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Editore: Museum of Modern Art, 1968
Da: The Bookman & The Lady, Santa Fe, NM, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Good. Condizione sovraccoperta: None Issued. First Edition. Hardcover with metal covers. Owner name to front end page. Otherwise clean and unamrked. Binding strong. Metal spine has some rusting, light wear to covers. Decent copy in good condition. Additional photos available upon request. All of our books are carefully wrapped and shipped in a box.
Hardcover. Condizione: Very Good. 1st Edition. DECORATED METAL COVERS AND SPINE ARE VERY GOOD.CONTENTS ARE CLEAN AND BRIGHT.
Editore: The Museum of Modern Art, New York, 1968
Da: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
square 8vo. stamped metal covers imprinted with an illustration of the outside of the building housing the Museum in full color. 216, (2) pages. Well-illustrated exhibition catalogue. Very good condition. From the private reference library of Dorothy Sloan with a commemorative bookplate loosely inserted. stamped metal covers imprinted with an illustration of the outside of the building housing the Museum in full color.
Editore: Museum of Modern Art, 1968
Da: Brooklyn Rare Books, Brooklyn, NY, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Very Good. 1st Edition. First Printing.
Editore: New York (Agrinde Publications), 1979
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
124pp. 96 plates. Lrg. 4to. Wraps. Originally published in conjunction with an exhibition at the Centre Pompidou, Paris, 1977.
Editore: The Museum of Modern Art, New York, 1968
Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dustjacket. Presumed First. Presumed first edition w/NAP, metal covers with painted illustration to front, has a touch of bowing to the front cover, faint rubbing and scuffing to covers and spine, a hint of spotting to spine, and a thin crease with some smudges of soiling to the front endpage, otherwise a solid, tight VG copy.
Editore: Museum of Modern Art,, New York:, 1968
Black & White Photographs (illustratore). New York:: Museum of Modern Art, 1968. Sm 4to., 218 pp. .
Editore: MOMA., NEW YORK., 1968
Da: Angus Books, SHEFFIELD, MA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Very Good. 1st Edition. UNUSUAL METAL BINDING WITH FULL COLOR EMBOSSED COVER ILLUSTRATION.METAL SPINE DISCOLORED.BINDING ELSE FINE.CONTENTS CLEAN.B/W ILLUSTRATIONS.NOTES.BIBLIOGRAPHY.INDEX.
Editore: The Museum of Modern Art, New York, NY, 1968
Da: Antiques & Art, Piedmont, SD, U.S.A.
metal cover. Condizione: good, fon. 216 Art and machine at the MET. Interesting metal binding.
Da: Vangsgaards Antikvariat Aps, Copenhagen, Danimarca
Membro dell'associazione: ILAB
Louisiana, Museum for Moderne Kunst, Humlebæk 1973. 4to. 51 sider. Rigt illustreret i s/h. Tekstsiderne trykt på tyndt pergament eller kalke. Heftet med orig. omslag. Ganske lette brugsspor. * Jean Tinguely's tilbagekomst på Louisiana, efter han i 1961 på det nærmeste afbrændte og pulveriserede en due i sin selvdestruerende mobile-maskine "Etude til verdens undergang nr. 1".
Editore: The Museum of Modern Art, New York, 1968
Da: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. First Edition. 4to. Pp. [2], 3-216. Frontis. Black & white photograph of "Homage to New York," a self-constructing and self-destroying work of art by Jean Tinguely. Laden with black & white photography and illustrations. Notes. Index. Bound in stamped tin boards depicting in color a NYC street scene with MOMA as the centerpiece. Spine just a tad tarnished. Swedish art collector and museum director K. G. Pontus Hulten, (1924-2006), compiled this catalog for the MOMA exhibition, 1968-1969, for which he served as curator. Hulten described the show as a "collection of comments on technology by artists of the Western world," particularly in the modern age when "the mechanical machine - which can most easily be defined as an imitation of our muscles - is losing its dominating position among the tools of mankind; while electronic and chemical devices - which imitate the processes of the brain and the nervous system - are becoming increasingly important." A handsome copy.
Hardcover. Condizione: Good. Good, Metal covers and spine with wear and scratching, some small areas of shallow metal loss. Title Page with soft creasing toward hinge. Tanning to page margins. Soil to first few pages and text block edges. Shelf 3a.
Editore: Generic, 1968
Da: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condizione: Good.
Editore: THE MUSEUM OF MODERN ART, NY, 1968
Da: Gian Luigi Fine Books, Albany, NY, U.S.A.
Libro Prima edizione
Hardcover. Condizione: VG. First Edition. DECORATIVE METAL BOARDS, BOTTOM EDGE BUMP, CLEAN COPY.
Editore: The Museum Of Modern Art (Moma), New York City, 1968
Da: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Membro dell'associazione: IOBA
Libro Prima edizione
Hardcover. Condizione: Very Good. Photographs Throughout (illustratore). 1st Edition. 218 Pp. Original Stamped Metal Covers, Hinged At Spine, With Colored Illustration Of The Entrance To Moma On Front Panel. Light Wear At Edges, Cover Illustration And Hinges Intact, Discoloration To Metal Spine, 1/4" Area With Slight Waviness At Top Of Front Spine Overlap.
Editore: New York Graphic Society, Boston, 1975
ISBN 10: 0821205471ISBN 13: 9780821205471
Libro
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fair. Dust jacket has three two to three inch tears and a few small ones (now in maylar to protect it).
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Editore: Museum of Modern Art, 1968
Da: Sheafe Street Books, Portsmouth, NH, U.S.A.
Libro
Hardcover. Condizione: Very Good. Decorated Metal covers. Many photos and drawings of Machines through the ages.
Editore: THE MUSEUM OF MODERN ART,NEW YORK.1968., 1968
Da: Angus Books, SHEFFIELD, MA, U.S.A.
Libro
Hardcover. Condizione: Good PLUS. FIRST EDITION.NF BOOK WITH HINGED ALIMINIUM DECORATED COVERS.
Editore: The Museum of Modern Art, New York, 1968
Da: Small Volume Books, Providence, RI, U.S.A.
Hinged Metal. 4to. 216 pp. Pressed aluminum binding designed by Anders Osterlin, after photograph by Alicia Legg. Light scuffing to front and rear panels. Light toning to margins throughout. Profusely illustrated exhibition catalogue.
Editore: Museum of Modern Art. First American edition, New York, 1968
Da: Badger Books, Woollahra, NSW, Australia
Prima edizione
Hardcover/Hardback. Condizione: Fine. First Edition. Exhibition catalogue. The representation of the machine -utopian, oppressive, convenience, speed, wonder - through the ages, inside and outside of the body; 100+ reproductions. Pressed tin binding of coloured MOMA New York scene; three rivets on spine. Rust marks along spine and adjacent to MOMA sign on cover, else very good. book.
Editore: Museum of Modern Art, New York, New York, 1968
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. First edition. Square octavo. 216 [2] pp. Illustrated. Color pictorial metal covers. Covers rubbed and soiled with small stains, very good, lacking the cardboard slipcase.
Editore: Thames and Hudson, London, 1975
Da: Dublin Bookbrowsers, Dublin, NONE, Irlanda
Libro Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fair. First Edition. Pp. 364. Profusely illustrated. D.j.nicked and with tear to upper d.j. spine.
Editore: Museum of Modern Art
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.
Editore: Museum of Modern Art, New York, 1968
Da: Pegasus Books, Farmington Hills, MI, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good+. First Edition (?). B & W and Color; 9.40 X 8.30 X 0.10 inches; 218 pages; Covers are most unusual, made out of stamped metal, with a very colorful front cover. Metal hinges; light rubbing, scuffing to covers and spine. Former owner's sticker and small sticker residue spot on front leaf. Pages are clean and tight. Lavishly illustrated with mostly b/w art from the 15th century [Leonardo da Vinci] to 1968 [Lillian Schwartz, et al]. Artist's index. This was one of the most important exhibitions of the 1960s dealing with art and technology. The show was held at The Museum of Modern Art, New York, November 25, 1968 - February 9, 1969. Its curator K. G. Pontus Hultén described it as a "collection of comments on technology by artists of the Western world," particularly in the modern age when "the mechanical machine - which can most easily be defined as an imitation of our muscles - is losing its dominating position among the tools of mankind; while electronic and chemical devices - which imitate the processes of the brain and the nervous system - are becoming increasingly important." The exhibition traveled to University of St. Thomas, Houston, March 25 - May 18, 1969; San Francisco Museum of Art, San Francisco June 23 - August 24, 1969. Extra heavy 4#.
Editore: New York: The Museum of Modern Art, (1968). (1968)., 1968
Da: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, U.S.A.
Condizione: Very good. New York: The Museum of Modern Art, (1968). (1968). Very good. - Small quarto [9-1/2 inches high by 8-1/2 inches wide], color printed embossed aluminum boards designed by Anders Osterlin.The rear cover is rubbed & the front cover is lightly rubbed. The spine is rusted. 216 & [2] pages. Profuse illustrations in black, white & blue. There is an owner's inscription on the front endpaper. The page edges are darkened & there is some minor soiling to the fore-edge & top edge. Very good. Published in conjunction with an exhibition which was shown at the Museum of Modern Art, New York City from November 25, 1968 to February 9, 1969, and subsequently toured to Houston and San Francisco."Historically machines have often been regarded as toys, or agents of magic, marvel, and fantasy.The story of how artists in this century have looked upon and interpreted machines is highly dramatic. Their attitudes have ranged from deepest despair to devotion and even idolatry. It should be noted that such extreme positions have been taken by artists who are among the most significant of our time." [From the introduction by K. G. Pontus Hulten].
Editore: MOMA, New York, 1968
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Prima edizione
Condizione: Very Good. Condizione sovraccoperta: None. 218 pages. Hinged metal covers. Previous owners name at top of title page. Black & white photographs and illustrations. Light wear. Clean, tight copy. Record # 611814.
Editore: NY: Museum of Modern Art, 1968
Da: ANARTIST, New York, NY, U.S.A.
Hardcover with printed metal covers; 218 pages; very good condition: metal cover is still very clean; no internal marks. Foreign shipping may be extra.
Editore: The Museum of Modern Art, New York, 1968
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Prima edizione
Condizione: Very Good. Condizione sovraccoperta: None. 216 pages. Metal cover. Many b&w illustrations throughout. A nice, clean copy. Record # 853206.
Editore: Stockholm: Moderna Museet, 1970
Da: ANARTIST, New York, NY, U.S.A.
Softcover exhibition catalog, 168 pages, in French and Swedish, good condition, slight warping/ ruffled pages along base due to moisture exposure, 6-inch diagonal crease to rear cover affects last few pages; a few scuffs to cover; no internal marks. Includes: Lars Englund, Einar Hoste, Ulrik Samuelson, John-e Franzen, Olle Kaks, Lars Hillersberg, Dick Bengtsson, Ola Billgren. As is, but a very good reference copy.
Editore: The Museum of Modern Art, New York, 1968
Da: Counterpoint Records & Books, Los Angeles, CA, U.S.A.
Prima edizione
Metal. Condizione: Good. First Thus. Metal illustrated covers show light wear/scuffing and scratches to edges and covers of book, meatl spine is moderately tarnished, covers are gently bowed. Book body is clean, illustrated in b/w, pages lightly age-toned.