Tipo di articolo
Condizioni
Legatura
Ulteriori caratteristiche
Paese del venditore
Valutazione venditore
Editore: Oxford University Press, [London], 1925
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Publisher's printed wrappers. Size: Folio. 6pp.
Editore: Allegro Music [ 1931, printed ca 1990], Birmingham, 1931
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. [ii], 30pp. Spiral bound in publisher's printed wrappers. Reproduction of the Oxford University Press edition of 1931.
Editore: Donemus [ca 1950], Amsterdam, 1950
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Small 8vo. 23ff. Spiral bound with publisher's printed front wrapper. Reproduction of the composer's manuscript.
Editore: Donemus, Amsterdam, 1966
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Square folio. Stapled as issued. Facsimiles of the composers' manuscripts. Produced to accompany recordings of the works.
Editore: Alfred Lengnick & Co. [1950], London, 1950
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: 8vo. [i], 18pp. Stapled as issued in publisher's printed wrappers.
Editore: Oxford University Press, London, 1925
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. 16, 6pp. Sewn as issued in publisher's printed wrappers.
Editore: Donemus [1994], [Amsterdam], 1994
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Folio. [ii], 60pp. Spiral bound in publisher's printed wrappers.
Editore: Oxford, OUP (o.VN) [1926]., 1926
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
6 S. Umschlag. Umschlag minimal lichtrandig. Erstausgabe.
Editore: Oxford University Press, London, 1925
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Folio. Original publisher's brown printed wrappers with titling to upper. Score: 24; Violin: 5; Cello: 5 pp. Wrappers slightly worn; partial split to spine; monogrammatic sticker to upper. Performance annotations in string parts throughout. First Edition. Kloppenburg, p. 59. "Pijper was, with Vermeulen, the most important composer in the Netherlands in the first half of the 20th century; his teaching and writing also made a significant impact. He grew up in a working-class Calvinist milieu in a village outside Utrecht. Already studying the organ, he left school in 1911 to enroll in the Utrecht Toonkunst Muziekschool, where he studied composition with Johan Wagenaar and the piano with Helena van Lunteren-Hansen. His final examination, in 1915, was in theory, and he continued composition lessons privately for three more years. A radical new compositional style. made Pijper leader of the Dutch musical avant garde. He represented the Netherlands at the founding of the ISCM in Salzburg, 1922; soon after, backed by Sem Dresden, he established the Dutch ISCM section. The String Quartet no.4 (1928), based on an octatonic germ cell, attains polymetric extremes; during moments in the finale, none of the players share a common downbeat." Harrison Ryker in Grove Music Online.
Editore: Donemus, Amsterdam, 1973
Da: Colin Coleman Music, Stewkley, Regno Unito
Spartito
Size: Four volumes. Square folio. Publisher's printed wrappers. Facsimiles of the composers' manuscripts. Produced to accompany recordings of the works.
Editore: London, Oxford UP (ohne VN) [1925]., 1925
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
24 S. OU. Rücken ausgebessert. Erstausgabe.
Editore: London, Lengnick (VN 3646) [1950]., 1950
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
Stimmen: 7, 7, 7, 7 S. OUmschlag. Umschlagränder leicht vergilbt. MGG 10, Sp. 1274. - Erstausgabe dieses posthum herausgegebenen Werkes.