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Editore: Printed & Sold at Chappell's [1837], London, 1837
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Disbound. Engraved. Size: Folio. [i (title)], 5pp.
Editore: B. Girard e Cie, / Scipione de Rossi et Ci. [ca 1840], Napoli / Roma, 1840
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Oblong folio. [i (title)], 4pp. (also pp.14-17). Disbound (title-leaf detached, edges worn). Engraved.
Editore: Presso Gio Ricordi, Grua e Co. / Presso Gio. Ricordi [1826], Firenze / Milano, 1826
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Oblong folio. 8pp. Disbound (edges worn and very stained). Engraved.
Editore: Presso G. Ricordi / Firenze: Presso Ricordi, Grua e Co. [1826], Milano, 1826
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Oblong folio. 6pp. Folded as issued (outer fold reinforced with paper tape). Slight spotting. Drop title. With the bookplate of the "Biblioteca Papafava" and the signature of the Contessa Luisa Pappafava Carraresi (1799-1835). Engraved. This imprint not in BL. Il Catalogo Numerico Ricordi 1857, Vol.I p.91.
Editore: Birchall & Co., 140 New Bond Street, London, 1829
Da: THOMAS RARE BOOKS, Yaxley, SUFFOLK, Regno Unito
Prima edizione
paper wrappers. Condizione: Fine. 1st UK edition. ND c 1829. 15pp. Disbound copy. Engraved title-page to head of page1 with plate engraved notation. PN 1434. Vocal part above piano score. [Saverio Mercadante 1795-1870]. Elisa E Claudio was written in 1820 Size: Folio. Printed Music.
Editore: Birchall & Co., 140 New Bond Street, London, 1829
Da: THOMAS RARE BOOKS, Yaxley, SUFFOLK, Regno Unito
Prima edizione
paper wrappers. Condizione: Fine. 1st UK edition. ND c 1829. 13pp. Disbound copy. Engraved title-page to head of page1 with plate engraved notation. PN 1433. Vocal part above piano score. [Saverio Mercadante 1795-1870] . Elisa E Claudio was written in 1820 Size: Folio. Printed Music.
Editore: Milano, Ricordi (Pl.Nr. 1098) [ca. 1821]., 1821
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
qu-fol. 8 gest. S. Erstausgabe der Einzelnummer (aus dem Jahr der Uraufführung). - Ohne Titelblatt.
Editore: Ducci, Firenze, 1870
Da: studio bibliografico pera s.a.s., LUCCA, Italia
Brossura. Condizione: discrete. Cm.17,2x11,4. Pg.28. Tracce d'uso. 50 gr.
Editore: Tip.Pansini, Bari
Da: studio bibliografico pera s.a.s., LUCCA, Italia
Brossura. Condizione: discrete. Cm.20,7x13,5. Pg.32. Brossura editoriale. 100 gr.
Editore: Ricordi, Milano, 1859
Da: studio bibliografico pera s.a.s., LUCCA, Italia
Brossura. Condizione: discrete. Cm.17,8x11,6. Pg.44. Aloni da umidità e lievi abrasioni. 50 gr.
Editore: Lucca, Milano
Da: studio bibliografico pera s.a.s., LUCCA, Italia
Brossura. Condizione: discrete. Formato oblungo. Cm.23,5x33,5. Pg.3 di musica incisa. 50 gr.
Editore: chez Marquerie Frères [1842], Paris, 1842
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: 8vo. [iii], 240pp. Plain card covers with cloth backstrip. Engraved. Small tear across lower part of title-leaf; heavy foxing to opening and closing pages and general foxing throughout.
Editore: Mme Ve Launer [1841?], [Paris], 1841
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: 8vo. [iv (title, series' title, contents)], 165pp. Quarter leather (rubbed), all leaves on hinges. Heaving foxing. Engraved.
Editore: Tipografia Teatrale di B. Som, Torino, 1869
Da: studio bibliografico pera s.a.s., LUCCA, Italia
Brossura. Condizione: discrete. Cm.17x11,8. Pg.32. Con indicazione degli interpreti: Giuseppe Cappello, Carlo Trivero, Giuseppe Marchetti, Felicita Rocca Alessandri, Antonietta Pozzoni, Drusilla Garbato, Giuseppe Capponi, Ferdinando Bellini. 100 gr.
Editore: Pieraccini, Pisa, 1839
Da: studio bibliografico pera s.a.s., LUCCA, Italia
Brossura. Condizione: discrete. Cm.18,5x11,8. Pg.32. Con indicazione dei musicisti e degli interpreti: Francesco Rossi, Angiolina Corry - Rossi, Alessandro Cecconi, Erminia Frezzolini, Filippo Colini, Emilio Giampietro, Giuseppe Bertini. Maestro e direttore Giuseppe Buoncompagni. Primo Violino e Direttore d'Orchestra Carlo Giacomelli. 50 gr.
Editore: Maurice Schlesinger [PN 3289], Paris, 1860
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Folio. Original publisher's yellow printed wrappers. 1f. (title), [1] (contents with incipits), 2-183, [1] (blank) pp. Engraved. Text in Italian. Handstamp "G. Brandus & S. Dufour" to foot of title, indicating Schlesinger's later owner. From the collection of Italian conductor, vocal coach, and close associate of Puccini and Mascagni, Luigi Ricci (1893-1981). Wrappers worn and detached. Nearly disbound. Many corners creased; signature containing pp. 133-156 on thinner, browned paper; scattered light foxing. First French edition, later issue. Scarce (2 copies only located in the US, at Newberry and UCLA). La Vestale, a tragedia lirica in 3 acts with libretto by Salvatore Cammarano, was premiered in Naples at the Teatro San Carlo, 10 March 1840. ". one of Mercadante's most consistently interesting works, and has been regarded by some as his masterpiece." Michael Rose in Grove Dictionary of Opera.
Editore: Francesco Artaria e Comp. [PNs 403-414], Novara, 1836
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Folio. 19th century olive green textured paper-backed marbled boards with small diamond-shaped red textured paper label with composer's name gilt to upper; original publisher's light pink upper wrapper with titling within decorative border trimmed and laid down to verso of upper board. 1f. (recto title, verso blank), 3; 3; 5; 4; 4; 5; 3; 5; 5; 5; 6; 4 pp. Engraved. Contents: Il desiato ritorno; La primavera; L'asilo del pellegrino; Il pastore svizzero; La serenata del marinaio; Il zeffiro; Il lamento del moribondo; La zingarella spagnuola; La pesca; La caccia; Il brindisi; and Il galop. From the collection of Italian conductor, vocal coach, and close associate of Puccini and Mascagni, Luigi Ricci (1893-1981). Head and tail of spine frayed; label to upper board worn. Some internal wear, browning, and foxing. First German Edition, published shortly after the Italian edition. Scarce (2 copies located in the U.S., at the University of Michigan and the New York Public Library). Mercadante's collection of solo arias and duets were written during his influential stay in Paris during 1835-36. Each work is dedicated to one of the leading opera singers of the day. Franz Liszt wrote transcriptions of six of these songs as his own Soirées Italiennes (LW A47), published in 1840.
Editore: Tipografia dell Rev. Cam. Apostolica, Roma, 1854
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Manoscritto / Collezionismo cartaceo Prima edizione
Small octavo. Modern marbled wrappers. [1] (title), [2] ("Direttori della Musica"), 3-26, 1f. (printer's note) pp. With decorative woodcut device to p. 26. The libretto to a performance incorporating music by Verdi, Rossini, Mercadante and Donizetti at the papal seminary in Rome to celebrate the Immaculate Conception of Mary, Christ's mother, on 13 December 1854, with Luigi Moroni, Gaetano Capocci, and Giuseppe Negri named as the "Direttori della Musica." Includes 4 works by Verdi: "Salve, o Madre: un sacro patto tutti stringe i figli tuoi" from the opening chorus of La Battaglia di Legnano (1849); Silenzio misterio" from the opening chorus of I due Foscari" (1844); "Plaudiam di letizia" from the opening chorus of the Act I finale of Stiffelio (1850); and "Regina dell'alme." Other works performed include Rossini's "Pura stella-del mattino;" Mercadante's "Sacro alla pace degli eletti;" and Donizetti's cantata "Celeste un' aura dal tempio move." Minor foxing, heavier to endpapers. Probable First Edition. Rare. Worldcat (2 copies only, at the Universities of Chicago and Dayton). OCLC no. 57468047. An interesting source for several little-known works.
Editore: B. Girard e Ci. [PNs 3419-22, 3433-36, 3439-40, 4068-4077, 4104-09], Napoli, 1850
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Oblong folio. Dark red leather-backed textured green cloth boards, marbled endpapers. 1f. (recto title, verso blank), 3-201, [i] (blank) pp. Each number with separate caption title and secondary pagination. Engraved. From the collection of Italian conductor, vocal coach, and close associate of Puccini and Mascagni, Luigi Ricci (1893-1981); previous owner's name ("Prof. Rigillo") and address to title; handstamp ("Scuola di canto del Mo. Lombardini") to title and many pages throughout. Binding somewhat worn, rubbed, and bumped; remnants of paper label to spine. Light foxing and thumbing throughout. First Naples Edition, later issue, with alternative numbers. Il giuramento, a melodramma in 3 acts to a libretto by Gaetano Rossi after Victor Hugo's Angelo (1835), premiered in Milan at La Scala on 11 March 1837. Mercadante had a string of successes following his years of study in Paris. Beginning with Il giuramento, he gradually developed a more dramatic opera form that earned him the respect of contemporaries such as Liszt.
Editore: Stabilmento Musicale Partenopeo [PNs 6758-6760, 6764-6767, 6781-6782, 6787-6788, 10504-11056], Napoli, 1853
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Oblong folio. Burgundy leather-backed green textured cloth boards; titling and decorative devices gilt to spine. 1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank), 5-312 pp. Each number with separate caption title and some with secondary pagination. Engraved. Title lists 11 alternate versions from the publisher's earlier issue. Named cast list includes Avignone, Laboccetta, Luzio, Vita, De Rosa, Rebussini, and Testa. From the collection of Italian conductor, vocal coach, and close associate of Puccini and Mascagni, Luigi Ricci (1893-1981). Handstamp ("Scuola di canto del Mo. Lombardini") to title and many pages throughout. Binding somewhat worn and rubbed, with occasional defects; remnants of paper label covering spine. Front free endpaper mostly lacking; upper hinge split. Light thumbing throughout; occasional foxing. First Edition, later issue, with some revised plates. Leonora, in 4 acts to a libretto by Marco d'Arienzo after G.A. Bürger, premiered in Naples at the Teatro Nuovo on 5 December 1844. "[Leonora] was a nod in the direction of the Neapolitan buffo tradition, mingling the advanced operatic style of the 1840s in the serious parts with 18th-century parlando in the buffo sections (in Neapolitan dialect and with secco recitatives); it was the most successful opera of Mercadante's late Neapolitan period." Michael Wittmann in Grove Music Online.
Editore: B. Girard e Ci. [PNs 4383-97, 5098-5114], Napoli, 1850
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Oblong folio. Vellum-backed and edged dark brown cloth boards, initials "C.G." gilt to upper, titling to spine stamped in black, original publisher's dark yellow wrappers bound in, series title "Opere teatrali intere" and catalogue to upper. 1f. (recto title and contents, verso named cast list, contents), 3-290 pp. Each number with separate caption title and secondary pagination. Engraved. Named cast list includes performers from the premiere as well as two different stagings in Naples. From the collection of Italian conductor, vocal coach, and close associate of Puccini and Mascagni, Luigi Ricci (1893-1981). Binding somewhat worn, rubbed,and bumped; minor paper loss to upper left corner. Very minor signs of wear; occasional light foxing and browning. First Naples edition, later issue, with alternative numbers. Il Bravo, to a libretto by Gaetano Rossi and Marco Marcelliano Marcello after James Fenimore Cooper's novel The Bravo (1831) and Auguste Anicet Bourgeois's play La Vénitienne (1834), was first performed in Milan at the Teatro alla Scala on 9 March 1839. "Il Bravo is one of Mercadante's most interesting and successful operas. The musical structures show a real attempt to fuse the varied elements of early 19th-century Italian opera into a more continuous dramatic texture. It had a prodigious success at La Scala at the time when the young Verdi had just arrived in Milan, and anyone interested in Mercadante's influence on his great successor can hardly miss the overtones of Sparafucile, and indeed Rigoletto, in the chief character." Michael Rose in Grove Dictionary of Opera.
Editore: presso Gio. Ricordi [1840], Milano, 1840
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Oblong folio. 225pp. Half vellum with marbled boards (a little worn). A nice clean copy. First performed on the 10 March, 1840. Engraved. First (complete) edition. Il Catalogo Numerico Ricordi 1857, vol.I pp.413-417.