A tear to the last page has been repaired with early paper and paste from the blank verso. Very good. One of Gabriel Faure's teachers, the French composer Gatien Marcailhou (1807-1855) was a medical doctor, pianist, and composer of 144 waltzes, quadrilles, polkas, mazurkas, etc. A student of Sigismond Thalberg, Marcailhou was also a musical theorist who authored several books, including "The Modern School of the Pianist: Theoretical, Analytical and Practical Treatise as an introduction to the compositions of Thalberg and his school". He also authored "The Art of Composing and Performing Light Music on the Piano". None other than Ravel and Saint-Saens praised his compositions as did Paul Valery, Paul Claudel, Francois Mauriac, and many others. Indeed Ravel wrote that "Marcailhou is the true creator of the modern French waltz. Immortally famous, the waltzes of Marcailhou remain documentary of their time like the white camellias or pale pink loved by our ancestors of the Second Empire". Saint-Saens, writing specifically about this waltz wrote: "Indiana is a model of its kind, [it] retains a cool, wet-heart rose". Marcailhou dedicated his waltz to his friend, the author George Sand.
Da: Eberhard Köstler Autographen&Bücher oHG, Tutzing, Germania
Manoscritto / Collezionismo cartaceo
Paris, 27. III. 1840, 8°. 2 Seiten. Doppelblatt. An den Verleger Cocks in London bei Übersendung eines Walzers zur Veröffentlichung. - Marcailhou war der Lehrer von Gabriel Fauré und komponierte an die 150 Tanzkompositionen. - "Marcailhou est le véritable créateur de la valse française moderne. Immortellement célèbres, les valses de Marcailhou restent documentaires de leur temps." (Maurice Ravel, 1933). - Leicht fleckig.
Editore: Anvers, Brüssel (Schott) (1851)., 1851
Da: Antiquariat A. Suelzen, Berlin, Germania
Spartito
5 Seiten (Schott 10370). Farblithogr. Orig.-Broschur, 33,5 x 25 cm * Marcailhou (1807-1855) war einer der Lehrer von Gabriel Fauré. - Die schöne farblithographierte Umschlagvignette zeigt im Zentrum die gefeierte Ballerina des romantischen Balletts und erste Meisterin des Spitzentanzes Marie Taglioni (1804-1884). Vgl. dazu den Katalog von E. Binney (Harvard Theatre Collection): Longing for the ideal. Images of Marie Taglioni in the romantic ballet, a centenary exhibition (1984).