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Editore: Brepols (distributed), 2001
ISBN 10: 2503511635ISBN 13: 9782503511634
Da: booksXpress, Bayonne, NJ, U.S.A.
Libro
Hardcover. Condizione: new.
Editore: BREPOLS, TURNHOUT, 2001
ISBN 10: 2503511635ISBN 13: 9782503511634
Da: Pórtico [Portico], ZARAGOZA, Spagna
Libro
Tapa blanda. Condizione: New. DEBBY, N. B.-A.: RENAISSANCE FLORENCE IN THE RHETORIC OF TWO POPULAR PREACHERS. GIOVANNI DOMINICI (1356-1419) AND BERNARDINO DA SIENA (13. TURNHOUT, 2001, xii 344 p. , 765 gr. Encuadernacion original. Nuevo. (IN-3-7) 765 gr. Libro.
Editore: Turnhout Brepols 2001, 2001
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
Hardback, XIV+344 p., 160 x 235 mm. ISBN 9782503511634. The central purpose of this study is to examine the response of the preachers Giovanni Dominici (1356-1419) and Bernardino da Siena (1380-1444) to the changes, the alternatives they offered and their attempts to direct the life of the laity. The preaching of the Dominican friar Girolamo Savonarola and the period of his dominance (1494-1498) are a well-known chapter in the history of Renaissance Florence. However, comparatively less research has been done on Savonarola's predecessors, the mendicant preachers of Florence in the first half of the fifteenth century. The Dominican Giovanni Dominici (1356-1419) and the Franciscan Bernardino da Siena (1380-1444) were the most important of these preachers. Dominici's and Bernardino's sermons, as they appear in Tuscan reports (reportationes) of their preaching, are a valuable historical source. Written down by anonymous listeners, these are the major reports of sermons preached in fifteenth-century Florence before Savonarola. The reportationes are unique in that they transmit in full the actual preaching event and are not merely a doctrinal summary composed by the preacher. Many of these sermons are still in manuscript form, especially those of Dominici, which have never been studied in detail and remain unpublished to this day. Dominici and Bernardino were active in Florence at a time when broad legal, social and cultural changes were taking place. The central purpose of this study is to examine the response of these preachers to the changes, the alternatives they offered and their attempts to direct the life of the laity. The four principal chapters are devoted to the preachers' opinions on secular and ecclesiastical politics, education and humanism, morality and the family and the economy and usury (the role of the Jews), the discussion built around a comparison between the two preachers. Although they differed in their interests and in their style - the unbending Dominici concentrating on politics and culture while the more flexible Bernardino focused on morality and the economy - they shared ideologies. Languages : English, Italian. 0 g.
Editore: Turnhout Brepols 2007, 2007
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
Hardback, XVIII+294 p., 88 b/w ill. + 8 colour ill., 160 x 240 mm. ISBN 9782503513423. This volume examines the relationship between preaching and art, addressing with particular detail the use of works of art in preaching and the importance of the pulpit itself. A challenging issue in the field of sermon studies is the relationship between preaching and art, in particular the manner in which preachers used works of art in their preaching and described specific pictures in their sermons; and the pulpit itself. The thesis of the book is that pulpits should be viewed in the context of the world of preaching in Renaissance Florence and in connection with sacred oratory. Indeed, like preached sermons, pulpits used rhetorical strategies to deliver religious messages. The author adopts an interdisciplinary approach to the topic by combining art history, historical analysis, and sermon studies; and she examines the pulpit's patronage, location, and function as well as its chronological development. This book combines a general survey of pulpits in Tuscany, with close analysis of five specific pulpits. Designed and executed by important artists located in Florence and Prato, these five pulpits are the most exquisite and impressive monuments of their type, and each has a complex and rich iconographic programme. The author reveals that the period between the fifteenth and early sixteenth centuries constitutes a distinct phase in the development of pulpits, different from the earlier tradition, and from pulpits constructed after the Council of Trent and during the Catholic Reformation. Languages : English. 0 g.